the twisted roots and sweetest fruits …

 

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From the foundation stones of Acid Folk and Child Ballads, Occult Rock and the Blues to the influence of Folk Horror on TV and Film soundtracks, Hauntology and even mainstream Pop.

Harvest Hymns is a diverse and fascinating collection of articles, reviews and interviews with and from the likes of Jim Jupp, Maddy Prior, John Cameron, Jonny Trunk, Candia McKormack, Moon Wiring Club, Alison O’Donnell, The Soulless Party, Andrew Liles and Adam Scovell.

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Available soon from Wyrd Harvest Press – the publication wing of Folk Horror Revival

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Images – Jim Peters & Grey Malkin
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The skull engravings of Paul Beech

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Dem Bones, Dem Bones, Dem Fine Bones  …

Folk Horror Revival popped some questions over to skull engraver extraordinaire Paul Beech and present here for the pleasure of your eyeballs some folk horror bony goodness – enjoy

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Folk Horror Revival: What inspired you to take up skull engraving and what did you choose for your first design? 

Paul Beech: Moving to Ireland and the incredible landscape of forests and mountains igniting my creativity. I feel like I stumbled into using skulls though. A combination of reckless adventuring and bad weather on the Comeragh Mountains led me to them. My first design was the Icelandic magic symbol The Helm of Terror as the Old Gods and old ways are a huge influence on my work.

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FHR: What sort of skulls do you engrave upon and do you acquire the skulls?

PB: So far I’ve only used sheep and rams (I’ve a fox stewing away though!) I acquire them myself up in the Comeragh Mountains. I go off the paths and vanish into the wild. I’m hoping to find some goats and deer soon but they aren’t in as much abundance. It’s important to note that I do not purchase skulls from hunters and butchers. If I did happen to, I would be sure to make people aware of the source.

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FHR: If you were able to engrave onto any type of skull which creature would you choose?

 PB: A human skull! They look incredible carved.
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FHR: Do you do any other form of art? 

PB: I like photography. I take pictures of all the skulls I’ve found and include them with finished pieces. The fog and gloom of the Irish Landscape makes for beautiful photo material too.

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FHR: If someone wanted to purchase an engraved skull from you, how would they go about it? 

PB: For now find me on Instagram at @paul_beech or look out for when I post on the Folk Horror Emporium with available skulls, jaws and maybe the odd spine too! ☠

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All carvings and images © Paul Beech

Wyrd Harvest Press: 10% discount and Free Shipping on all our books*

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Claim 10% Discount + Free Shipping on all Folk Horror Revival / Wyrd Harvest Press books* by entering code BOOKSHIP18 at checkout at –

http://www.lulu.com/spotlight/andypaciorek

*offer expires at one minute to midnight Monday 5th February 2018

(To change prices to your local currency, select your nation’s flag at the top of the sales webpage)

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Wyrd Harvest Press books explore the landscapes of Folk Horror and related realms in film, tv, books, art, music, events and other media and also psychogeography, hauntology, folklore, cultural rituals and costume, earth mysteries, archaic history, hauntings. southern gothic, ‘landscapism / visionary naturalism & geography’, backwoods horror, murder ballads, carnivalia, dark psychedelia, wyrd forteana and other strange edges.

100% of profits from FHR / Wyrd Harvest Press books sold in this online store will be charitably donated at intervals to different environmental, wildlife and community projects undertaken by the Wildlife Trusts.

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FHR Young Artists of the Month: January 2018

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Folk Horror Revival is proud to present the Young Artist of the Month winner for January 2018 as Luis Dutton . His winning picture was this great rendition of Stonehenge shown above, the following drawings are also by Luis.
He wins a copy of the book Hares in the Moonlight by Sharron Kraus.

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We also received these fantastic pictures below from other Young Artists.

Esme Dutton
by Esme Dutton

Max Whistlecraft
by Max Whistlecraft

Mai Newholmby Mia Newholm
Ava Paananen
by Ava Paananen

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To enter your child’s art into the Folk Horror Revival: Young Artist of the Month competition –

Please send scans or photographs of the child’s work by email to fhryoungartistawards@gmail.com

Please include the child’s name and age
(the competition is open to children up to the age of 12).

Please include a postal address so that we can send a certificate to each young artist and the book to that month’s winner. (Email and postal addresses will not be shared online nor with any other party and will be used by us only in association to this competition. )

By submitting the child’s work you agree to us potentially publishing it in a book containing all the Young Artist competition entries (the book would likely be printed in black and white). Such a book will be non-profit for Folk Horror Revival / Wyrd Harvest Press with all sales profits being charitably donated to The Wildlife Trusts environmental, community and conservation projects.
All young artists will be granted a free PDF digital copy of the book, (as we utilise Print on Demand and are non profit, we are alas unable to supply young artists with hard-copy paper editions of the book).

The monthly winner of the competition will receive a copy of the book
Hares in the Moonlight by Sharron Krauss.
All Young artists will receive a little Thank You by post.

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Holy Terrors: Film Review

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In August 2017 via the pages of Fortean Times Magazine I first heard of the film Holy Terrors created by Mark Goodall and Julian Butler much to my delight and anxiety. Not only was it a movie featuring 6 weird tales of Arthur Machen but it was made in Whitby! Machen and Whitby – two things I cherish very dearly so I was very eager to see this film but also worried that it might be awful. (Those worries were happily unnecessary.)

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Also at the time we at Folk Horror Revival were organising the Winter Ghosts event for the following December in Whitby. I mentioned to our Events Manager, Darren Charles how the film could’ve been a good addition to our bill if it were not already fully booked. Then much to my surprise and delight, I received an email from the film director Mark Goodall, who had heard about our event and was wondering if we would like to screen Holy Terrors there. Would we?? Is a bear Catholic? Does the pope … Yes! We were interested!
Some jiggling around of schedule and the film was added to the bill and was indeed an atmospheric and beautiful end-piece to the event.

Before discussing the film further, just a short resume of Arthur Machen, for although his light is belatedly beginning to shine brighter, outside of certain horror fiction circles, he is still something of an unknown quantity to many folk.

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Born in Wales in 1863, Machen’s career in weird fiction blossomed out of the Symbolist and Aesthetic fin de siècle of the 1890’s. Like a number of other artists and writers of the era, Machen’s work was a curious brew of spirituality and decadence. Blending paganism and Christianity both in his work and in his own personal mysticism, born the son of an Anglican minister he was a member of the Hermetic Order of the Golden Dawn, but did not renounce his Christian faith. He therefore, in a sense, has an air of the notion of Celtic or Insular Christianity, whereby it has been suggested that some of the earliest priests of the Celtic Church were possibly former druids some of whom preferred to preach in the outside cathedral of nature than within a church; and that numerous acolytes of which were ascetic hermits that lived in remote quiet places. Oddly enough it is often claimed that the Synod of Whitby marked the official end of the Celtic Church. (The Synod of Whitby (664 A.D.) was a Northumbrian synod where King Oswiu of Northumbria ruled that his kingdom would calculate Easter and observe the monastic tonsure according to the customs of Rome, rather than the customs practised by Irish monks at Iona and its satellite institutions. The synod was summoned at Hilda’s double monastery of Streonshalh (Streanæshalch), later called Whitby Abbey.)

Machen was one of the early masters of weird fiction, particularly a faction of which, with his own use of folklore (notably the use of fairies not in their tiny twee Disneyfied forms but as the strange human sized people of old lore) and spirit of place, may now frequently be referred to as Folk Horror.
Those who cite Machen as an inspiration or to express enthusiasm for his work include figures as diverse as the writers H.P. Lovecraft, Jorge Luis Borges, Stephen King, Ramsay Campbell, Alan Moore, Iain Sinclair and Sir John Betjeman through to musicians such as Mark E. Smith, Belbury Poly and Current 93. Notorious occultist Aleister Crowley was a fan of Machen’s work but reputedly it was far from being reciprocated, with Machen having a personal dislike for the man.

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So how would Machen’s subtle strange tales translate to screen?
Holy Terrors slowly fades in to scenes of an empty shore and a desolate man. The hauntological soundscape of composer David Chatton Barker (Folklore Tapes) leads us to the body of a man beneath a bridge. Thus opens ‘A Cosy Room’ the first of the 6-weird tales of Arthur Machen. (Indeed, I can vouch it is a cosy room and one not devoid of otherly presence either as I recognised it straight away as a room that I myself have spent several nights in. In fact, after viewing Holy Terrors for the first time at Winter Ghosts, it was the room that I would return to sleep in that very night. The filming location for this segment was The Stoker Room of the cool and quirky hotel La Rosa in Whitby’s East Terrace. Overlooking a great view of Whitby Abbey and the harbour, the wonderful building-sized cabinet of curiosities that is La Rosa hotel has a plaque outside marking it as a place that author Charles Dodgson, aka Lewis Carroll of Wonderland fame amongst other things, stayed at several times. The Angel Hotel in New Quay Road is also suitably plaque-bearing as a residence where Machen stayed.)

The opening wordless narrative shot in atmospheric black and white marked in me the feeling that I was really going to like this film, but also mark it as a film that would not appeal to viewers who only like their horror visceral, fast and with a simple plot and conclusion. Like the tales of Machen, this film adaptation is steady, subtle, atmospheric and most often strange rather than horrific. Some of the tales do not build up to a definite explanation and conclusion but remain more as captures of a strange moment or sequence, rather like many reported real life anomalous experiences.

So, it is safe to say from the outset I could see that Holy Terrors will not be to all tastes but is deliciously to mine.

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We are then invited to taste The White Powder of the second tale. This is one of the Machen stories to have a more typical sense of narrative in that it follows an event to a solid culmination. It is a tale of both dread and decadence and has both the air of M.R. James ‘The Ash Tree and Kafka’s Metamorphosis but still remains essentially a Machen tale.
(an amusing synchronicity with the screening at Winter Ghosts was that the imbiber of the said White Powder of the film develops an odd black spot on his hand as an early symptom that something is amiss. The black spot very much resembled the black spot on the audience members’ hands that bore the blurred remains of the mark of the Folk Horror Revival sun symbol hand-stamp.)

The White Powder is a solidly told tale and it really brings forth the power of Goodall’s film-making. Relying strongly on an audio narration that bonds Machen completely with these new dreaming of his creations, the character that is etched within the faces, particularly the eyes of the actors in this film is a strong motif, that in its use becomes somewhat hypnotic. Another film-making skill that Goodall employs to great effect is making Whitby timeless; the use of soft focus, careful framing and light bleached backgrounds removes any trappings of modern life such as shopfront banners and so forth.

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Crowhurst, R.; The Angel of Mons, c.1914; National Army Museum; http://www.artuk.org/artworks/the-angel-of-mons-c-1914-182603

The third tale is one of Machen’s most famous, not because it is his best work or most identifiable of his style but because it has been noted as being the possible origin of the Angels of Mons legend.  At the Battle of Mons on the French borders in 1914, it was claimed and published in the British Spiritualist magazine in 1915, that British soldiers were protected in battle by a host of Heavenly angels. However, in 1914 The Evening News newspaper had published Machen’s story The Bowmen, in which a battalion headed by Saint George intervenes in a conflict between World War I British and German forces.
Out of all the stories within the Holy Terrors film The Bowmen could have been the most problematic for a low budget production. By the effective use of old newsreels of wartime footage, Goodall skillfully conquers this problem and overall the artistry of the entire film does not give the slightest impression at all that it is not studio funded. The photography, editing and production is on the contrary not only skillful but beautiful.

The fourth segment of the portmanteau initiates us into the Ritual. It is however not a ritual of hooded or sky-clad figures in the depths of a wood or desecrated church but that of a playground game of schoolchildren. The simplicity of this has a deeply unsettling nature and again the actors of Holy Terrors deserve applause. To act without words uttered needs to tread a line between expression, subtlety and communicative skill lest it become exaggerated like a mime performance. Again, we find great casting is at work here, for the children have a look to them that would not see their faces out of place in antique Victorian or Edwardian photography.

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The next tale, The Happy Children remains with the theme of strange youths. Unlike those in Ritual, there is a question arises as to whether these children are alive or even of human nature – a Celtic belief about Fairies is that they are spirits of the dead and the Happy Children indeed have an otherworldly sense to them. This segment again effectively uses the townscape of Whitby as a strange and beautiful filming location, and with good cause for this tale is set in Whitby. It is renamed Banwick but the tale is undeniably inspired by Machen’s visit to Whitby on a journalistic task to report on the town’s Jet industry. The story reveals Machen’s mystical sensitivity both of place and to the horrors of war. Whitby and other towns on the North Eastern English coast had been subject to wartime attack by the Germans and Machen’s reference also to the biblical slaughter of the innocents undertaken by Herod in his efforts to eliminate the infant messiah.
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A phrase within the story describing Whitby as The Town of Magical Dream is a perfect description (it also is aptly used by Carolyn Waudby for her excellent essay on Whitby). The night after Winter Ghosts I walked Whitby’s streets and the pier and the 199 steps to Saint Mary’s Church and the Abbey, and it was not mere suggestion but there was a palpable otherness to the coastal town darkened save for the twinkling of Christmas lights. There was a definite presence, not unwelcoming for the most part save for the pool behind the abbey where I felt that I was not meant to proceed further so I didn’t and for a strange unsettling sensation in the Screaming Tunnel of the Khyber Pass. I know that I am far from being the only one to sense something strange in Whitby’s thin sea fretted air – Machen sensed the liminality as did Bram Stoker and Mark Goodall captures it in Holy Terrors as do Michael Smith and Maxy Neil Bianco in their atmospheric and poetic short film ~ Stranger on the Shore: Hounds of Whitby.

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Francis Frith: The Peart family. Whitby 1891

Holy Terrors concludes with Midsummer and for the first time, the effective ambient monochrome palette is replaced with colour; but this is the colour of hand-tinted antique photographs, the faded pastels of half-remembered dreams and half-forgotten memories. It is a fitting place to leave the darkness and step into the light, but minding always that they are integral to and part of each other.
And on this note we will depart this house of souls, with the conclusion that whilst Holy Terrors may not suit the constitution of all, it is a film that has found its way under my skin and into my head and heart and for it its understated beauty and mesmeric invocations, it is something I feel that has touched me deeply. When I first read about this film with my mingled feelings of trepidation and tantalisation, I happily know now that I had nothing to worry about but happily a fair bit perhaps to fear.

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Holy Terrors DVD available here

Holy Terrors book available here

Review by Andy Paciorek

Midnight Mugs ~ The Folk Horror Collection

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Presented for your ceremonial sups of many a strange brew, Midnight Mugs
present the Folk Horror Collection.

26241938_10155984565686948_350281963_n.pngEnjoy your victuals in reverence to ~

  • The Wicker Man
  • The Blood on Satan’s Claw
  • Witchfinder General
  • the VVitch
  • A Field in England
  • The Company of Wolves
  • Catweazle
  • The League of Gentlemen
  • Haxan
  • Mark of the Devil
    and new fresh from Gods’ own country …
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Also available ye olde Folk Horror Revival mug!! Oh, joy of joys !! 🙂

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To purchase these fine drinking vessels ~
Contact Steve via the Midnight Mugs Facebook Group
or telephone him on (UK) 07980 871 769
or email at stevie7771@hotmail.co.uk

Mugs are £6 each + postage at cost..

UK postage is £4  for 1-4 mugs (2nd class signed for)

5+ mugs is £8 postage.

Contact  Midnight Mugs for information regarding Overseas shipping

Payment by PayPal preferred.

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Hark – the last herald

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A final reminder that the Hark: Alternative Yule Art Exhibition at the Stuart Duckett Design Store in Whitby runs until 2nd January 2018
Last chance to see this collective of great art in the beautiful coastal town of Whitby this season.
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Features such talents as ~

 Jeffrey Knopf

Julia Jeffrey – Stonemaiden Art

Marc Beattie

Decadent Drawing

Eolith Designs

Erin Sorrey – Glass Coffin

Charlotte Pettifer

Jennifer Weston

Andy Paciorek

Maria Silmon

Drawing in Dark

John Chadwick

Angela Chalmers 

Patricia Shaw
& more (apologies to those not named – rush to get this final hark posted)

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artwork – Jeffrey Knopf
Julia Jeffrey

Stuart Duckett Design Store 

Hark @ Whitby 2: Alternative Yule: Erin Sorrey & Andy Paciorek

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Over the festive period, to be found at Stuart Duckett Design Store, Bar, Gallery and Record Lounge  in Whitby, is a rather fine assemblage of dark seasonal art on exhibit. Over the next few days (Yuletide festivities withstanding) we will showcase some of the marvelous artists on show. But go see the work for yourself, they also do some damn fine coffee.
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Erin Sorrey is a Canadian poet and artist. She attended The Ottawa School of Art, and works in a variety of medium.

She is inspired by the ocean, the ethereal shadows, the romance in the depraved, the beauty in the abyss, and her own lunacy.

 

 

More of her work can be seen at ~

Glass Coffin +
Velvet Razors
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Andy Paciorek is a graphic artist, drawn mainly to the worlds of myth, folklore, symbolism, decadence, curiosa, anomaly, dark romanticism and otherworldly experience. He is fascinated both by the beautiful and the grotesque and the twilight threshold consciousness where these boundaries blur. The mist-gates, edges and liminal zones where nature borders supernature and daydreams and nightmares cross paths are of great inspiration.

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Hark is on show at the Stuart Duckett Gallery until 2nd January 2018

Hark @ Whitby 1: Alternative Yule: Decadent Drawing & Eolith Designs

Hark @ Whitby 1: Alternative Yule: Decadent Drawing & Eolith Designs

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Over the festive period, to be found, at both Stuart Duckett Design Store, Bar, Gallery and Record Lounge and Rusty Shears in Whitby, is a rather fine assemblage of dark seasonal art on exhibit. Over the next few days (Yuletide festivities withstanding) we will showcase some of the marvelous artists on show. But go see the work for yourself, both venues do great coffee and Rusty Shears has gin & cakes and Stuart Duckett has vinyl and also a glam rock art exhibition on show too. ☺

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Involved in both the curation and exhibiting her own damn fine fine art is Elaine Edmunds of Decadent Drawing

After a long career as a senior practitioner in NHS mental health Elaine relocated to Whitby at the end of 2010 to focus on developing arts practice.

Her interest in themes relating to Folk Horror started in early life with a happy childhood experience of Hammer House of Horror, Pan and Fontana books, and Tales of Mystery and Imagination.

Her enlightened parents also allowed her to read Man Myth and Magic as a comic. As a social psychiatrist she has always been interested in social anthropology and comparative folklore.

Decadent Drawing was started by Elaine and  husband Laurence Mitchell in 2013.

Decadent Drawing bring an alternative approach to the experience of art. Formed at the beginning of 2013 partly as a response to the limitations of art education. They started with monthly themed life drawing sessions which quickly developed into multi-media events including music, film, drama, photography and creative writing but still with a focus on presenting opportunities to draw.
Since February 2015 they have been concentrating on larger events such as Whitby Krampus Run and the Dark Arts series of exhibitions.
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Also exhibiting is Eolith Designs. Though perhaps most noted for sculptural work, Eoilth is exhibiting and selling 3d prints at Whitby this season.

Eolith: from the Greek eos, meaning dawn, and lithos, meaning stone.

Eolith Designs’ sculptures take their inspiration from the dawn and dusk of civilisations; from real and imagined histories, and the world of myth and legend. Bringing together things that were, things that could have been, and things that may be …

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Rusty Shears: 4 Silver St, Whitby YO21 3BU

Stuart Duckett Design Studio, Bar & Gallery: 1 Mulgrave Pl, Whitby YO21 3EU

 

Winter Ghosts: What is This What is Coming? 8

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On the weekend of 15th and 16th December 2017, a strange mist will fall upon the coastal town of Whitby. From the sea fret will come haunting sounds and tales and more besides. Here over the coming days we shall in turn usher in the ghosts of winter …

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Folk Horror Revival are delighted to round off the Winter Ghosts event with a double bill of eerie films with a Whitby connection.

Firstly we will be screening Michael J. Smith and Maxy Bianco’s chillingly beautiful short film Stranger on the Shore.
Stranger on the Shore is a new cycle of video-poems by Michael Smith and Maxy Neil Bianco, looking at the bohemian eccentricity of Hastings, the dockside desolation of the Thames Estuary, and the spooky enchantment of Whitby. The films feature an original soundtrack by Andrew Weatherall & Nina Walsh.”

“It’s different by the sea. A bit strange even. Just as the coast lies at the ends of England geographically, it’s also at the edges of our society and the margins of our culture, a place of transgression, eccentricity, colour and romance. Stranger on the Shore is a cycle of video-poems exploring these liminal spaces; this film looks specifically at the spooky enchantment of Whitby, the most romantic evocation of the old idea that it’s grim up North.”

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Following this, presented by director Mark Goodall will be the film-

Holy Terrors: A Collection of Weird Tales by Arthur Machen

Arthur Machen was a dark fiction writer who has been unfairly overlooked but who inspires fanaticism by those who know his work. Much more than just Britain’s answer to HP Lovecraft, America’s 20th century master of the macabre, Machen was the writer who constantly saw fantasy and horror in the everyday landscape of Victorian England.
Filmed in Whitby, Goodall’s hauntingly atmospheric movie, finally brings to the screen some of the eerily beautiful tales of this great imaginative writer.

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Join us at Winter Ghosts – Tickets and full line up – Here

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