British Folk Horror TV of the ’50s

In this series of articles I hope to create as complete a list as possible of folk horror-relevant programmes produced for British television, hopefully including documentaries and others that are not strictly folk horror but which are still relevant.

There will doubtless be some missing, so if you have any updates, additions, corrections etc. please either write in the comments or tweet to @folk_horror, and hopefully the article can be kept updated. Also if you have recollections of watching lost and forgotten productions from when they were broadcast I’d love to hear them.

This first part spans the 1940s and 1950s. Very little survives from this era due to most productions being performed live and not recorded, and most of what was recorded was not retained. There is also limited information that I could find for many of these productions and I’ve been fairly inclusive, so there may be some listed which didn’t have a significant component of what would now be considered folk horror.

Saturday Night Stories (15 mins, 20 episodes?)

Broadcast details: BBC/ 24th Jan 1948-22nd Oct 1949

Archive Status/ Availability: Missing

Notes: BBC Genome lists most of these as having been read by the author Algernon Blackwood, but also mentions readings by another famous writer of weird fiction, Lord Dunsany. Also mentioned are ones by Compton Mackenzie and Sir Christopher Lynch Robinson, so it is likely the series was not all supernatural. Unfortunately, I’ve been unable to find any details of which stories were read, and although there were 20 broadcast some of the stories may have been repeated.

Algernon Blackwood also appeared in a 1949 series entitled A Strange Experience produced by Rayant Pictures, but again I was unable to discover where they were broadcast. Six episodes were made, and two episodes have been made available by the BFI to view online here:

‘Lock Your Door’ – https://www.youtube.com/watch?v=wRy4D11qc8I

‘The Reformation of St. Jules’ – https://www.youtube.com/watch?v=ATAOHgHJv3E

http://genome.ch.bbc.co.uk/search/0/20?adv=1&order=asc&q=saturday+night+stories&svc=9371533&yf=1948&yt=1949#search

https://nicklouras.wordpress.com/2018/01/21/rare-film-of-algernon-blackwood/

Algernon Blackwood in ‘The Reformation of St. Jules’

Sunday-Night Theatre – ‘Witch Wood’ (1 hr 30 mins)

Broadcast details: BBC/ 30th May & 3rd Jun 1954

Archive status/ Availability: Missing

Notes: Adaptation of John Buchan’s 1927 novel about a witch cult surviving into the mid-17th century in the Scottish Borders. The play was performed live on Sunday evening and again the following Thursday, but neither performance is known to have been recorded. A second BBC adaptation was broadcast in 1964.

Two Ghost Stories (30 mins)

Broadcast details: BBC/ 14th Oct 1954

Archive status/ Availability: Missing

Notes: Readings of two short stories by M.R. James with visual effects added live: ‘Canon Alberic’s Scrapbook’ (narrated by Robert Farquharson) and ‘The Mezzotint’ (narrated by George Rose).

http://www.pardoes.info/roanddarroll/MediaList.html#anchor7441

The Creature (1 hr 30 mins)

Broadcast details: BBC/ 30th Jan & 3rd Feb 1955

Archive status/ Availability: Missing

Notes: Nigel Kneale play about an expedition led by Dr. John Rollason (Peter Cushing) into the Himalayas in search of the mysterious Yeti or Abominable Snowman. The play was performed live (with pre-filmed inserts shot in the Alps) twice, once on Sunday and again on the following Thursday, but as was standard at the time neither was recorded. However, Hammer Studios released a movie adaptation in 1957, re-titled The Abominable Snowman with Peter Cushing reprising his role, and this is available on DVD.

http://genome.ch.bbc.co.uk/8e051ddcfcc14ae29640692616d159ec [original Radio Times listing]

http://www.britishtelevisiondrama.org.uk/?p=1141 [In depth article about the TV production]

https://www.amazon.co.uk/Abominable-Snowman-DVD-Peter-Cushing/dp/B0058CLCNY [Hammer Studios version on DVD]

Poster for Hammer Studios adaptation of The Creature

Colonel March of Scotland Yard (27 mins approx., 26 episodes in total, relevant episodes below)

Broadcast details: ITV/ 1955-56

Archive status/ Availability: All still exist, and are available on Amazon Prime UK at the time of writing

https://www.amazon.co.uk/Colonel-March-of-Scotland-Yard/dp/B01IAGGZJU

Notes: A detective series starring Boris Karloff as Colonel March. which included the following apparently supernatural episodes although I’m not sure they can be called folk horror. Episode descriptions taken from Amazon:

1. ‘The Sorcerer’ (1st Oct 1955)

"A psychologist is found stabbed to death in a seemingly sealed room. Inspector March needs to decide who had the most reason to kill him, and how did they accomplish the task."

2. ‘The Abominable Snowman’ (8th Oct 1955)

"Members of the Himalayan Mountaineering Club are threatened by what appears to be the abominable snowman, and someone leaves a strange footprint on a ledge outside Colonel March’s office."

3. ‘Present Tense’ (15th Oct 1955)

"Colonel March’s niece, a believer in spiritualism, thinks she hears her dead husband’s voice and others in the house become convinced her husband has returned as a ghost. But has he?"

11. ‘The Talking Head’ (17th Dec 1955)

"A 12-year-old boy insists his dead father told him to kill his mother’s new fiancée. But did the father truly die in an accidental plane crash?"

23. ‘The Case of the Lively Ghost’ (31st Dec 1955)

"A phony spiritualist believes she’s truly summoned a real ghost. Colonel March attends her next seance to discover the identity of the spirit’s killer- dead or alive."

https://en.wikipedia.org/wiki/Colonel_March_of_Scotland_Yard

Boris Karloff as Colonel March of Scotland Yard

Days of Grace (45 mins)

Broadcast details: BBC/ 18th Sep 1956

Archive status/ Availability: Missing

A Scottish ghost story based on a story by David Forbes Lorne, adapted by Moultrie R. Kelsall: "When somebody dies, his first duty is to keep watch from sunset until the day breaks, every night until the next dead soul relieves him…"

http://genome.ch.bbc.co.uk/471624ea5e964cbea41d9aee8367d9a7

Out of Step – Witchcraft (25 mins)

Broadcast details: ITV/ 4th Dec 1957

Archive status/ Availability: Exists, and available as an extra on the BFI’s Blu-Ray and DVD release of 1970s witchsploitation films Secret Rites and Legend of the Witches

https://shop.bfi.org.uk/pre-order-legend-of-the-witches-secret-rites-flipside-039-dual-format-edition.html

Notes: Out of Step was a series of documentary shorts looking at “unconventional opinions”, and in this edition presenter Daniel Farson interviewed Margaret Murray and Gerald Gardner about witchcraft, and discussed Aleister Crowley with Louis Wilkinson.

White Hunter – ‘Voodoo Wedding’ (30 mins)

Broadcast details: ITV/ 15th Oct 1958

Archive status/ Availability: Exists, but currently unavailable

Notes: White Hunter (1957-58) is a series about a Big Game hunter (appropriately called John Hunter) and his African assistant Atimbu which was shot in England with stock footage of Africa. In this episode a young woman believes she may have become the victim of a Voodoo curse. Probably not relevant but included for completeness.

https://web.archive.org/web/20170923163501/http://www.zone-sf.com/voodoouk.html [Archived version of 'Britain under the spell: representations of voodoo in British films and TV' by Paul Higson]

http://ctva.biz/UK/ITC/WhiteHunter.htm[White Hunter episode guide]

Armchair Theatre – ‘The Witching Hour’

Broadcast details: ITV/ 2nd Nov 1958

Archive status/ Availability: Missing

Notes: Quite possibly not relevant, but included for completeness.

"Jack Brookfield, a gambler with clairvoyant and hypnotic powers, is able to win at cards through his unique gift. But when he inadvertently hypnotizes young Clay Thorne, Thorne kills an enemy of Brookfield’s while under a trance. No one believes Brookfield’s protestations that Thorne is innocent of any murderous intent, so Brookfield teams up with retired lawyer Martin Prentice in hopes of saving the young man from the gallows."

http://www.imdb.com/title/tt1092687/ [Episode synopsis]

ITV Play of the Week – ‘The Crucible’ (1 hr 15 mins)

Broadcast details: ITV/ 3rd Nov 1959

Archive status/ Availability: Reels 1 and 2 of 3 exist, but the complete programme is lost

Notes: Adaptation of the play by Arthur Miller about the 17th century witchcraft trials in Salem, Massachusetts, with early pre-fame appearances by Sean Connery and Susannah York.

The Voodoo Factor (30 mins, 6 episodes)

Broadcast details: ITV/ 12th Dec 1959-16th Jan 1960

Archive status/ Availability: Exists complete, but currently unavailable

Notes: A scientist battles against a killer epidemic that may either be caused by the curse of a Spider Goddess or contamination caused by nuclear testing. It’s surprising that a series from this era still exists complete, and a shame that it hasn’t been released on DVD as it is fondly remembered by reviewers on imdb.

http://www.imdb.com/title/tt0191746/?ref_=wl_li_tt

Quatermass and the Pit (30-35 mins, 6 episodes)

Broadcast details: BBC/ 22nd December 1958 – 26th January 1959

Archive status/ Availability: Exists complete, and available on DVD with the two surviving episodes of The Quatermass Experiment and the complete Quatermass 2 series

https://www.amazon.co.uk/Quatermass-Collection-Experiment-Pit-DVD/dp/B000772838

Notes: A series that really should need no introduction. While the previous two Quatermass serials had dealt with sci-fi topics, for the third one Nigel Kneale dug deep into brought in everything from ghosts, goblins, the Devil, aliens, psychic powers and more. Hammer Studios re-made it as a feature film in 1967.

https://www.amazon.co.uk/Quatermass-Pit-DVD-Andrew-Keir/dp/B000HEVTKY [Hammer Studios adaptation on DVD]

Three principal sources, in addition to the obvious ones of imdb and Wikipedia, were invaluable while researching this article:

TVBrain – Database of British TV run by Kaleidoscope, dedicated to rediscovering lost British TV and have been instrumental in recovering many previously thought lost productions. Their work is ongoing and lost shows still turn up, so if you think you have a programme from the archives you can check and contact them.

https://www.tvbrain.info/

Haunted TV: A history of British supernatural television – a very comprehensive listing of British programmes, many extremely obscure, although it seems to no longer be updated.

http://webspace.webring.com/people/th/hauntedtv/index.htm

The Telefantasy List – A sadly defunct listing of principally British and American telefantasy, which is still available at the Internet Archive

https://web.archive.org/web/20160304084734/http://homepage.ntlworld.com/john.seymour1/telefantasylist/index.html

Article by Richard Hing. Thanks to all the contributors to Folk Horror Revival for giving many suggestions over the years that have helped build this list.

Coming Soon … Corpse Roads: Revised Edition

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Wyrd Harvest Press are pleased to announce … A Revised Edition of our seminal poetry and photography anthology Folk Horror Revival: Corpse Roads will be available soon.

Featuring extra poetry, additional photography, new cover artwork and a much-improved design, this fantastic collection just got even better …

Keep watching the spirit paths and our Folk Horror Revival / Wyrd Harvest Press media for more details.

💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀

douglas lane gibbets hill

The Wick – A Folk Horror short.

Wick – The protector of a Witch is just as bad as a Witch.

The Wick-Poster-(Al)-Online

In August I had the tremendous honour of being invited to the wonderful Genesis cinema in Whitechapel for a private screening of the new Folk Horror short film `The Wick’. Written, produced by and starring the clearly very talented Michelle Coverley FHR caught up with her to discuss the film, how it has been received and what the future holds for her and The Wick.

Set in the early 19th century in rural England, ‘The Wick’ is a tale of deceit and persecution of a woman who fights for justice against a lawless witch hunter.

The story unfolds seventy-three years after witch trials were banned in the U.K. When Esther, a known herbal healer in a small close knit community, witnesses her friends murder at the hands of a lawless witch hunter, she finds herself entangled in a dangerous web of deceit, blind ignorance and superstition. We track Esther’s head on collision into this dark world and her realization that things clearly need to change. We follow her journey of attempting to put an end to the ignorance and barbarity of these outdated beliefs. This is a universal and timely story of a strong woman, striving for justice and fighting for the rights of the underrepresented and the misunderstood.

`THE WICK’ is a dark, period drama with the village that Esther, our female protagonist lives in, being extremely superstitious to the point that it is horrifying. What these villagers are led to believe, without much proof and the lengths that some of them go to, to ‘fix’ things is quite shocking. The deception and ignorance is quite barbaric, with folklore and religion being at the heart of it.

To this day, countless numbers of people are still being accused of witchcraft and persecuted around the world. They have no rights, no voice and are condemned by misguided beliefs

Folk Horror Revival: The Wick is a beautifully shot film with the landscape and nature very firmly embedded into the story telling adding to the sense of isolation that allows suspicion and paranoia to breed in the community. It has definite Folk Horror overtones not least in its subject matter – how do you feel now it is done and being presented as a finished piece? I guess really you are still working on it in a publicist capacity now.

Michelle Coverley: Thank you for such a great review. I’m so happy that people are picking up all those details from the film. That’s exactly what I wanted people to see in ‘The Wick’. I feel amazing now that it’s complete and that it’s setting off on its festival circuit. It was such a long journey to this point. Many ups and downs and so to finally have it finished is a big relief. Both, the director, Sabine Crossen and I are extremely proud of it.

FHR: You must be very pleased with the end result and how it has all come together – can you tell us a bit about some of those different components (location, music, costume, set dressing)

MC: I’m extremely pleased with what my team and I have accomplished. Everything was shot on location in Sussex and we were very lucky to have found those specific places. Thanks to the Weald and Downland museum, The national Trust and Sussex Wildlife Trust, we were able to achieve a very authentic look for ‘The Wick’. Our amazing costume designer, Emma Clark added to that by designing and singlehandedly making all our costumes from scratch. Without her dedication and sheer hard graft, we never would have done it. As well with our talented production designer, Karijn Nijmeijer, who transformed these amazing locations with her magic touch. She traveled all the way from Holland to be with us!

Apart from those visual aspects, the director and I felt it was important to give the film a modern feel, to accentuate the films topical themes so to help the audience observe and connect from a more contemporary point of view. We did this through working with the amazingly talented Micha Theofanopoulou & Hollie Buhagiar on the sound design & music and then with Pooya from Panchroma Studios on the colour grade, choosing vibrant colours and stark contrast.

 

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FHR: I really loved `The Wick’ and I know it got a big round of applause at the private screening I attended. How has it been received? It must be interesting to see how different people respond to the story and its message.

MC: We got an amazing response from all our guests at the private screening. Sabine, the director and I were pretty blown away with it all. Because we have been so close to it for the past year, and I for even longer, it was so amazing to hear the audience notice all the small nuances of the subject matter come though, as well as picking up the bigger picture of the societal corruption and female persecution and to realise that it still has relevance today. I had people coming up to me telling me it really affected them, that it was hard hitting, surprising and shocking but beautiful at the same time.

People wanted to see more which was fantastic to hear! They were also pretty

surprised of the style of music and sound design we chose as it was quite obscure and different to what a ‘classical’ period drama would have used. The director and I were intent on steering clear of making it look and sound like a classic period drama. It’s turned into a period thriller with a modern edge, which I love.

FHR What are you plans for the film now? Will people be able to see it at some point? (is there a feature length version in the pipeline maybe??)

MC: Yes, I would love to make ‘The Wick’ into a full-length feature film, which is the plan. I’m at this minute adapting a treatment I did for it some months ago with a friend who’s in the industry. Watch this space!

For ‘The Wick’ short film, it’s now in the film festival circuit stage. I can’t wait to share with you when it has its world premiere. Short films usually have a two year life span at festivals till you launch it on line or it gets taken up by a distributor. The point of this is to make contacts for future projects and to showcase everyone’s talent who worked on it. I feel indebted to all the amazing people who came on-board. So trying to get it into as many great film festivals as possible is what I’m aiming for. This stage is a whole other ball game. Since finishing post-production, I’ve been scouring the internet late into the night, submitting it into festivals all over the world. Fingers crossed, they start to bite.

FHR: And what about you – what are your plans? Any future projects you can share with folk yet??

MC: After the experience with writing and producing ‘The Wick’, I’m actually pretty interested in directing my next piece. I’ve been collecting images over this past year that inspire an idea I’ve had for a while. It’s still pretty raw and the framework is all over the place but it’s a psychological thriller piece with folk horror and magic realism at its core. I’m also very excited about putting my actor’s hat on again for other people’s projects. That was the whole point in fact with making ‘The Wick’, to showcase my acting. So I can’t wait to throw myself into that again.

SC-Meadow1@

 

If you get the chance to catch The Wick at one of the many film festivals that will no doubt be clamouring to showcase Michelle’s wonderful creation then you are in for a real treat. The landscape and presence of nature is wonderfully represented throughout giving the film a reassuringly bucolic feel that balances perfectly with the dark story that gradually unfolds. At times I was reminded of the way the landscape was shot in Winstanley and Witchfinder General in which small isolated incidents of great importance are played out within the vast expanse of the English countryside. Alongside this is a fantastically atmospheric score, a deep sense of authenticity and attention to detail and a perfectly paced story…in short The Wick is a triumph and hopefully it’s just the start for Michelle.

Final Winter Ghosts Announcement!

So as the Autumn takes full hold it is time for us to announce the final acts for this year’s Folk Horror Revival – Winter Ghosts event that takes place December 14th at the Metropole in Whitby.

Our final musical act are the rather wonderful Scottish prog rockers Big Hogg.

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Big Hogg are a 6 piece Canterbury influenced progressive group mixing threads of acid folk , Dr John , Kevin Ayers and 60s and 70s west coast psych.They released their eponymous debut album on Neon Tetra in 2015 and built up a glowing live reputation following shows at the Barrowlands , Rockaway Beach ,Wickerman and Eden festivals. In 2017 they signed with London label BEM who released their critically acclaimed “Gargoyles” album in May of that year. Record Collector magazine described it as ” An epic fantasia through Glasgow’s grimy underbelly with tumbling brass and suspended jazz chords” , while prog magazine describes them as ” masters of weaving an aural tapestry of influences together to create some suitably brilliant and uplifting music in the true spirit of the Canterbury pioneers” The band are currently recording their third album.

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Joining the lineup is our very own Darren Charles who will be bringing his Unearthing Forgotten Horrors radio show to the event. Featuring an eclectic mix of music, Darren’s aim will be to get everyone up and dancing to the very best in prog, folk, metal, goth, alternative, electronica and psychedelic music.

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Finally we will be screening three rather fabulous short films.

 

American Witch

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Welcome to a voyage from novice to initiate. The chthonic path is the common thread that weaves together the various underground religions in America from Wicca to Voodoo and Stregheria to Santeria, and everything in between. Along our pilgrimage, we will unfold the historical background in places where witchcraft came into its own distinctive form such as Salem, New Orleans, New York City, and Los Angeles. American Witch will also explore the stories of practitioners and how it’s changed their lives.

Scarlett Amaris has co-written scripts for the seminal horror anthology THE THEATRE
BIZARRE (2011), the award-winning, supernatural documentary THE OTHERWORLD
(L’AUTRE MONDE) (2013), featuring years of her research into the mysteries of the South of France, in which she appears as a resident expert, and the horror film REPLACE (2017). She’s co-written the dark fantasy trilogy SAURIMONDE I, II & III, and her first contemporary fiction novel DESIRED PYROTECHNICS will debut in 2019. A well-regarded authority on alternative history, her research has been featured in numerous books and anthologies. She also teaches comparative mythology and witchcraft at The Crooked Path Occult Apothecary in Los Angeles, and is a founding member of the Tridents of Hekate coven. Scarlett’s screenplay for H.P. Lovecraft’s The Colour Out of Space is currently receiving a great deal of praise across the festival circuit ahead of its release.

Melissa St. Hilaire wrote film and music reviews for The Heights Inc. Her poetry has appeared in the periodicals Shards, The Outer Fringe, and The Laughing Medusa. She co-authored several scripts for Tone-East Productions. She has written articles for Feminine Power Circle, Savvy Authors, SF Signal, and The Qwillery, among others. She has also appeared in the anthology books Folk Horror Revival: Field Studies and Folk Horror Revival: Corpse Roads. Her debut book was a memoir titled In The Now. She co-wrote the dark fantasy series, Saurimonde, with Scarlett Amaris, and is currently finishing a sci-fi novel called X’odus. She is also a founding member of the Tridents of Hekate coven.

Conjuration

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Gary Parsons is an MA film graduate from Goldsmiths College London who specialises in short films. Utilizing both, elements of the surrealist genre and images of the occult, these films are both beautiful and at times disturbing. They also tap into the verisimilitude of the erotic and the unconventional.

Gary has been influenced by film-makers such as Jan Svankmajer, Kenneth Anger, Alejandro Jodorowsky, Luis Bunuel, Hans Richter, Man Ray and Jean Rollin. All these elements meet within a melting pot to find visual references within the work.

Gary’s films can be viewed in many different ways, as straight forward narrative pieces but also as ritual film as demonstrated by similar film-makers such as Maya Derren or even as music promo video. The films stand as an ongoing obsession of their maker as an overall understanding of the human psyche within certain specific landscapes.

Conjuration is Gary’s most recent film and is based around an Alexandrian ritual. It deals with modern day magick, but also correlates it with magick’s heritage through Gary’s impeccable choice of shooting locations. Several powerful ancient sites, notably Avebury, Glastonbury, Pompeii and Oslo were chosen for this purpose.

conj2

 

 

louhi

Louhi, The Northern Witch

Directed by Lauri Löytökoski, Louhi, The Northern Witch is a silent film with an ambient-folk score, based on The Kalevala, the Finnish national epic, the story draws from its shamanistic aspects.

The lead character is Runoi; a nascent witch who confronts his mother’s night terrors and is quickly transported into the realm of Louhi, the witch-queen of the undead. He journeys to axis mundi, the mythical pillar connecting heaven, earth and the underworld.

Main characters of The Kalevala are introduced as vessels for him to pass through. In the lines of Carl G. Jung’s anima/animus theory, they represent subconscious element of one’s sexuality, the opposite of the dominant side.

louhi1

So, that pretty much completes this year’s action packed lineup. Tickets are currently available from the eventbrite page below. We hope to see you all there for what promises to be another spectacular weekend of music, film, talks and art.

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442

Don’t forget as well as the main Saturday event there will be the Thresholds Art Show in conjunction with Decadent Drawing, the unofficial Friday ice-breaker featuring Storm Chorus at the Rifle Club, and the Ghost story readings at the Hetty and Betty Cafe in Baxtergate on Sunday 15th.

 

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https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442

New T-shirts ~ Folk Horror Revival – Winter Ghosts 2019

https://scontent-lhr3-1.xx.fbcdn.net/v/t1.15752-9/s2048x2048/70347624_355523121999042_3817249422379581440_n.jpg?_nc_cat=109&_nc_oc=AQkt5rRuU9X36BuguCcUFRmumZghFLZCLafoL9MZg7yQilhPJYUIkEqJCErfTbSZX08&_nc_ht=scontent-lhr3-1.xx&oh=4ae4791fa3ad5448d248d2caf739c983&oe=5E34E032

The official T shirt for the Winter Ghosts symposium 2019 is here !!

It Glows in the Dark!!!!

Print is a dark cream in daylight and is truly fluorescent under UV light. Once charged they glow an eerie green.

T shirts are black, universal, round-neck Ts.

Designed by our very own Cobweb Mehers​ of Eolith Designs

https://scontent-lhr3-1.xx.fbcdn.net/v/t1.15752-9/s2048x2048/70250807_952633421736809_7445152999606845440_n.jpg?_nc_cat=110&_nc_oc=AQlbSf4g-r-XXZoiyLI3oyB7wS8QID3noWWesNm-uTNBF-LHpBmO0_j7lJ4MtmZNgCI&_nc_ht=scontent-lhr3-1.xx&oh=4efed6cbbbe9ae79a971d92f2d6c9bed&oe=5E35B8A6

Printed by Tyrant Design & Print

http://tyrannical.co.uk/
https://www.facebook.com/wicked.tyrant/

Image result for tyrant design and print

Sizes currently available:

4 x M
7 x XL
10 x XXL

UK Pricing
£15
P&P – £6

USA Pricing:
$19
P&P – $7.50

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To Purchase – email Kt for more details

at –

shekinah0711@talktalk.net

 

Reece Dinsdale In Conversation

https://i2.wp.com/www.bbc.co.uk/staticarchive/9f5024207872ae4c935dff108746e836502bbff4.jpg

Join acclaimed actor Reece Dinsdale for an intimate evening of nattering…

Sunday 3rd November, 8:00pm – 10:30pm

at The Waiting Room
9 Station Road, Eaglescliffe,
Stockton-on-Tees, TS16 0BU
01642 780465

2018 saw the reissue on DVD and Blu-ray of Threads… surely one of the most hard-hitting and frightening TV dramas ever made? Barry Hines’ BAFTA-winning depiction of a Britain struggling to exist in the wake of a cataclysmic nuclear war is shockingly and stunningly realised, with actor Reece Dinsdale gaining deserved plaudits in the role of terrified young father-to-be, Jimmy Kemp.

It was a breakthrough role for Reece, although he’d already enjoyed an acclaimed stage career, and had made an early film appearance alongside Michael Palin and Maggie Smith (and a wayward pig) in Alan Bennett’s A Private Function. Full-on TV fame followed, with 1985 seeing the debut of hugely popular ITV sitcom Home To Roost, in which Reece played the rebellious son of a divorced (and reluctant) father, forging a formidable sitcom double-act with the great John Thaw.

Deliciously eclectic film and TV success continued; he played Guildenstern opposite Timothy Spall’s Rosencrantz in Kenneth Branagh’s big-screen adaptation of Hamlet, and won Best Actor at the Geneva Film Festival for his lead role in ID, playing an undercover police officer dragged into the murky world of football hooliganism. Further TV credits include Spooks, Life on Mars and Silent Witness, and two years in Coronation Street as the ill-fated Joe McIntyre. In recent years, Reece has earned acclaim for his portrayal of Richard III at the West Yorkshire Playhouse, and has also moved behind the camera, directing episodes of BBC1’s drama anthology Moving On. He has also appeared in folk horror favourites Robin Hood and The Storyteller.

In the latest of our regular ‘live chat shows’, Reece will be interviewed onstage by writer, BBC broadcaster, Haunted Generation archivist and self-avowed film and telly geek Bob Fischer.

Tickets available from – https://www.seetickets.com/event/chinwag-reece-dinsdale-in-conversation/the-waiting-room/1413021

Article shared from here

FOLKLORE ON SCREEN: Conference reflection

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Friday 13th 2019 came with the Hunter’s Moon and Scooby Doo and the gang were celebrating 50 years of ghost-busting and so too began the 2 day Folklore On Screen Convention organised by David Clarke, Diane Rodgers and Andrew Robinson of the Centre For Contemporary Legend at Sheffield Hallam University.

Folk Horror Revival were honoured to have a presence there in form of myself founder Andy Paciorek talking about British Dystopia in relation to our side project the Urban Wyrd. Therefore it would be biased for me to pen a review as such but instead I present this as a reflection on what was a fantastic weekend.

The event kicked off with Mikel Koven’s talk Return of The Living Slave: Jordan Peele’s Get Out as a Zombie Film, which gave a very interesting consideration on the subject matter with relation to both traditional magical beliefs and also modern culture.
Get Out Topples The LEGO Batman Movie at the Box Office - IGN

Image: Get Out

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Image ; Mikel Koven by Centre for Contemporary Legend

From there we entered into the Monster Mash the first featured panel of the weekend with Matthew Cheeseman’s Dracula’s Fangs talk leading us from the vampire’s dentiture into Derby’s utterly bizarre House of Holes – an adult entertainment crazy golf club and bar. Housed in a haunted building that in a previous incarnation many moons earlier was one of the first theatres to present the stage play adaptation of Bram Stoker’s novel Dracula. From the images of the ‘murder hole’ the surreal, quirkily disturbing  featuring a host of punctured inflatable sex dolls, it would seem the spirit of the vampiric count maybe got a shock sinking his fangs into the necks of these ‘voluptuous’ maidens.
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Photo: Matthew Cheeseman by Diane A. Rodgers

Sneak peek inside adults-only crazy golf course opening in ...

House of Holes. Derby – photo via https://www.derbytelegraph.co.uk/

Craig Ian Mann then followed this with Pack Mentality: A Cultural Approach to the Werewolf Film in the 1970s, which as well as reminding me of some films I haven’t seen since I was a child and introducing me to a few unfamiliar ones, brought a smile to my face in seeing the fantastic poster  Werewolves on Wheels (1971) displayed in the presentation. It is not a film that was really in the Oscars running of that year but I do think it deserves more than its 4.3 IMDB rating … well maybe… With its dark age of Aquarius subtext and the presence of a satanic cult, Werewolves on Wheels deserves to be more widely known among the folk horror community too, if only as a peculiar guilty pleasure.

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Image: Werewolves on Wheels

Rebecca Bannon then brought us Ghost of the Past Sweeney Todd: The Demon Barber of Fleet Street and Liminality which discussed the haunting of the titular character and director Tim Burton’s aesthetic approach in bringing what was a rather corporeal down and dirty tale of cannibalism to the screen as an opulently Gothic ghostly musical.

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Image: Sweeney Todd

Then followed the parallel panels of the day. As it was unfortunately not possible to see all talks and difficult to choose which to watch, I will give the running list here but can only pass comment on those I saw; but from the engaged and enthusiastic conversations which surrounded the breaks in the event, it would appear that all the talks went down well and touched aspects of different people’s psyches.

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From the birth of a modern mass panic that arose from a strange piece of  to the cursed tales of Crying Boy paintings (which although being rather kitsch in style and with a grisly reputation of misfortune surrounding them I’d rather quite like one) to finding out about a dark artist previously unfamiliar to me but one whose work has intrigued me since and is something I brought away from the conference in my mind and perhaps under my skin.

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Image by Bragolin

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Photo by Centre For Folklore, Myth & Magic

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Image by Peter Booth

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Photo: Momo from Stella Gaynor’s talk

Then the talks ended for the day but not the entertainment as the night treated us to excellent music sets by Hawthonn, Phil Tyler and Sharron Kraus

And also a specially brewed beer for the weekend!!

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Photo by Diane A. Rodgers

The next morning brought the Haunted Generation of which I was delighted to be a part. Talking about nuclear war and the end of the world should perhaps not be so enjoyable but sharing the panel with the founding father of Hookland David Southwell and Fortean Times The Haunted Generation’s Bob Fischer was an absolute pleasure and the talks they both gave were fantastic.
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Photo: Bob Fischer by Centre for Folklore, Myth & Magic

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Photo: David Southwell by Diane A. Rodgers

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Photo: Andy Paciorek by Centre for Folklore, Myth & Magic

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Photo: The Haunted (Re)Generations by Adam Spellicy
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Then followed the Parallel Panels, which again it would’ve been nice to bi-locate like Padre Pio to see all, but between the two lecture halls were discussions on topics ranging from Cat People to the Wickerman to Invisible Women to the Children of the Stones. Devils, Witches, Fairies, Foundlings, Holy Fools and UFOs all put in an appearance in some fantastic talks.

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Photo: Tom Clark – The Devil Made me do it by Centre for Folklore, Myth & Magic

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Photo: Evelyn Koch by Diane A Rodgers
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Photo: Andrew Robinson by Diane A. Rodgers

The convention was rounded off with Helen Wheatley’s Haunted Landscapes: Trauma and Grief in the Contemporary Television Ghost Story which featured some of the beautiful cinematography and aesthetics that accompany modern telly’s tales of haunted places and haunted minds.

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Photo: Helen Wheatley by Diane A. Rodgers

A great weekend filled with intriguing talks, evocative music and some very interesting and fun conversations.

A big Thank You and Congratulations to Centre for Contemporary Legend for hosting a great event and hopefully more to come.

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Photo: Diane A. Rodgers by Paul Dorrington

Urban Wyrd: Folklore On Screen

 

via GIPHY

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Folk Horror Revival founder Andy Paciorek will be talking at the Centre For Contemporary Legend’s Folklore on Screen conference on

Friday 13th– Saturday 14th September 2019,

Sheffield Hallam University, South Yorkshire, England, UK.

Andy will be appearing on the Saturday speaking about Urban Wyrd: Dystopia and Apocalypse on British TV and will be forming part of a  Hauntology panel alongside Hookland’s David Southwell and The Haunted Generation’s Bob Fischer.

Full line-up and ticket details here – https://contemporarylegend.co.uk/events/
The Friday night also includes a great music event featuring Sharron Kraus, Hawthonn and Kath & Phil Tyler

Urban Wyrd : Spirits of Time and Place

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Now available from Wyrd Harvest Press
Folk Horror Revival – Urban Wyrd: 1. Spirits of Time

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Discover Hauntology, Weird Technology & Transport, Hauntings and much much more in the realms of TV, Film, Literature, Art, Culture , Lore and Life. Travel in time and spaces with Adam Scovell, Stephen Volk, Scarfolk, Julianne Regan, Sebastian Backziewicz, Sara Hannant, The Black Meadow and many other contributors.

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Folk Horror Revival – UrbanWyrd: 2. Spirits of Place

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Urban Wyrd – Spirits of Place. Discover within its winding streets Psychogeography, Genii Loci, Edgelands, Urban Exploration, Weird Places and many other strange matters within film, TV, music, literature, life and culture. Perambulate in the company of such contributors as Will Self, K.A. Laity, Bob Fischer, Iain Sinclair, Diane A. Rodgers, John Coulthart, Karl Bell and many many more.

Available now from –

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100% of profits from FHR / Wyrd Harvest Press books sold in our Lulu store is charitably donated at intervals to different environmental, wildlife and community projects undertaken by the Wildlife Trusts.

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NEW BOOKS: Folk Horror Revival: Urban Wyrd Spirits of Time + Place

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…This is not a test … we interrupt this transmission to alert …

Folk Horror Revival: Urban Wyrd –

1. Spirits of Time

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are available to purchase now …

Launch offer 35% Discount on each book

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All sales profits from purchases made at our book shop

http://www.lulu.com/spotlight/andypaciorek

are charitably donated to The Wildlife Trusts

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Contents – (to enlarge when viewing on computer – right click – view image)

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