I must confess that I watched Valdimar Jóhannsson’s Lamb (Dýrið) whilst having a goblet or two of Absinthe, but had I viewed it tea-total, I don’t think it would have been any less strange!!
I don’t want to give away too much of the film but the basic premise is that a farming couple, Maria and Ingvar (played by Noomi Rapace and Hilmir Snær Guðnason) living on a remote sheep-holding in Iceland discover that one of their animals has given birth to a very peculiar offspring. They develop a deep attachment to this progeny and it becomes like a child of their own. This strange scene of domestic bliss is strained by the arrival of Pétur (Björn Hlynur Haraldsson) the brother of Ingvar and, so it would seem, a previous lover of Maria, (or at the very least someone who would very much like that to be the case). But it transpires that he is not the only visitor to the isolated farm.
Lamb is slow to the point of being glacial. That is not a problem for me as I really like slow-burn movies and here it really suits both the plot and the setting. The desolate beauty of the Icelandic landscape seems to lend itself to atmospheric, introspective drama and the photography in the film is bleakly beautiful.
As with other A24 films that dwell in ‘folk horroresque’ fields, I can see that Lamb may prove to be a ‘Marmite’ movie that would provoke a divisive response between viewers ( I myself am of the camp that loves the current output of Robert Eggers but have little regard for the films of Ari Aster, which are very popular with some; but one person’s poison is another person’s meat.)
Regarding Lamb I could see why some viewers would not like it, but I personally thought it was an unusual tale delivered well, with hints of a fairy-tale like narrative to it. It is worth noting though for viewers who have a sensitivity to animal death in film, that there are two animal deaths depicted in the film, one of which, the first has a specific narrative role but the latter is arguably unnecessary but serves as one of the film’s actual few ‘horror’ moments. For the most part Lamb does not play out as a ‘horror’ film as such but as a domestic drama (albeit it a very strange one) but its conclusion returns it firmly into a horror fold.
Reviewed by Andy Paciorek