Final Winter Ghosts Announcement!

So as the Autumn takes full hold it is time for us to announce the final acts for this year’s Folk Horror Revival – Winter Ghosts event that takes place December 14th at the Metropole in Whitby.

Our final musical act are the rather wonderful Scottish prog rockers Big Hogg.

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Big Hogg are a 6 piece Canterbury influenced progressive group mixing threads of acid folk , Dr John , Kevin Ayers and 60s and 70s west coast psych.They released their eponymous debut album on Neon Tetra in 2015 and built up a glowing live reputation following shows at the Barrowlands , Rockaway Beach ,Wickerman and Eden festivals. In 2017 they signed with London label BEM who released their critically acclaimed “Gargoyles” album in May of that year. Record Collector magazine described it as ” An epic fantasia through Glasgow’s grimy underbelly with tumbling brass and suspended jazz chords” , while prog magazine describes them as ” masters of weaving an aural tapestry of influences together to create some suitably brilliant and uplifting music in the true spirit of the Canterbury pioneers” The band are currently recording their third album.

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Joining the lineup is our very own Darren Charles who will be bringing his Unearthing Forgotten Horrors radio show to the event. Featuring an eclectic mix of music, Darren’s aim will be to get everyone up and dancing to the very best in prog, folk, metal, goth, alternative, electronica and psychedelic music.

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Finally we will be screening three rather fabulous short films.

 

American Witch

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Welcome to a voyage from novice to initiate. The chthonic path is the common thread that weaves together the various underground religions in America from Wicca to Voodoo and Stregheria to Santeria, and everything in between. Along our pilgrimage, we will unfold the historical background in places where witchcraft came into its own distinctive form such as Salem, New Orleans, New York City, and Los Angeles. American Witch will also explore the stories of practitioners and how it’s changed their lives.

Scarlett Amaris has co-written scripts for the seminal horror anthology THE THEATRE
BIZARRE (2011), the award-winning, supernatural documentary THE OTHERWORLD
(L’AUTRE MONDE) (2013), featuring years of her research into the mysteries of the South of France, in which she appears as a resident expert, and the horror film REPLACE (2017). She’s co-written the dark fantasy trilogy SAURIMONDE I, II & III, and her first contemporary fiction novel DESIRED PYROTECHNICS will debut in 2019. A well-regarded authority on alternative history, her research has been featured in numerous books and anthologies. She also teaches comparative mythology and witchcraft at The Crooked Path Occult Apothecary in Los Angeles, and is a founding member of the Tridents of Hekate coven. Scarlett’s screenplay for H.P. Lovecraft’s The Colour Out of Space is currently receiving a great deal of praise across the festival circuit ahead of its release.

Melissa St. Hilaire wrote film and music reviews for The Heights Inc. Her poetry has appeared in the periodicals Shards, The Outer Fringe, and The Laughing Medusa. She co-authored several scripts for Tone-East Productions. She has written articles for Feminine Power Circle, Savvy Authors, SF Signal, and The Qwillery, among others. She has also appeared in the anthology books Folk Horror Revival: Field Studies and Folk Horror Revival: Corpse Roads. Her debut book was a memoir titled In The Now. She co-wrote the dark fantasy series, Saurimonde, with Scarlett Amaris, and is currently finishing a sci-fi novel called X’odus. She is also a founding member of the Tridents of Hekate coven.

Conjuration

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Gary Parsons is an MA film graduate from Goldsmiths College London who specialises in short films. Utilizing both, elements of the surrealist genre and images of the occult, these films are both beautiful and at times disturbing. They also tap into the verisimilitude of the erotic and the unconventional.

Gary has been influenced by film-makers such as Jan Svankmajer, Kenneth Anger, Alejandro Jodorowsky, Luis Bunuel, Hans Richter, Man Ray and Jean Rollin. All these elements meet within a melting pot to find visual references within the work.

Gary’s films can be viewed in many different ways, as straight forward narrative pieces but also as ritual film as demonstrated by similar film-makers such as Maya Derren or even as music promo video. The films stand as an ongoing obsession of their maker as an overall understanding of the human psyche within certain specific landscapes.

Conjuration is Gary’s most recent film and is based around an Alexandrian ritual. It deals with modern day magick, but also correlates it with magick’s heritage through Gary’s impeccable choice of shooting locations. Several powerful ancient sites, notably Avebury, Glastonbury, Pompeii and Oslo were chosen for this purpose.

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Louhi, The Northern Witch

Directed by Lauri Löytökoski, Louhi, The Northern Witch is a silent film with an ambient-folk score, based on The Kalevala, the Finnish national epic, the story draws from its shamanistic aspects.

The lead character is Runoi; a nascent witch who confronts his mother’s night terrors and is quickly transported into the realm of Louhi, the witch-queen of the undead. He journeys to axis mundi, the mythical pillar connecting heaven, earth and the underworld.

Main characters of The Kalevala are introduced as vessels for him to pass through. In the lines of Carl G. Jung’s anima/animus theory, they represent subconscious element of one’s sexuality, the opposite of the dominant side.

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So, that pretty much completes this year’s action packed lineup. Tickets are currently available from the eventbrite page below. We hope to see you all there for what promises to be another spectacular weekend of music, film, talks and art.

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442

Don’t forget as well as the main Saturday event there will be the Thresholds Art Show in conjunction with Decadent Drawing, the unofficial Friday ice-breaker featuring Storm Chorus at the Rifle Club, and the Ghost story readings at the Hetty and Betty Cafe in Baxtergate on Sunday 15th.

 

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https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442

New T-shirts ~ Folk Horror Revival – Winter Ghosts 2019

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The official T shirt for the Winter Ghosts symposium 2019 is here !!

It Glows in the Dark!!!!

Print is a dark cream in daylight and is truly fluorescent under UV light. Once charged they glow an eerie green.

T shirts are black, universal, round-neck Ts.

Designed by our very own Cobweb Mehers​ of Eolith Designs

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Printed by Tyrant Design & Print

http://tyrannical.co.uk/
https://www.facebook.com/wicked.tyrant/

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Sizes currently available:

4 x M
7 x XL
10 x XXL

UK Pricing
£15
P&P – £6

USA Pricing:
$19
P&P – $7.50

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To Purchase – email Kt for more details

at –

shekinah0711@talktalk.net

 

Reece Dinsdale In Conversation

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Join acclaimed actor Reece Dinsdale for an intimate evening of nattering…

Sunday 3rd November, 8:00pm – 10:30pm

at The Waiting Room
9 Station Road, Eaglescliffe,
Stockton-on-Tees, TS16 0BU
01642 780465

2018 saw the reissue on DVD and Blu-ray of Threads… surely one of the most hard-hitting and frightening TV dramas ever made? Barry Hines’ BAFTA-winning depiction of a Britain struggling to exist in the wake of a cataclysmic nuclear war is shockingly and stunningly realised, with actor Reece Dinsdale gaining deserved plaudits in the role of terrified young father-to-be, Jimmy Kemp.

It was a breakthrough role for Reece, although he’d already enjoyed an acclaimed stage career, and had made an early film appearance alongside Michael Palin and Maggie Smith (and a wayward pig) in Alan Bennett’s A Private Function. Full-on TV fame followed, with 1985 seeing the debut of hugely popular ITV sitcom Home To Roost, in which Reece played the rebellious son of a divorced (and reluctant) father, forging a formidable sitcom double-act with the great John Thaw.

Deliciously eclectic film and TV success continued; he played Guildenstern opposite Timothy Spall’s Rosencrantz in Kenneth Branagh’s big-screen adaptation of Hamlet, and won Best Actor at the Geneva Film Festival for his lead role in ID, playing an undercover police officer dragged into the murky world of football hooliganism. Further TV credits include Spooks, Life on Mars and Silent Witness, and two years in Coronation Street as the ill-fated Joe McIntyre. In recent years, Reece has earned acclaim for his portrayal of Richard III at the West Yorkshire Playhouse, and has also moved behind the camera, directing episodes of BBC1’s drama anthology Moving On. He has also appeared in folk horror favourites Robin Hood and The Storyteller.

In the latest of our regular ‘live chat shows’, Reece will be interviewed onstage by writer, BBC broadcaster, Haunted Generation archivist and self-avowed film and telly geek Bob Fischer.

Tickets available from – https://www.seetickets.com/event/chinwag-reece-dinsdale-in-conversation/the-waiting-room/1413021

Article shared from here

FOLKLORE ON SCREEN: Conference reflection

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Friday 13th 2019 came with the Hunter’s Moon and Scooby Doo and the gang were celebrating 50 years of ghost-busting and so too began the 2 day Folklore On Screen Convention organised by David Clarke, Diane Rodgers and Andrew Robinson of the Centre For Contemporary Legend at Sheffield Hallam University.

Folk Horror Revival were honoured to have a presence there in form of myself founder Andy Paciorek talking about British Dystopia in relation to our side project the Urban Wyrd. Therefore it would be biased for me to pen a review as such but instead I present this as a reflection on what was a fantastic weekend.

The event kicked off with Mikel Koven’s talk Return of The Living Slave: Jordan Peele’s Get Out as a Zombie Film, which gave a very interesting consideration on the subject matter with relation to both traditional magical beliefs and also modern culture.
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Image: Get Out

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Image ; Mikel Koven by Centre for Contemporary Legend

From there we entered into the Monster Mash the first featured panel of the weekend with Matthew Cheeseman’s Dracula’s Fangs talk leading us from the vampire’s dentiture into Derby’s utterly bizarre House of Holes – an adult entertainment crazy golf club and bar. Housed in a haunted building that in a previous incarnation many moons earlier was one of the first theatres to present the stage play adaptation of Bram Stoker’s novel Dracula. From the images of the ‘murder hole’ the surreal, quirkily disturbing  featuring a host of punctured inflatable sex dolls, it would seem the spirit of the vampiric count maybe got a shock sinking his fangs into the necks of these ‘voluptuous’ maidens.
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Photo: Matthew Cheeseman by Diane A. Rodgers

Sneak peek inside adults-only crazy golf course opening in ...

House of Holes. Derby – photo via https://www.derbytelegraph.co.uk/

Craig Ian Mann then followed this with Pack Mentality: A Cultural Approach to the Werewolf Film in the 1970s, which as well as reminding me of some films I haven’t seen since I was a child and introducing me to a few unfamiliar ones, brought a smile to my face in seeing the fantastic poster  Werewolves on Wheels (1971) displayed in the presentation. It is not a film that was really in the Oscars running of that year but I do think it deserves more than its 4.3 IMDB rating … well maybe… With its dark age of Aquarius subtext and the presence of a satanic cult, Werewolves on Wheels deserves to be more widely known among the folk horror community too, if only as a peculiar guilty pleasure.

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Image: Werewolves on Wheels

Rebecca Bannon then brought us Ghost of the Past Sweeney Todd: The Demon Barber of Fleet Street and Liminality which discussed the haunting of the titular character and director Tim Burton’s aesthetic approach in bringing what was a rather corporeal down and dirty tale of cannibalism to the screen as an opulently Gothic ghostly musical.

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Image: Sweeney Todd

Then followed the parallel panels of the day. As it was unfortunately not possible to see all talks and difficult to choose which to watch, I will give the running list here but can only pass comment on those I saw; but from the engaged and enthusiastic conversations which surrounded the breaks in the event, it would appear that all the talks went down well and touched aspects of different people’s psyches.

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From the birth of a modern mass panic that arose from a strange piece of  to the cursed tales of Crying Boy paintings (which although being rather kitsch in style and with a grisly reputation of misfortune surrounding them I’d rather quite like one) to finding out about a dark artist previously unfamiliar to me but one whose work has intrigued me since and is something I brought away from the conference in my mind and perhaps under my skin.

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Image by Bragolin

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Photo by Centre For Folklore, Myth & Magic

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Image by Peter Booth

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Photo: Momo from Stella Gaynor’s talk

Then the talks ended for the day but not the entertainment as the night treated us to excellent music sets by Hawthonn, Phil Tyler and Sharron Kraus

And also a specially brewed beer for the weekend!!

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Photo by Diane A. Rodgers

The next morning brought the Haunted Generation of which I was delighted to be a part. Talking about nuclear war and the end of the world should perhaps not be so enjoyable but sharing the panel with the founding father of Hookland David Southwell and Fortean Times The Haunted Generation’s Bob Fischer was an absolute pleasure and the talks they both gave were fantastic.
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Photo: Bob Fischer by Centre for Folklore, Myth & Magic

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Photo: David Southwell by Diane A. Rodgers

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Photo: Andy Paciorek by Centre for Folklore, Myth & Magic

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Photo: The Haunted (Re)Generations by Adam Spellicy
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Then followed the Parallel Panels, which again it would’ve been nice to bi-locate like Padre Pio to see all, but between the two lecture halls were discussions on topics ranging from Cat People to the Wickerman to Invisible Women to the Children of the Stones. Devils, Witches, Fairies, Foundlings, Holy Fools and UFOs all put in an appearance in some fantastic talks.

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Photo: Tom Clark – The Devil Made me do it by Centre for Folklore, Myth & Magic

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Photo: Evelyn Koch by Diane A Rodgers
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Photo: Andrew Robinson by Diane A. Rodgers

The convention was rounded off with Helen Wheatley’s Haunted Landscapes: Trauma and Grief in the Contemporary Television Ghost Story which featured some of the beautiful cinematography and aesthetics that accompany modern telly’s tales of haunted places and haunted minds.

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Photo: Helen Wheatley by Diane A. Rodgers

A great weekend filled with intriguing talks, evocative music and some very interesting and fun conversations.

A big Thank You and Congratulations to Centre for Contemporary Legend for hosting a great event and hopefully more to come.

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Photo: Diane A. Rodgers by Paul Dorrington

Winter Ghosts Announcement Number 2

Apologies for the delay in publishing this, our second Winter Ghosts announcement, but we have been very busy bringing together a lineup that will hopefully whet the appetite of Revivalists everywhere. Anyway, without further ado here are our latest additions to the lineup.

The Soulless Party

 

 

Since 2013 Chris Lambert and Kev Oyston of the Soulless Party have worked tirelessly to bring the mysteries and secrets of the Black Meadow into the public eye. As everyone knows The Black Meadow is located just a few miles from Whitby on the outskirts of the village of Sleights. A strange place where, it is said, that if the mist rises a village will appear. This a place populated by tales of horse-men, meadow hags, land spheres, rag and bone men, maidens of mist, strange rituals and unexplained phenomena. It is no coincidence that this is where the MOD chose to put one of their bases – RAF Fylingdales whose strange Golf Ball Radomes dominated the landscape until the early 1990’s. The Soulless Party will launch their new collection of findings at Whitby Ghosts as they share a haunting mix of music, song, stories, images and interviews. This will be a hauntological experience in which folk horror meets urban legend through the medium of electronica tinged memory and dream.

Find out more about Black Meadow and The Soulless Party by visiting:
Sarah Steel
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Sarah Steele graduated from Durham with a Degree in Geology in1992. She has since qualified as a professional gemmologist and was awarded Fellowship of the Gemmological Association of Great Britain in 2013, and subsequently Diamond Fellowship in 2015. Sarah is also a member of the International Accredited Gemologists Association and is a regularly asked to speak and deliver workshops at gem conferences around the world. She is also a freelance writer for Gems and Jewellery Magazine. Sarah’s particular expertise lies in the identification of natural thermoset and thermoplastic materials used in C19th jewellery, and she is considered the world’s leading authority on the Jet Group of gemstones. Her research collaborations are challenging our previous perceptions of the material jet. Sarah will return to Durham university in October to continue her postgraduate research on the subject. We are very pleased to have Sarah with us in December to give us a rather fascinating talk on her key topic of interest, Whitby Jet. Sarah is the only scientist currently working in the field of Jet research, and as such it is a prilevege for us at Folk Horror Revival to have her on board to present especially for us a talk about her research and the cultural and historic importance of this most beautiful and tactile gem.

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Barbara Ravelhofer

Barbara Ravelhofer is Professor in English Literature at Durham University and a Research Associate of the Centre for History and Economics, Cambridge. After a degree in English and German Literature from the University of Munich she continued for her Ph.D. at Trinity College, Cambridge, and was awarded a Junior Research Fellowship at St John’s College. She has also held Visiting Fellowships at the Universities of Bologna, Princeton, and Harvard.

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Professor Ravelhofer is co-director of the Records of Early English Drama North-East, which is sponsored by the Arts and Humanities Research Council (AHRC). The key aim of the organisation is to find, catalogue and edit all records pertaining to music, spectacle, ceremony, dance and theatre in England’s North-East from about the ninth century to 1642. The project is directed by Prof. Ravelhofer in collaboration with Prof. John McKinnell and the Institute for Medieval and Early Modern Studies (IMEMS) Durham, the Cathedral and Durham’s World Heritage Site. Prof. Ravelhofer will be speaking to us about the history and folklore behind this wonderful tradition, and whilst the good professor herself is a big enough coup she will also be accompanied by an actual Mari Lwyd who will be loose in the auditorium.

For further details about the Records of Early English Drama North-East please see the project website.

Peter Kennedy

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Peter Kennedy is a writer born in a North-East fishing village, who as a child was told a story about how the plague moved up country in the 17th century. In it, the fishermen decided that the best way to stave off the pestilence would be to throw fishing nets over the archway leading to the headland.  This legend was the inspiration for Peter to write his story Behind the Net Curtain, which would become the opening chapter of his debut novel Fishermen’s Tales. Inspired by that story Peter went off on a quest for more northern folklore that celebrated its maritime heritage. He trawled the seas, combed the beaches and crafted a collection of dark fables, from sea coal and rumour, and driftwood and bullshit.

The stories compiled in Fishermen’s Tales are part of an older oral tradition that were shared around campfires and passed down through generations. In reference to the book Peter says he is “trying to reclaim and romanticise the working class heritage that I came from. I read at a poetry club one night and one of the other performers said ‘this guy’s brought his own mythology’. I thought, ‘yeah, he gets it!” Over time the novel became a project that included musical accompaniment and theatrical performance, which is what Peter will be bringing to Winter Ghosts this December.

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That’s it for this announcement, they join Burd Ellen, Al Ridenour, Elaine Edmunds, Laurence Mitchell and George Cromack on this year’s lineup. We still have one or two acts to announce and our programme of short films to come, but we’ll leave those for another time. Tickets are available now, priced at the princely sum of £13 sterling for the full day or just £7 for the evening session, these are available from Eventbrite at the link below.

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442

 

Summer Spirits: Shadows on the Fen and Kit Lewis Interview

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CULTure Babylon and Folk Horror Revival present a one-day Midsummer celebration of the spirits and folklore of the East Anglian landscape in fact and fiction. Including talks, live music, live readings of stories of the supernatural and a rare screening of 70s Folk Horror Classic, Penda’s Fen. We felt it was about time we told you a little more about this wonderful event, and the rather fabulous speakers we have lined up for you.

Summer Spirits takes place 2pm – 10pm Saturday June 22 at the Space Upstairs – the Priory Centre, Downham Market, Norfolk. Tickets priced £15.

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Louise Hodgson: Deep into the Land – the Beauty and the Terror

Louise Hodgson, has spent most of her life in areas of natural beauty.
She has taught classes at a local College on ‘Landscape and Spirituality’ and given workshops on both the Earth Mysteries and Shamanism.

We are very pleased that Louise will be bringing her talk sharing her fascination with the hidden landscape and exploring some of her own experiences of both light and dark sides of connecting with the landscape.

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Dr Francis Young: Bogie Tales of East Anglia

Dr Young, an expert on the history of catholicism in East Anglia will be talking about his most recent publication – a reprinted edition of the earliest book devoted to East Anglian folklore, Bogie Tales of East Anglia (1891) by Margaret Helen James. Bogie Tales is an important folklore collection and until now has been so rare that copies have been known to sell online for over £1,500.
http://francisyoung.wordpress.com

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Ed Parnell: Reading from ‘Ghostland’

Edward Parnell has had a lifelong interest in ghost stories and horror films. His first book, the gothic, WWII-set The Listeners (2014), won the Rethink New Novels Prize. His new narrative non-fiction book, Ghostland, will be published by William Collins in October 2019. In it he examines the haunted landscapes that inspired writers including M. R. James, Algernon Blackwood and William Hope Hodgson – as well as trying to lay to rest his own haunted past.

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Christine Pike: Live readings of tales of the supernatural and macabre

Christine is a lifelong fan of Gothic fiction and is the inspiration behind Lady Chillers – a touring project created to revive the works of forgotten women authors of ghost stories in atmospheric performed readings. Christine will be reading three stories, including one from Norfolk’s own Elizabeth Coulson.
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Sharron Kraus

Sharron Kraus is a singer of folk songs, a songwriter and multi-instrumentalist whose solo work and collaborations offer a dark and subversive take on traditional music. As well as drawing on the folk traditions of England and Appalachia, her music is influenced by gothic literature, surrealism, myth and magick. Sharron will be performing two live acoustic sets for us.

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FILM: Penda’s Fen (1974) Writer: David Rudkin Dir. Alan Clarke

Set against the backdrop of the Malvern Hills, Penda’s Fen has become a classic of Folk Horror television. An adolescent parson’s son must question everything he believes and holds true: his religion, his sexuality, his family, in order to grow and develop into an adult. Angels, Edward Elgar and King Penda himself all make appearances in this made-for-television drama, which after 45 years remains powerful and challenging.

Tickets for this wonderful event are priced at just £15.00 per person.

http://summerspirits.culturebabylon.com

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Kit Lewis Interview

We also thought it was high time we  had a chat with Kit Lewis, head honcho at CULTure Babylon and the driving force behind Summer Spirits. Kit very kindly took time out of his busy schedule to answer a few questions about Summer Spirits, CULTure Babylon, his other event Fear in the Fens and Folk Horror in general.

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1.Can you tell our readers a little bit about CULTure Babylon, what it’s aims are and how it all came about?

CULTure Babylon is an arts organisation that aims to put the CULT into culture – we provide events based around cult film and other media combined with leading speakers on related subjects.
People seem to find something very satisfying about this combination of information and pure entertainment.  

2. Summer Spirits – Shadows on the Fen is a new event that is taking place June 22nd in Downham Market, Can you tell us a little bit about the event and those involved?

This is going to be a different kind of event to some that we’ve put on, as it is going to have such a wide variety of entertainment, from live readings of ghost stories to film, and from book readings to acoustic music. Throughout the day, there will be something different happening all the time.

We’ve got some great speakers:

We are very pleased that Louise Hodgson,will be bringing her talk Deep into the Land – the Beauty and the Terror in which she shares her fascination with the hidden landscape and explores some of her own experiences of both light and dark sides of connecting with the landscape.

Dr Francis Young will be talking about his most recent publication – a reprinted edition of the earliest book devoted to East Anglian folklore, Bogie Tales of East Anglia (1891) by Margaret Helen James. 
Bogie Tales is an important folklore collection which had almost entirely disappeared from view. Very few copies survive, and the book is so rare that copies have been known to sell online for over £1,500.

Ed Parnell will be reading from his book, ’Ghostland’– a narrative non-fiction book about how the British landscape has influenced various writers, filmmakers and artists whose work deals with the weird and the eerie.  

We’ll also have live performance:

Christine Pike is a lifelong fan of Gothic fiction and is the inspiration behind Lady Chillers – a touring project created to revive the works of forgotten women authors of ghost stories in atmospheric performed readings.She will be reading stories set in summer – that have a winter chill about them.

Sharron Kraus is a singer of folk songs, a songwriter and multi-instrumentalist whose solo work and collaborations offer a dark and subversive take on traditional music. As well as drawing on the folk traditions of England and Appalachia, her music is influenced by gothic literature, surrealism, myth and magick. Sharron will be providing two short sets for us during the day.

3. Summer Spirits is billed as a celebration of East Anglian landscape in folklore, fact and fiction, can you tell us a little bit about some of the foklore that is local to the area?

Like a lot of very rural areas, Christianity came to Norfolk quite late, so the ‘old ways’ remain very much part of the culture here. The most notable legend is teh giant balck dog with red eyes called Black Shuck, which can either be an omen of death, or a protector of those out on the fens at night, depending on which stories you listen to.
This was also where Matthew Hopkins did a lot of his work, and there is a lot of history around the witch trials in the region too.

4. You are screening the Alan Clarke classic Penda’s Fen, one of the true Folk Horror masterpieces of UK 70s TV. Do you think that modern Folk Horror films can stand the test of time in the same way something like Penda’s Fen, Red Shift or The Stone Tape can?

Time will tell… in my experience of cult films, it’s often the least popular film of its day that goes on to gain a lasting audience.If you think of a film like Psychomania (1973), which was considered so poor at the time, that George Sanders is said to have killed himself after seeing a preview – that’s a film that gets a lot of love now.

5. Can I ask you how you got into organising events of this nature? 

My wife was working in an art gallery that had a pop-up cinema kit for hire.
I hired it for the evening, screened my favourite film, Night of the Demon (1957) and asked Tony Earnshaw (who wrote the definitive book on the film) to come and talk about it…

We got around 30 people to turn up for that, and I just about broke even.
I basically wanted to put on the kind of events that I’d like to go to (but nobody did)… I’m now in my fourth year of running a three-day festival!

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6. Fear in the Fens has become something of a favourite weekend in the Folk Horror calendar and this years looks like being no exception with a marvellous lineup taking shape. Do you think Summer Spirits has the potential to become another key event like this?

I hope so. Fear in the Fens takes up a lot of time and energy, so I can’t put on as many small events as I’d like, so last May we put on ‘Ruined Childhood’ a celebration of children’s television of the 70s, which was great.
There’s definitely a vacant slot for a summer event for CULTure Babylon, and it would be great if Summer Spirits could become a regular thing.

7. One question we always like to ask is how would you define Folk Horror?

To me Folk Horror is about the notion that nature is sentient – and does not wish us well. I’ve often been in the countryside and had an unsettling sense that, despite the landscape being aesthetically pleasing and the environment itself not hazardous, it was hostile. There was a pretty woods on the River Tamar near where my sister lived in Devon. I felt that hostility there and later learned it had been the scene of  number of unpleasant incidents…
That to me is folk horror, a sense of place, and a feeling of dread.

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Summer Spirits takes place 2pm – 10pm Saturday June 22 at the Space Upstairs – the Priory Centre, Downham Market, Norfolk. Tickets are priced £15.

https://tinyurl.com/y6obofm3

 

Folk Horror Revival – Winter Ghosts 2019 – First Announcement!

This December, Folk Horror Revival, will be returning to Whitby for our second Winter Ghosts event. The all day happening takes place at the Metropole ballroom, on December 14th 2019. The event will run from 1pm until after midnight and features some truly outstanding talks, stories, music, films and much, much more besides. The lineup itself has been handpicked by our team, and features some truly incredible talent that we simply can’t wait for you to see.

It is with much excitement that we would like to announce Al Ridenour as our first guest.

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Explore the authentic folklore, history and contemporary practices associated with the Krampus with Al Ridenour, author of The Krampus and the Old, Dark Christmas and
preeminent English-language expert on the subject. Ridenour’s lively presentation,
illustrated with slides, archival video (and a drop-in by a LIVE KRAMPUS) reveals how
this often-misunderstood figure is connected to centuries-old witchcraft beliefs and an
older darker understanding of the Christmas season as a time offering access to the spirit
world. Now in its second printing, The Krampus was described by LA Times’ books critic
Elizabeth as “gleefully erudite,” and a book that “deserves to become a classic.”
Ridenour is also a producer of Krampus events in Los Angeles, an artist and mask-maker,
and host of the folk-horror podcast, Bone and Sickle.

Home

https://www.boneandsickle.com/

Joining Al for more Krampus related fun and frolics will be Whitby’s very own Elaine Edmunds and Laurence Mitchell of Decadent Drawing, organisers of the annual Whitby Krampus run that takes place each December, and raises much needed funds for The Whitby Wildlife Sanctuary.

https://www.decadentdrawing.com/

 

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We don’t want to say too much at this stage, but we can promise Al, Elaine and Laurence have something a little special planned for Winter Ghosts, and we can’t wait for you all to see it.

Our first musical addition to the lineup is the sensational Burd Ellen, the new solo project from Debbie Armour (Alasdair Roberts, Green Ribbons, Alex Rex) featuring Gayle Brogan (Pefkin, Barrett’s Dottled Beauty) and Lucy Duncan (Luki). The group uses traditional song to explore and evoke dark landscapes and deep stories. Innovative instrumentation, drone and sound-wash support detailed vocal work to create a unique sonic atmosphere.
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Burd Ellen self-released their debut album SILVER CAME in Feb 2019, on limited edition CD. A record exploring women’s narratives in British folk song, SILVER CAME investigates ideas of persistence, defiance, devotion and transformation. The album was recorded by Jer Reid (Painted X-Ray, Claquer, Glasgow Improvisers Orchestra) over two days in the rehearsal space of Glasgow Theatre Arts Collective.

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“sonically adventurous … with an emotional range and a raw inventiveness which is all too rare in contemporary folk circles.” – Alex Neilson
“A masterclass in shimmering, ethereal folk music… Cannot recommend highly enough” – Kyle Lonsdale, Earth Recordings

burdellen.com – burdellen.bandcamp.com
Sweet Lemany music video – https://www.youtube.com/watch?v=PSRB5Vsvx2A

Our final guest for this first announcement is George Cromack, a writer, sessional tutor and lecturer whose core subject areas are creative fiction, specifically Scriptwriting for film & T.V, and Film Studies. For almost ten years George taught on a number of programmes at the University of Hull’s Scarborough Campus – including modules on their Creative Writing Degree. It was during this time he developed his interest in what has become widely known as the Folk Horror genre, the subject of his film based PhD thesis, delivering a paper on some of its narrative conventions at the Fiend in the Furrows Conference in Belfast.  A keen advocate of adult and community education, George also teaches evening classes in Film Studies & Creative Writing for the local Scarborough branch of the WEA and introduces the occasional film screening at the Stephen Joseph Theatre. Recently one of his fictional short stories was included in Terrors Tales for a Winter’s Eve, a small collection of ghostly tales from local writers.

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George’s talk ‘Home for the Holidays’ will take inspiration from adaptations of popular children’s stories in film and television such as The Children of Green Knowe, Moondial and the Amazing Mr Blunden examining their use of the ‘time slip’ narrative, notions of ‘ancestral mystery’ and speculating on their appeal.

Right that’s it for now, we’ve much more still to come, so please keep checking back for further announcements. Tickets are available from the link below priced at £13 for the full day and £7 for the evening. So what are you waiting for, grab your tickets now while stocks last.

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442.ant

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An Interview with David Bramwell, on his upcoming Cult of Water show.

David Bramwell is a name familiar to many Revivalists, his Singalong-A-Wicker Man show has become almost legendary in our little corner of the internet. David is an incredibly busy and talented man. He has produced programmes for BBC Radio 3 and Radio 4, he gives talks and performs one man shows on a variety of fascinating topics from tricksters to ghost villages. He also co-hosts the Odditorium, a rather splendid podcast based around the book of the same name, one of several that he has co-written with Jo Tinsley (formerly Keeling). We could go on, David’s achievements are many and varied, but they are always interesting and always done with an incredible sense of joy. His latest one man show The Cult of Water opens at the Soho Theatre in London on the 28th January, and I was lucky enough to catch up with David for a chat about this new show and a few other interesting titbits Revivalists may enjoy.

 

 

FHR: Hi David, can you tell us a little bit about your new show, The Cult of Water? Would it be fair to describe it as a psychogeographical journey around the waterways of the Yorkshire of your youth, or is that perhaps a little too simplistic a reading of it?

 

David: That’s a pretty good summary. I grew up in Doncaster. It’s a personal journey up the river Don – told through story, music and and archive film – in search of the supernatural secrets of our inland waterways and to uncover a mystery concerning the drowned village at Ladybower Reservoir in Derbyshire. It’s also a journey back through time to the source of the Don and an age of water worship; the Don originally took its name from the water goddess, Danu.

Along the way I learn about hydromancy from magician Alan Moore, encounter Jarvis Cocker on his own adventures sailing down the Don on an inflatable inner tube, and come face to face with ‘the spirit of dark and lonely water’ from the old public information film of the 70s.

I also uncover the story of artist Mark Golding who, with the help of LSD, unearthed a sacred spring in Hastings – believed to have been frequented by Aleister Crowley – and whose waters saved his son from a terminal lung disease.

At the heart of The Cult of Water is an exploration of the symbolism around water, its association with feminine power and the profound ways in which the elements affect our psyche.

https://sohotheatre.com/shows/the-cult-of-water/

 

 

FHR: I believe you’re being joined in the show by folklorist Chris Roberts who is going to discuss the lost rivers of London? This sounds like a fascinating talk in its own right. What can you tell our readers about Chris and his work?

 

David: Chris is a South London based tour guide, author and expert on many aspects of London folklore and history. Most of his walks are river focused, whether Thames or other, and all of them are rich with legends of the city. He’s written a book (Cross River Traffic) on the history of London’ Bridges and articles on the lost gods of the river as well as delivering talks on the folktales associated with London’s water from feral swine in the Fleet to sacred wells to Saxon goddesses and the ongoing religious rites on the Thames from the Jewish, Pagan, Christian and Hindu traditions.  He was folklore consultant for Stella Duffy’s theatrical piece Taniwha Thames in which a New Zealand river spirit follows a ship back to London and takes up residency under Waterloo Bridge.

 

In 2007 Chris founded the magazine One Eyed Grey, which took many of London’s old myths and legends – such as the legendary shape shifting sorceress of the sewers and hidden rivers Queen Rat – and re-imagined them in a modern context. It culminated for the two of us in a collaboration for Radio 4, a programme called London Nights, in which Chris did the heavy lifting in actually writing the stories while I read them out in my best Martin Jarvis. These stories featured a ghost boat on the Thames and a mermaid at Brockwell Park Lido. Brockwell lido is sort of Chris’s unofficial office, all year round. He’s a water baby. And made of hardier stuff than me.

 

FHR: Can I ask what inspired you to write this show now? Is this something that has been on your mind for some time or was it triggered by recent events in your life?

 

David: I’ve wrestled all my life with thalassophobia – the fear of large bodies of water – and wanted to confront this fear. In the last ten years I went down a rabbit hole researching water cults, sacred springs and wells. I wanted to pay my respect to water. I also became interested in the idea of following a river back to its source. I knew if I was going to make this journey as a pilgrimage it’d have to be along the river Don where I grew up, to search for its lost water goddess and to trace its biological and metaphorical death and resurrection over the millennia. When I discovered that Sheffield adopted Vulcan – the Roman god of fire and forge – as its mascot in the 1800s, the story began to catalyse as a mythic battle of the sexes: goddess of water vs god of fire. During the industrial revolution Danu was the equivalent of a princess locked in a tower and being force-fed MacDonalds for 200 years.

I also wanted to draw on my experiences of being haunted by the image of the drowned church of Ladybower Reservoir poking through the waters during the drought and ladybird plague of 1976. This led to a deeper exploration of the symbolism of stone and water, lines and circles, male and female, the line and circle and finally binary code. I figured if I tell this story and make amends for Vulcan then thalassophobia might loosen its grip. (It has).

In terms of how I wanted to tell the story, Alan Moore’s live spoken performances with music – Snakes and Ladders, The Birth Caul and Highbury Working – were a big influence. When he agreed to provide his voice for some of the Cult of Water I was over the moon. The central premise of his novel Jerusalem seems to be that in staying put anywhere (in his case Northampton) and digging deep enough, all the meaning and myths are there, as long as you know how and where to look. It’s the same with Alan Garner remaining in Alderely Edge for sixty-odd years and mining a different kind of landscape for stories. If Moore could rewrite Northampton as Jerusalem I figured it was time to try my hand at doing that with my old home town of Doncaster.

FHR: I believe the show is directed by Daisy Campbell, the daughter of theatre legend Ken Campbell. Have you known each other for some time, or did you specifically come together with this project in mind?

David: My first solo show, The Haunted Moustache, which delved into magic, spiritualism and the occult, was created with Ken Campbell’s help. I got to know Daisy because of Ken. She’s been a friend for many years. We’re currently collaborating on a podcast series, making her dad’s vast archive of recorded one-man shows available for the first time. Being a seeker, Daisy was the obvious choice for directing this show.

 

FHR: I believe you have worked on a number of broadcasts for both BBC Radio 3 and Radio 4 including a programme about the legendary Ivor Cutler. Can you tell us about any amusing encounters you may have had with him?

 

David: In the mid-90s I sent some scribblings to the poet Ian MacMillan who, at the time, had a slot on the Mark and Lard show on BBC Radio One. Ian seemed to like my poems so I sent a bunch to my hero Ivor Cutler. Cutler was less than enthusiastic and suggested I do something useful with my life instead, such as ‘becoming a teacher or a botanist’. He was right of course, my poetry was awful. But it’s hard getting a rejection letter from your hero.

20 years on I’d started presenting programmes for Radio 4 and got a call from a producer saying that she was considering me as presenter for an Archive Hour on Ivor Cutler and offered me a minute on the phone to ‘sell myself’. I thought for a moment then remembered the rejection letter from Ivor. ‘Do you still have it?’ she asked. ‘I dug it out, read it to her and got the job. So thanks inadvertently to Ivor, I got to make a documentary about him, meet his friends and family and even perform live on one of his harmoniums. If Ivor had still been alive to hear the programme I’m sure I’d have received another rejection letter.

FHR: Many of us know you from your rather wonderful and always well received Singalong-A-Wickerman show. What have been the strangest things to have happened during the various performances of this show? Do you think you were able to invoke something of the ritual spirit that infused the original film?

 

David: Things got strange when, ten years ago, the director Robin Hardy started showing up at our gigs, sometimes with wife and family in tow. I never imagined I’d be leading the director of the Wicker Man in the actions to the Maypole Dance. It was delight to have Robin’s support for the show but it was always a bit odd him being there; we do at times, gently take the piss out of some of the clunky dialogue in the film. The relationship culminated in us us doing the show with Robin in the Elengowan Hotel in Dumfries and Galloway, which is where all the original bar scenes were shot.

Over the years we’ve also had several individuals overcome with the desire to re-enact the naked scenes from Willow’s Song on stage with us. It’s always men. And someone in Belfast once threatened to shoot me for blasphemy. My blood turned cold when he whispered into my ear: ‘I’ve killed before and I’’d kill again.’ I believed him.

 

 

FHR: Beyond adapting The Wicker Man as a sing-a-long. Can I ask you about how the ideas of Folk Horror have influenced your work in general? Are there specific artists, film makers and writers whose work has particularly been influential to you or do you draw more inspiration from the countryside around you?

David: Folk Horror has been, and continues to be, a huge inspiration. Like many of a certain age I really was scarred for life by the spirit of dark and lonely water and haunted by TV programmes like Children of the Stones. I love the unsettled atmosphere of Garner’s work and films like The Shout, Penda’s Fen. And of course The Wicker Man, despite having watched it now over 100 times. More recently the work of Peter Strickland and films like November show the genre is evolving.

There’s a line by Alan Moore that I’ve used in The Cult of Water and also in a track by my band Oddfellow’s Casino: we have wandered too far from some ancient totem. Something central to us that we have misplaced and must find our way back to, following a hair of meaning.’  For me, Folk Horror re-connects us to an age of magic, when everything was imbued with meaning. For me at least, the dark heart of Folk Horror beats strongly in The Cult of Water.

 

 

Thank you to David for speaking to us at FHR, and if you want to buy tickets for The Cult of Water they are available now from the Soho Theatre priced from £10. Just head along to the link below.

 

https://sohotheatre.com/shows/the-cult-of-water/

You can also check out David’s own website for more information on David and any future events or shows.

http://www.drbramwell.com/

Even More Photographs from the Whitby Krampus Run 2018.

We took so many photographs at the Whitby Krampus Run on Saturday that we have decided to post some of our favourites to the blog for you to enjoy. The first couple of posts feature Andy Paciorek’s shots from the day and this post features some of my own shots. Many thanks to Elaine and Louse of Decadent Drawing for putting the whole thing together. We had a blast and we hope to see many of you there next year.

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All photographs in this blogpost copyright 2018 by Darren Charles

The Whitby Krampus Run – An Interview with Elaine Edmunds and Laurence Mitchell

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The Whitby Krampus Run is rapidly becoming one of the annual must see events in the Whitby calendar. Organised by a couple of ne’er do wells and mischief makers Elaine Edmunds and Laurence Mitchell of Decadent Drawing, this fabulous event grows year on year, raising much needed funds for the amazing work done by the team at the Whitby Wildlife Sanctuary. We were lucky enough to drag Elaine and Laurence away from their preparation for this year’s event to discuss the event’s history, legacy and what the future holds.

 

FHR: The Whitby Krampus Run seems to be growing in popularity year on year. How did it all come about? I believe it has something to do with one of your Decadent Drawing art sessions?

We used to put on monthly themed life drawing/performances at La Rosa. The story of Naughty Little Hans was our festive special in 2013 featuring our very first Krampus. The mask was made by Neal Harvey of Rubber Gorilla. The following evening was actually the Eve of the Feast of St Nicholas,  it seemed a waste not to use the costume again  so we took him for a stroll through Whitby. We started Whitby Krampus Run proper in 2015 with a few friends and it’s developed from here. Once we started getting attention it was time to put it on as a public event with approval of the authorities

 

FHR: The event raises much needed funds for the The Whitby Wildlife Sanctuary, can you tell us how the connection between you and the sanctuary came about, and could you possibly tell us a little about the amazing work they do?

A local charity dear to our hearts because of the sheer dedication and expertise. It’s not just a rescue but a valued educational resource. Every year the work grows and the need for funding increases. They provide an excellent service not just for Whitby but across the NorthEast. I’m honoured to be one of the Trustees.

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FHR: Krampus was a little known folkloric figure hailing from Austria and Germany until the last few years when we have seen a rise in interest in him.  I am sure your event along with Al Ridenour’s wonderful book The Krampus and the Old Dark Christmas are among the myriad of reasons for that growth of interest. For those that know little of Krampus, can you give us a brief introduction to his story?

Certainly little known outside the Austrian and German towns and villages that held the events. Which looking back is quite incredible really. A brief history of Krampus? But considering only slight variations in the Alpine folklore there does not appear to be one definitive answer to his origins but it would be reasonable to say he’s pre Christian pagan and a protector. Krampus mythology had persisted enough throughout the Christianising of Germany to become incorporated into the 16th/17th century Christian narrative. St Nicholas was a popular Saint in Germany with his feast day in early December and Krampus became the good saints side kick, the one that dished out the punishment. Krampus’ appearance is generally anthropomorphic goat a horned hairy beast. Chains on one hand to possibly signify the devil bound by Christianity. Sometimes with a long pointy tongue sometimes without. A modern addition of basket on his back to place naughty children and a bundle of birch twigs to smack them with. No Krampus is complete without bells. Loud bells which would alert you to his coming among the alpine villages and towns. The story is now quite set but Krampus’ image develops with the times…but not for traditionalists.

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FHR:  I believe you make the costumes you use for the run yourselves. Creating such elaborate costumes must involve an enormous amount of work on your part? Can you tell us a little bit about the process, and how the costumes have changed since the event was introduced?

We’ve now got a wooden Austrian mask as well as the latex originals from Neal Harvey. The costumes and props do take a lot of time and effort. The participants put in so much work and enthusiasm into their own costumes and there’s some stunning creations. We are all quite skilled at recycling materials and problem solving. I made a mask last year based on the Star Carr Mesiolithic antler headdress which turned out very well especially as I didn’t know what I was doing. Lisa Eagleton has been very inventive using a horse hoof from a pet shop to put on her prosthetic leg. Interestingly more than half the participants in our group are women. The less ‘traditionalist’ Austrian and German costumes have evolved to become more realistic and orc like…I like them to have more of an older homemade feel…I think it makes for a much odder appearance…much more folk art. We are still to solve the problem of being able to see.

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FHR: I have heard that Whitby Krampus Run 2018 promises to be the biggest and best yet. Can you tell us about anything new and exciting you have planned to take place on the day, or any ideas you may be working on?

It’s an interesting year for us in building on the success. We’re clear that we are an interpretation and not a direct copy. This allows us to incorporate ideas specific to the local and ideas that just seem like mad fun. If they work they can stay if not plenty more where they came from. Really happy to have more Krampus involved this year and see them creating their costume/character. Those involved are all enthusiasts, we all have skill sets but this is new to us all. This year we are really delighted to have a troupe of experienced drummers lead the way bringing a small bit of order. We also have the market place throughout the day where you can bag some merch and we can carry out our parade finale as intended. The market place is a great backdrop and would be perfect to use it for a play or film at night in the future….then one day there’ll be Viking ships, submarines, giant snowballs/toboggan down the donkey path, meat raffles…ideas are no problem just the usual limits of finance and or health and safety.

 

Thank you to Elaine and Laurence for taking time out of their busy schedule to chat to us about The Whitby Krampus Run 2018. The amazing work they do in making people happy and raising money for a cause like the Whitby Wildlife Sanctuary is something that deserves to be applauded.

The Krampus Run takes place on Saturday December 1st around the streets of the beautiful town of Whitby. Several members of the FHR team will be in attendance at this event, and we hope to bring you photographs and reviews of the day for those who are too far away to make it to what will be one of the North of England’s must-see events in the Wyrd calendar for 2018. Hope to see some of you there.

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If you would like to find out more about the Krampus Run check out Elaine and Laurence’s Kramus blog here:

https://spark.adobe.com/page/SabqDn8I1AN4L/?fbclid=IwAR0x4QWgEg12aShz1seqaTmRZeBIvhQcIq7ygZ3F_QB7ArsC5g-xhx0_znY

Their Decadent Drawing blog is at the link below:

https://www.decadentdrawing.com/

 

For more information and for details on how to donate to the Whitby Wildlife Sanctuary:

https://www.whitbywildlife.co.uk/

 

If you’re still craving more information about Krampus Al Ridenour’s excellent book is available from the following Amazon link: