The Art of the Devil & The Art of the Occult: Book Reviews

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Demetrio Paparoni’s The Art of the Devil and S. Elizabeth’s The Art of the Occult are two richly illustrated collections of visual imagery dedicated to dark and hellish subjects and both are great additions to the weird / wyrd art bookshelves.
Both feature a fascinating array of images dating from centuries past to contemporary representation and therein lies a slight bone of contention for me with both books. For the art of bygone times I have no issue but raise an eyebrow at some of the choices for modern inclusion. For instance upon recieving The Art of the Devil I opened it at random and was presented with a full-page photo of popstar Robbie Williams adorning a pair of devil horns. For one, it being a personal thing and knowing that someone should not be judged by their looks, but I’m sorry I just don’t like Robbie William’s face. It could be that he frequently looks smug but whatever the reason of dislike, his smirk is not what I expected or desired to be presented with upon opening the book. Secondly there is ample choice for modern representation of devilish beings, many of which are depicted in the book, from the devil of the Legend film to Hell Boy, that a former boy-band singer seems a very weak choice for inclusion. The nearest he has probably come to the devil is living next door to the occultist musician Jimmy Page!
That aside there is some excellent art included in the book with a high quality of reproduction and both The Art of The Devil and The Art of the Occult score fairly well in my book for being relatively light on text. My personal preference for art monographs, exhibition catalogues and visual anthologies is large quality illustrations with a minimum of textual content.

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Giovani de Modena: Inferno c1410
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Max Ernst: The Temptation of St. Anthony 1945

On this score I would’ve preferred the dimensions of The Art of the Occult to have been a slightly larger format. Again I question some of the choices of contemporary artists included. I will mention no names but leave it for readers to make up their own minds, as they may very well disagree with me but it just seems that some totally sit comfortably with the representations by old masters featured and belong to that tradition whereas others have featured occult or devilish themes apparently on a passing whim without any deeper association or interest in the subject matter.
Regarding past masters of occult art, sadly due to usage rights not being made available to the author and publishers the book alas does not feature Austin Osman Spare or Rosaleen Norton – two of the most important and powerfully impressive artists in the field. Also missing is Norman Lindsay, whose work is sublime and exquisitely crafted, but whose own contentious and unappealing opinions and ethics in life may very well have tarred him with his own brush, making it unsurprising why publishers may choose to give him a wide berth.
Aside from certain unavoidable omissions and some perhaps questionable inclusions (which as in much of art is personal taste), for the most part both books do include some glorious and grotesque powerful and intriguing works and are worthy additions to any library of the strange and wondrous.

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Marjorie Cameron: Songs for the Witch Woman. 1951
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Carlos Scwabe: Revolte. 1900
The Art Of The Devil: An Illustrated History by Demetrio Paparoni


The Art of the Devil: An Illustrated History
Demetrio Padaroni
Hardcover, 384 pages
Published October 1st 2019 by Cernunnos
ISBN 2374951170 (ISBN13: 9782374951171)
https://www.abramsbooks.com/product/art-of-the-devil_9782374951171/
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Art of The Occult: A Visual Sourcebook for the Modern Mystic
Hardcover, 240 pages
Published October 13th 2020 by White Lion Publishing
ISBN 0711248834 (ISBN13: 9780711248830)
https://www.quartoknows.com/books/9780711248830/The-Art-of-the-Occult.html?direct=1

Reviewed by Andy Paciorek

FREE Talk: ‘On Witches and Wolves: The Historic and Folkloric Roots of Folk Horror’ by Andy Paciorek

FREE to Watch ~
Folk Horror Revival’s creator Andy Paciorek’s lecture – ‘On Witches and Wolves: The Historic and Folkloric Roots of Folk Horror’
As presented by Zoom to the audience at the Denmark 2020 Folk Horror Festival.

Video supplied by Nightmare Culture

If the video fails to load above, it can be watched on Facebook at ~

https://www.facebook.com/watch/?v=397397441671090

*NOTE* – to miss technical issues and minutes of silence fast forward to 9 minutes 20

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infrared photo of Andy Paciorek by Jamie Emerson

FOLKLORE ON SCREEN: Conference reflection

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Friday 13th 2019 came with the Hunter’s Moon and Scooby Doo and the gang were celebrating 50 years of ghost-busting and so too began the 2 day Folklore On Screen Convention organised by David Clarke, Diane Rodgers and Andrew Robinson of the Centre For Contemporary Legend at Sheffield Hallam University.

Folk Horror Revival were honoured to have a presence there in form of myself founder Andy Paciorek talking about British Dystopia in relation to our side project the Urban Wyrd. Therefore it would be biased for me to pen a review as such but instead I present this as a reflection on what was a fantastic weekend.

The event kicked off with Mikel Koven’s talk Return of The Living Slave: Jordan Peele’s Get Out as a Zombie Film, which gave a very interesting consideration on the subject matter with relation to both traditional magical beliefs and also modern culture.
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Image: Get Out

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Image ; Mikel Koven by Centre for Contemporary Legend

From there we entered into the Monster Mash the first featured panel of the weekend with Matthew Cheeseman’s Dracula’s Fangs talk leading us from the vampire’s dentiture into Derby’s utterly bizarre House of Holes – an adult entertainment crazy golf club and bar. Housed in a haunted building that in a previous incarnation many moons earlier was one of the first theatres to present the stage play adaptation of Bram Stoker’s novel Dracula. From the images of the ‘murder hole’ the surreal, quirkily disturbing  featuring a host of punctured inflatable sex dolls, it would seem the spirit of the vampiric count maybe got a shock sinking his fangs into the necks of these ‘voluptuous’ maidens.
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Photo: Matthew Cheeseman by Diane A. Rodgers

Sneak peek inside adults-only crazy golf course opening in ...

House of Holes. Derby – photo via https://www.derbytelegraph.co.uk/

Craig Ian Mann then followed this with Pack Mentality: A Cultural Approach to the Werewolf Film in the 1970s, which as well as reminding me of some films I haven’t seen since I was a child and introducing me to a few unfamiliar ones, brought a smile to my face in seeing the fantastic poster  Werewolves on Wheels (1971) displayed in the presentation. It is not a film that was really in the Oscars running of that year but I do think it deserves more than its 4.3 IMDB rating … well maybe… With its dark age of Aquarius subtext and the presence of a satanic cult, Werewolves on Wheels deserves to be more widely known among the folk horror community too, if only as a peculiar guilty pleasure.

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Image: Werewolves on Wheels

Rebecca Bannon then brought us Ghost of the Past Sweeney Todd: The Demon Barber of Fleet Street and Liminality which discussed the haunting of the titular character and director Tim Burton’s aesthetic approach in bringing what was a rather corporeal down and dirty tale of cannibalism to the screen as an opulently Gothic ghostly musical.

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Image: Sweeney Todd

Then followed the parallel panels of the day. As it was unfortunately not possible to see all talks and difficult to choose which to watch, I will give the running list here but can only pass comment on those I saw; but from the engaged and enthusiastic conversations which surrounded the breaks in the event, it would appear that all the talks went down well and touched aspects of different people’s psyches.

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From the birth of a modern mass panic that arose from a strange piece of  to the cursed tales of Crying Boy paintings (which although being rather kitsch in style and with a grisly reputation of misfortune surrounding them I’d rather quite like one) to finding out about a dark artist previously unfamiliar to me but one whose work has intrigued me since and is something I brought away from the conference in my mind and perhaps under my skin.

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Photo by Centre For Folklore, Myth & Magic

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Image by Peter Booth

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Photo: Momo from Stella Gaynor’s talk

Then the talks ended for the day but not the entertainment as the night treated us to excellent music sets by Hawthonn, Phil Tyler and Sharron Kraus

And also a specially brewed beer for the weekend!!

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Photo by Diane A. Rodgers

The next morning brought the Haunted Generation of which I was delighted to be a part. Talking about nuclear war and the end of the world should perhaps not be so enjoyable but sharing the panel with the founding father of Hookland David Southwell and Fortean Times The Haunted Generation’s Bob Fischer was an absolute pleasure and the talks they both gave were fantastic.
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Photo: Bob Fischer by Centre for Folklore, Myth & Magic

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Photo: David Southwell by Diane A. Rodgers

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Photo: Andy Paciorek by Centre for Folklore, Myth & Magic

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Photo: The Haunted (Re)Generations by Adam Spellicy
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Then followed the Parallel Panels, which again it would’ve been nice to bi-locate like Padre Pio to see all, but between the two lecture halls were discussions on topics ranging from Cat People to the Wickerman to Invisible Women to the Children of the Stones. Devils, Witches, Fairies, Foundlings, Holy Fools and UFOs all put in an appearance in some fantastic talks.

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Photo: Tom Clark – The Devil Made me do it by Centre for Folklore, Myth & Magic

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Photo: Evelyn Koch by Diane A Rodgers
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Photo: Andrew Robinson by Diane A. Rodgers

The convention was rounded off with Helen Wheatley’s Haunted Landscapes: Trauma and Grief in the Contemporary Television Ghost Story which featured some of the beautiful cinematography and aesthetics that accompany modern telly’s tales of haunted places and haunted minds.

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Photo: Helen Wheatley by Diane A. Rodgers

A great weekend filled with intriguing talks, evocative music and some very interesting and fun conversations.

A big Thank You and Congratulations to Centre for Contemporary Legend for hosting a great event and hopefully more to come.

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Photo: Diane A. Rodgers by Paul Dorrington

Witch~Cults ~ Bargain Savings

Great news!! Witch~Cult Tickets are now available at a great discount rate.

Full Day Tickets are now available for £17.50
Individual Afternoon and Night tickets are £12.50 each,
Available now from ~ www.eventbrite.co.uk/e/folk-horror-revival-presents-witch-cults-tickets-45698031041

Theatre – Art – Performance …
Sumer is icumin in …
Star & Shadow Cinema – Newcastle upon Tyne –  Saturday 14th July 2018

Speakers: Diane Purkiss –
Gail-Nina Anderson –
Darren Charles –

Poetry reading by Bob Beagrie

Music from: Black Mountain Transmitter, The Heartwood Institute, Nathalie Stern, Georgia Seddon, Hokano, Peg Powler, and Marcus H.

Feature Films: Simon King of the Witches and Angeli Bianchi…. Angeli Neri (Witchcraft 70)

Short Films: Bella in the Wych Elm, Thelema, Conjuration, and American Witch

Theatre: Tracey Norman’s WITCH –  performed by Circle of Spears Productions

compere ~ Andy Paciorek, with the launch of The Wytch Hunters’ Manual ( a new book by Dr Bob Curran + Andy Paciorek)

5 hours of film including 2 full length features and a number of shorts with 2 showings, 12pm to 5pm and 7pm to 12am.

A wide variety of fascinating talks and lectures on Witches and Witchcraft running from 12pm to 5pm.

An array of musical talent performing live for your delectation from 7pm to 1am.

Over 18s only.

Tickets available now from here

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Folk Horror Revival – Witch Cults – Third Announcement.

Ok so this is our third announcement for Folk Horror Revival’s Witch Cults event on 14 July at The Star and Shadow cinema in Newcastle, and as you can probably see the lineup is starting to take shape. Only two things to announce today, but we still have a number of amazingly cool things to bring you before the lineup is complete. Anyway back to today and firstly we have another addition to our musical lineup.

PEG POWLER

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Peg Powler are a four piece acoustic band from the Teesside and North Yorkshire areas performing original material, traditional folk songs and blues & jazz standards. Their original material embraces literary motifs, contemporary life and traditional, mythical and historical influences.  They play regularly at folk, poetry and literary festivals, folk and acoustic events and are the house band at Folklines, Middlesbrough’s contemporary evening of music and spoken word.

They take their name from the mythical hag of the River Tees, a grindylow who is said to grab children and wayward young men who stray too close to the bubbling river’s edge and devour them in her watery den, known as Hell’s Kettles.

Peg Powler’s debut album, Northern Lines is available on iTunes, Amazon and Bandcamp.

Band members:

Ian Bartholomew: Guitar/Vocals/Songwriting;

Sara Dennis: Vocals/Ukulele/Harmonium/Percussion/Songwriting;

Mags Forward: Fiddle/Backing Vocals;

Graham Brotton: Double Bass/Guitar/Backing Vocals.

http://www.pegpowlerband.co.uk

@pegpowlerband

#pegpowler

 

WHAT PEOPLE ARE SAYING…

‘The best new folk band in the North.’

Andy Willoughby, Poet, Literary Director and Senior Lecturer in Creative Writing.

 

‘Beautifully dark and twisted folk music with a macabre streak a mile wide.’

Bob Fischer, BBC Tees

 

Peg Powler are a North East band standing firmly in the present but with roots running deep into the past. Drawing upon wealth of folklore, myth and history their powerful original songs bring us face to face with a host of wyrd characters, dangerous situations and dark dramas that remind us of our own challenges and of how our own choices will shape our futures. This is beautiful, breath-taking and intelligent music.

Bob Beagrie, Poet, Literary Director and Senior Lecturer in Creative Writing.

 

‘It’s common nowadays when trying to describe musicians to say they are a little bit of this or that, well if it helps, Peg Powler are like early Fairport mixed with the Strawbs, and dash of Pentangle. But more than all of this, their music sounds like home to me. Sara Dennis’s lilting voice with an edge of jazz to it would be equally at home in a Greenwich Village jazz cellar, but the music is rooted on the banks of the Tees, singing about the water witch, the eponymous Peg Powler or the all-American Emily Dickinson. It’s all here.’

Peter Lagan, Lutenist

 

 

Also joining our carefully curated programme of films we have a classic witchcraft documentary from the golden age of witchcraft films, 1970s.

 

 

Angeli Bianchi…. Angeli Neri (Witchcraft 70)

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We are proud to present a very rare screening of the European version of Luigi Scattini’s ‘Witchcraft 70’ documentary. This is a very different print than the American version of the film, it starts with grave desecrations in Highgate Cemetery London that is not in the US print. Featuring a wonderful score by Piero Umiliani, that really helps give the documentary the feel of classic Italian horror movies at the time. The film is very much a product of its era and the voice over sometimes contains some ‘groovy’ dialogue.

This version features extended footage of British witches Alex and Maxine Sanders preparing a ritual. The film also covers a black mass and Anton La Vey and the Church of Satan as well as voodoo rituals. The documentary does not differentiate between Satanism, black magic and witchcraft and puts them in a melting pot together to make a heady psychedelic brew. Copies of this movie are very hard to come by as it’s never been officially released on DVD and the last screenings of it in the UK took place in the 70’s, today we present the best sourced version that we can find. Witchcraft 70 is certainly a product of its era, the film does contain nudity and animal sacrifice that may upset some viewers. This is the extended 90 minute version, we show it here as a time capsule of when witchcraft was at its public height within the media consciousness.

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They join those already announced on the lineup that promises to be one of the truly outstanding witchcraft related events of the year. So far we have:

Speakers – Darren Charles, Gail-Nina Anderson, and Bob Beagrie

Films – Simon King of the Witches, and Angeli Bianchi…. Angeli Neri

Musical performances – Peg Powler, Hokano, Heartwood Institute, and Black Mountain Transmitter.

Still come we have more wonderful speakers, more amazing musical acts, a selection of specially chosen short films, and even more exciting things taking place which I can’t reveal to you just yet.

Tickets for either the full day or just the evening event are available from the eventbrite link below:

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-witch-cults-tickets-45698031041

 

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FHR Edinburgh Event – Fourth Reveal

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We are proud to announce also joining us for the Folk Horror Revival: The Unseelie Court event at Edinburgh are –

Cat Irving and Daniel Pietersen on Beyond Burke and Hare. Cat Irving, Human Remains Conservator for Surgeons’ Hall Museums, and Daniel Pietersen, horror author, investigate the history behind the life and death of Edinburgh’s most notorious murderers, Burke & Hare, and their connection to one of its most enigmatic mysteries, the Fairy Coffins of Arthur’s Seat. They will speak at the day event.

 

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Appearing on the evening is a very special performance by Philly based band Ex Reverie in association with the visionary artist Julia Jeffrey. Fronted by singer Gillian Chadwick, the set relates to the mysterious case of the infamous Scottish Witch Isobel Gowdie, for which Julia has produced a series of stunning illustrations.

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And I Will Know Him By His Voice © Julia Jeffrey

https://www.etsy.com/uk/shop/StonemaidenArt

More acts to be revealed …

The Unseelie Court takes place on 21st October in Summerhall, Edinburgh. Tickets available now from  –  https://www.summerhall.co.uk/event/folk-horror-revival-unseelie-court/

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