The Repeater Book of the Occult: Book Review

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For a clearer picture of this book you need to look at the subtitle ‘ Tales From The Darkside’ as it may be presumed from the main title and the the pentagram design on cover that the book may be a history of discourse on the occult traditions of witchcraft, ‘alternative religion’ and ceremonial magic. This is not the case as the book is in fact an anthology of classic and lesser known short tales of the supernatural and psychological.
It takes the term ‘Occult’ in the wider sense of being hidden or secret; of being occluded.
In the more common usage of the term to denote dark magic, only a few of the stories peripherally allude to this and I wonder whether the name ‘The Repeater Book of the Uncanny’ would have been a more apt description of the greater tone of the contents.
Nomenclature and cover aside, the book will still likely be of considerable interest to many Revivalists.

Each story is selected and prefaced by writers who have penned works for the Repeater publishing house and I found these introductions to be most interesting. It is intriguing to discover why they selected the particular stories they did and also the commentary on the lives and mindsets of those that scripted the strange tales. I also approve of each story being preceded by an illustration.

Included within the volume are two stories from the pen of Irish writer Sheridan Le Fanu ~ ‘Squire Toby’s Will’ and ‘Green Tea’.
Squire Toby’s Will concerns itself with a family feud between two brothers regarding inheritance upon the death of their father and the dark emotions and vices that arise from greed and bitterness. The other tale featured ‘Green Tea’ is the more well-known and I think stronger of the two. Its premise revolves around the popularity of Green Tea a beverage that was popular in the time of the Romantic and Gothic poets and the story’s strength is bound not to its narrative, which really doesn’t go anywhere, but its hallucinatory energy. Within the tale the drink is in part demonised as a psychotropic that causes the decline of mind of the character Jennings who drinks lakes of the stuff but in another aspect it is seen as a key to opening the mind. Jennings was also a reader of the works of mystic Emanuel Swedenborg (providing the book with one of its stronger associations to the Occult in the narrower sense) and had earmarked a passage about opening the inner eye. Alas for Jennings, the opening of his mind’s eye released madness or something perhaps worse – an actual manifestation of his shadow self. A malevolent alter-ego that appeared in the guise of a grimacing, muttering monkey. Now this may sound absurd, but consider if you were haunted by such a beast, disturbing your peace and even urging you to commit suicide!
I wonder personally whether Le Fanu should have only had one story within the compendium as with the other featured authors, and another writer to have been featured in place, but as the book revolves upon the choice of Revolver writers in selecting stories that spoke strongly to them, then it is understandable how one storyteller could feature more.

In keeping with simians and also another story with a stronger occult theme, the classic WW Jacobs’ tale The Monkey’s Paw also features in the compendium. As is the case with the author Carl Neville who selected it, this is a story that has been with me since childhood. Basically it is a moral of being careful what you wish for. A family come into the possession of a taxidermy piece – a preserved monkey’s paw that can bring desires into fruition. Sounds like a blessing but the mitt reveals itself to be more of a curse. It is a simple tale but in its telling of what lurks beyond the door of grieving is a powerful piece of horror writing.

A short segment of contemplation by the author Mary Shelley ‘On Ghosts’ is short but sweet and had space permitted I would have been interested to read more writers’ musings on supernatural matters and delivering anecdotes of creepy tales they’d heard.

Virginia Woolf’s ‘A Haunted House’ is another brief inclusion that also serves to make the book something a bit different. It is more a reverie, a daydream, a description of sensations of being in a house that may be haunted – more perhaps a prose poem than a short story as such, but it continues a mood whilst also acting perhaps as an interlude in the book.

‘The Yellow Wallpaper’ by Charlotte Perkins Gilman is one of the more well known stories in the book, but deserves to be known more widely still both in horror literature and other circles of discussion. Brave and ahead of its time (when I first read it as a teenager, I thought it had been written well into the 20th Century, rather than in 1892 and actually still upon reading it as the images play out like a film in my mind, I visualise it not in Victorian fashions but those of a later date). This is certainly due to both its timeless quality, its courageous questioning of womanhood and postnatal depression in that patriarchal era and the spectre of ‘hysteria’ that cast like a shadow over women of the period. The horror in it is not explicit – we are not told this is a definitely demon,a ghost, a vampire doppleganger or whatever but left to consider that it may very well be an inner demon manifest as a woman virtually imprisoned in her room obsesses over the yellow wallpaper in there and begins to see it take on a life of its own. Either way its build-up of dread and strangeness as the tale progresses marks it as horror as well as being an important piece of literature in other ways.

A more obscure gem in the book is Marlene Dotard’s ‘Par Avion’ from 1928. Taking as its premise the spirit communication between a living lover and one who has passed over. It does however introduce the unsettling suggestion of how malady – a virus is transmitted from the world of the dead into our world by mediumship and spreads through time. Interspersed within passages of the tale are shots of lyrical description blending scientific processes with an almost feverish mystical beauty.

A more well-known author Mark Twain, broaches contagion also in his tale Punch, Brothers, Punch’, befitting this Covid age. It is a peculiar witty story, that preceded the book and film ‘Pontypool’ by many decades, and though a beast of different tone deals in the same territory of language of words becoming viral. Tristam Adams’ introduction to his choice of tale, also struck a chord with me beginning as he does with talk of INMI (Involuntary Musical Imagery) – i.e. Ear-Worms! Because at the time of reading and for too many days surrounding I for some unfathomable reason was dealing with the song ‘Twelve Thirty (Young Girls are Coming to the Canyon)’ on a constant loop in my head. It’s a good song but damn, it got a bit much! He also speaks of another subject close to my heart (hopefully not literally) – Parasites! When working for The Wildlife Trusts in a past life, in doing environmental education activities when school groups visited the reserves, one of my perks of the job (which I must say the vast majority of kids seemed to enjoy) was telling them about the weirder, grislier, grosser wonders of nature. I must admit that in talking about the world of parasites my skin would crawl too, but damn (again) they are really fascinating creatures. And that is a joy of this book, the peculiar twists and turns the selecting writers take in the delivery of their story of choice.

Bizarre creepy-crawlies and the apparent dissolving of ‘reality’ into a psychotropic nightmare are again themes that reoccur in Francis Stevens Unseen -Unheard and again why I question if this work should perhaps have been called The Repeater Book of the Uncanny, as many of the stories seem to dwell in the moments where something happens or something encountered is not quite right and then becomes increasingly wrong.

Edgar Allan Poe’s The Black Cat is more familiar territory though for readers of horror short fiction. The classic tale of whereby a man’s cruelty and callous arrogance come back to bite him or rather in this case incriminate him for woeful wrongdoings.

The book ends with the brooding novella The Willows by Algernon Blackwood. This tale of being at the mercy of nature is apt in these days of Climate Change and is an eerie, atmospheric classic of folk horror / weird fiction in its own time and own right. The author Algernon Blackwood was himself a scholar of Rosicrucianism and a member of the Hermetic Order of the Golden Dawn, and I wonder whether perhaps a chance was missed here as other authors of supernatural material such as Arthur Machen, WB Yeats (who wrote extensively on folklore as well as being a great poet) and even E. Nesbit were members also of The Golden Dawn. As was notoriously for a while Aleister Crowley – though certainly not the best writer (and definitely not the best poet) he did pen some short fiction and his life is certainly an interesting topic, regardless of whether your opinions on his character or literary ability are foul or fair. Perhaps should an extended edition ever come about more tales by writers actively involved in the occult in their own lives could be a factor.

As it stands, The Repeater Book of the Occult: Tales From the Darkside is a solid enough anthology of short horror, that combines some well-known classics of the tradition with some unfamiliar and offbeat fare and is enriched further by each tale being preceded by diverse and intriguing introductions and also by illustrations.

Publisher : Repeater Books; New edition (9 Feb. 2021)
Language : English
Hardcover : 350 pages
ISBN-10 : 1913462072
ISBN-13 : 978-1913462079

https://repeaterbooks.com/product/the-repeater-book-of-the-occult-tales-from-the-darkside/

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Reviewed by Andy Paciorek

Green, Unpleasant, Land by Richard Freeman: Book Review

Think of ‘British Horror’ and what comes to mind? In this circle perhaps your mind turns to witchcraft shenanigans of centuries past or ritual cult activity in sleepy places in more recent times. Perhaps in the wider society of horror the refined hauntings of the likes of The Innocents or MR James scholarly tales may spring to thought. Or perhaps the gothic kitsch of Hammer movies.

Within this book of 18 British tales of terror, Richard Freeman casts his net wider into scenarios and locations that have a, perhaps less obvious to casual thought but recognisably apparent when there in the moment, very British feel – the walk home from the Youth Club, a spoiled little girl’s birthday party, a country churchyard, walking the dog down near the nature reserve, a fishing excursion to a Welsh lake, the streets of London and much more besides.

Being an established Cryptozoologist and Fortean, the natural and supernatural worlds provide great inspiration for Freeman’s short stories and we see creatures from familiar and comparitively unfamiliar folklore and legend, both ancient and modern, brought to life. This could be a risky venture as fairies, dragons and unicorns for example are so well entrenched in many minds as being associated with sword and sorcery, mawkish fairy tales and flowery new age representation, but Freeman does exceptionally well in granting these otherworldly creatures a more authentically believable and gritty presence in a world we are familiar with on a day to day basis.

There is an element of the ‘kitchen-sink’ as well as the supernatural in some of the tales which does indeed give the works a British flavour. Freeman’s fairies are a tribute to Arthur Machen’s treatment of the subject, which is made clear within the tale. His unicorn is not a saccharine sweet entity but a creature of flesh and blood. There are nods to science as well as superstition within this book’s narratives. Freeman also notes his fondness for the earth-bound adventures of the third doctor, Jon Pertwee in the long-running BBC sci-fi series Doctor Who, which I think does come through in the atmosphere of some of these tales.
Creatures of British myth and of contemporary anomalous encounters such as the Lambton Wyrm of County Durham and the large hominid of Cannock Chase make their physical presence manifest and believably threatening through Freeman’s skilled and brave treatment. Some of the tales I could see working well in a TV anthology in the manner of Nigel Kneale’s Beasts. They set a scene, tell a simple tale, sometimes with twists that would satisfactorily make for effective episodes of a cryptozoological – folkloric themed Tales of the Unexpected type show.

Another point of approval I have with Green, Unpleasant Land is that each tale is accompanied by an illustration by Shaun Histed-Todd. I’m biased on this matter being a book artist, but I do really think that horror short story anthologies are given a further dimension and appeal by the inclusion of illustration.

Product details

  • Paperback : 222 pages
  • ISBN-10 : 1905723857
  • ISBN-13 : 978-1905723850
  • Dimensions : 15.6 x 1.19 x 23.4 cm
  • Publisher : Fortean Fiction (9 Jan. 2012)
  • Language: : English



For more information on CFZ press click – HERE

Book available from HERE + other bookstores

Book review by Andy Paciorek



The Frighteners by Peter Laws: Book Review

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I was only a couple of pages in by the time this book had me hooked. From the offset Peter Laws’ investigation into why people, like himself, are fascinated, drawn to and maybe a little obsessed by horror and other spooky or grisly weird stuff, resonated with me. I too am one of those morbid kids grown up and not grown out of morbidity. Unlike Peter Laws however, I am not a Christian church minister!! 
Laws’ day job is accompanied by a night shift that sees him writing reviews of horror films for Fortean Times magazine and penning dark fiction. Some may consider Laws’ dual paths as being incongruous but as he points out Christianity is full to the brim with supernatural elements; there are numerous grim and violent stories in the bible and The Exorcist is actually a very Christian film (and indeed was instrumental to Laws finding his vocation as ‘the sinister Minister’.
My own childhood attending a Catholic school governed sternly by nuns already had me convinced that horror and Christianity may not always be miles apart by any means!    

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But what is the fascination of horror? Why does it draw some people in? Why do some people enjoy being frightened? Is it wrong or harmful to like freaky, frightening stuff? These are questions that Laws seeks answers to in some very strange places. Within the pages of this captivating book we join him in scenarios and company as peculiarly diverse as a haunted hotel in Hull, alongside howling dogs in Transylvania, in a shop in York that has amongst its various gee-gaws and oddities a curl of hair clipped from the head of Charles Manson and trapped in the toilet of a decommissioned war bunker whilst a Zombie in a wheelchair batters at the door. 

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The Frighteners is an intriguing book and whilst it does ask some serious questions and looks at some heavy elements such as Murderabilia (the collecting of serial killer and violent crime associated ephemera) and the matter of violence, death and dying generally, it is also a very funny book. Some of Laws’ wit is gallows humour – it has to be considering the subject matter, but it is never cruel and it gives the book a friendly glow and familiarity.  Even in the cold Capuchin crypts beneath Rome among the remains of scores of dead monks, their death presented vividly for all visitors to see, the warmth of Laws’ company is ever present. He is a perfect guide for voyages of the macabre as he does not shirk away from or sugar-coat the grisly, the violent, the tragic and the horrific. He braves the questions that some may want to ask but don’t dare and he doesn’t run from contemplation of the answers. But throughout he maintains a friendly, funny, engaging and affable manner. Humour in grim circumstances can be a good coping mechanism for dealing with things or situations that may disturb us as can confrontation of our fears. An interesting topic that arises is the observance of children that have experienced trauma playing with their toys in a manner that some may find disturbing or drawing gruesome pictures, but that in fact it may be a healthy way for them to deal and process the intense disturbance to their life. And not just kids, the book ponders what is a harmless interest and what is an unhealthy obsession. A fondness for horror can be healthy, the fantasy a safe, harmless escape and channelling of inner troubles and an invigorating thrill. Rather than break societal boundaries it can strengthen them. But there are times when people have questioned whether exposure to Horror fiction such as with the moral panics that have arisen around spooky comics, ‘video nasties’ and violent computer-game could or have indeed resulted in real-life grisly crimes. 
The answers to such a question are complex, but it is a certainty that very many of us like scary or gory things but thankfully the vast majority of us don’t go onto mass murder or other atrocious crimes and certainly not everybody who does these things are horror fans as such.
Rather than nail down solid final answers for why some people are the way they are, this book is a highly enjoyable and very interesting adventure into the dark-side. It is a book that I found myself reading excerpts from to my girlfriend (another aficionado of the frightful) which led to some interesting conversations.

The Frighteners is available Here and from other book shops and online stores

For more information about Peter Laws creative projects visit ~

https://www.peterlaws.co.uk/

Review by Andy Paciorek

Photograph of Peter Laws The Sinister Minister

Urban Wyrd : Spirits of Time and Place

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Now available from Wyrd Harvest Press
Folk Horror Revival – Urban Wyrd: 1. Spirits of Time

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Discover Hauntology, Weird Technology & Transport, Hauntings and much much more in the realms of TV, Film, Literature, Art, Culture , Lore and Life. Travel in time and spaces with Adam Scovell, Stephen Volk, Scarfolk, Julianne Regan, Sebastian Backziewicz, Sara Hannant, The Black Meadow and many other contributors.

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Folk Horror Revival – UrbanWyrd: 2. Spirits of Place

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Urban Wyrd – Spirits of Place. Discover within its winding streets Psychogeography, Genii Loci, Edgelands, Urban Exploration, Weird Places and many other strange matters within film, TV, music, literature, life and culture. Perambulate in the company of such contributors as Will Self, K.A. Laity, Bob Fischer, Iain Sinclair, Diane A. Rodgers, John Coulthart, Karl Bell and many many more.

Available now from –

https://www.lulu.com/shop/search.ep?keyWords=urban+wyrd&type=

100% of profits from FHR / Wyrd Harvest Press books sold in our Lulu store is charitably donated at intervals to different environmental, wildlife and community projects undertaken by the Wildlife Trusts.

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Witch Cults – The Melmoth the Wanderer mix

 

This mix has been compiled to mark the forthcoming Folk Horror Revival event – Witch Cults. It fatures all the artists who will be appearing at the event plus samples from the films and dramatic performances that will be featured –

Marcus H
Hokano
Black Mountain Transmission
Georgia Seddon
The Heartwood Institute
Nathalie Stern
Peg Powler

Witchcraft 70, Simon the King of the Witches and Tracey Norman’s WITCH.

The event takes place at Star and Shadow cinema in Newcastle on 14th July.
Full Day Tickets are now available for £17.50
Individual Afternoon and Night tickets are £12.50 each,
Available now from Eventbrite.

Black Earth: A Field Guide to the Slavic Otherworld

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Following on in the footsteps of Strange Lands: A Field Guide to the Celtic Otherworld, Black Earth guides the curious on a fully illustrated journey into the strange Otherworld of the Slavic nations. Ever wondered whose eyes are glaring at you in the bathhouse or who is lurking in the deep dark birch woods and following you through the golden grain fields? What lies beneath the damp black earth? Wonder no more, let Andrew L. Paciorek guide you into the worlds beyond.
Safe return not guaranteed ….

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Fully illustrated throughout – 206 pages

3 cover formats –
Paperback / softcover – £10
($12.15 USD)
Hardback Dust sleeve £20
($27.39 USD)
Hardback Image Wrap – £20
($27.64 USD)

UK P+P – £5.99

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For US shipping and other overseas prices and shipping costs please set the flag on the top right of website linked below to your country / currency.

Blurb ships to the following countries and territories:

Argentina, Australia, Austria, Belgium, Bermuda, Brazil, Bulgaria, Canada, Cayman Islands, Chile, Colombia, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Guadeloupe (French), Guam, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Jamaica, Japan, Latvia, Lithuania, Luxembourg, Macao, Malaysia, Malta, Marshall Islands, Mexico, Micronesia, Netherlands, New Zealand, Northern Mariana Islands, Norway, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Reunion (French), Romania, Russian Federation, Saint Barthelemy, Saudi Arabia, Serbia, Singapore, Slovakia, Slovenia, South Africa, South Korea, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Vietnam, Virgin Islands, Virgin Islands (British)

Available from –
UK – http://www.blurb.co.uk/b/8125531-black-earth

USA – http://www.blurb.com/b/8125531-black-earth

NELAPSI

FHR Edinburgh: The Final Reveal

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To complete the great line-up at The Unseelie Court event at Edinburgh Summerhall, Folk Horror Revival are very proud to present ~

Headling our night of music are PYE CORNER AUDIO.
Pye Corner Audio is a British electronic music project by Martin Jenkins. Originally self-released, Vols 1 – 2 and Vols 3 – 4 of the Black Mill Tapes were released by Type records as TYPE107 and TYPE118. Sleep Games was released on Ghost Box.

Submerged rhythms and ectoplasmic electronics haunt the disused dance halls and concrete derelicts of Belbury.
It’s possible to detect echoes of John Carpenter, Italo-horror soundtracks and a kind of post rave meltdown in Martin Jenkins’ submerged disco and spectral electronics.

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Completing our catalogue of talks at the day event is Murdo Eason of The Fife Psychogeographical Collective, who will be talking on Embedded in the Landscape: Psychogeography, Folk Horror and the Everyday.
https://fifepsychogeography.com/

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Intoducing the event are Folk Horror Revival’s own Darren Charles and Andy Paciorek who have previously brought their take on the folk horror phenomenon to the stages of Cambridge University and The British Museum

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Author extraodinaire Chris Lambert will be our MC for the day, and will be launching The Wyrd Calendar. Maybe there will be some tales of The Black Meadow.
http://blackmeadowtales.blogspot.co.uk/

folk horror revival @ British Museum

See Also –
FHR- Edinburgh Event – First Reveal
FHR- Edinburgh Event – Second Reveal

FHR Edinburgh Event – Third Reveal

FHR Edinburgh Event – Fourth Reveal

Tickets available now from here

 

BM photos by Graeme Cunningham

The Snow Witch by Matt Wingett: Book Review

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The Snow Witch is both a haunted and haunting book. Though not a ghost story as such, it is swarming with ghosts – the ghosts of the past, the ghosts of winter, breath ghosts. From the bleak frosty shore to the black, black sea, Wingett tells the tale of a lonely, insular refugee from the east of Europe who finds herself in the cold season days of a British seaside town. There she encounters strange kindness but also becomes the victim of a harrowing experience.

The tale is infused with humanity at its rawest, its nastiness but also its generosity. Like a favourite author of mine – Ray Bradbury, Wingett skilfully paints a scene in words with painterly strokes; in my mind when reading I could see the twinkling of the model village lights in the darkness of the drawn in evenings and feel the bite of frost upon my fingers. I found myself immersed with the events playing out in my mind like images upon a cinema screen; for me that is the mark of a skilled writer. Also adept and engaging are the characterisations of the figures prevelant in the narrative – from the enigmatic otherworldliness of Donzita, the enduring grief of Celia, the shy awkwardness of Eddy, the wilful desperation of Vee and the low, selfish cruelty of Riley.

At times The Snow Witch is raw, unafraid to confront the unkindness of life but it also shines the beacon of hope and illuminates magic and maintains its air of cold, ethereal beauty throughout.

The Snow Witch is available to pre-order from here and here

Review by Andy Paciorek

20% Discount – Strange Lands and The Human Chimaera

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Save 20% on Orders of the books Strange Lands: A Field Guide To the Celtic Otherworld and The Human Chimaera: Sideshow Prodigies and Other Exceptional People. Both written and fully illustrated by Andy Paciorek.

Just add code GIFTWORTHY20 at checkout at http://www.blurb.com/user/andypaciorek

No minimum or maximum order amount.
*Offer valid through December 13, 2016.

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Strange Lands is a deeply researched and richly illustrated information guide to the entities and beasts of Celtic myth & legend and to the many strange beings that have entered the lore of the land through the influence of other cultures and technological evolution.
At nearly 400 pages and featuring over 170 original illustrations, Strange Lands is an essential accompaniment for both the novice and seasoned walkers between worlds. Includes a foreword by Dr. Karl Shuker

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Containing over 100 original pen & ink portraits alongside biographic text, The Human Chimaera is an indispensable guide to the greatest stars of the circus sideshows and dime museums.
Includes a foreword by John Robinson of Sideshow World.

Just add code GIFTWORTHY20 at checkout at http://www.blurb.com/user/andypaciorek

No minimum or maximum order amount.
*Offer valid through December 13, 2016.

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Unearthing Forgotten Horrors Radio Show 5th December 2016

This week’s Unearthing Forgotten Horrors features music from Black Magician, Blood Ceremony, Colin Towns, Antonius Rex, Keith Emerson, Grumbling Fur, Carlo Savina, Hildur Gudnadottir and Fabio Frizzi. We take flight at 7pm UK time on (http://l.facebook.com/l.php?u=http%3A%2F%2Fa1radio.co.uk%2F&h=DAQH7dcTG&enc=AZPkNxPYjXk4SYWqkUE7B8KymPY_qlDQleWKnCU_PaSqlW8ht35ege_YazHntp2-KTU&s=1)