Demetrio Paparoni’s The Art of the Devil and S. Elizabeth’s The Art of the Occult are two richly illustrated collections of visual imagery dedicated to dark and hellish subjects and both are great additions to the weird / wyrd art bookshelves.
Both feature a fascinating array of images dating from centuries past to contemporary representation and therein lies a slight bone of contention for me with both books. For the art of bygone times I have no issue but raise an eyebrow at some of the choices for modern inclusion. For instance upon recieving The Art of the Devil I opened it at random and was presented with a full-page photo of popstar Robbie Williams adorning a pair of devil horns. For one, it being a personal thing and knowing that someone should not be judged by their looks, but I’m sorry I just don’t like Robbie William’s face. It could be that he frequently looks smug but whatever the reason of dislike, his smirk is not what I expected or desired to be presented with upon opening the book. Secondly there is ample choice for modern representation of devilish beings, many of which are depicted in the book, from the devil of the Legend film to Hell Boy, that a former boy-band singer seems a very weak choice for inclusion. The nearest he has probably come to the devil is living next door to the occultist musician Jimmy Page!
That aside there is some excellent art included in the book with a high quality of reproduction and both The Art of The Devil and The Art of the Occult score fairly well in my book for being relatively light on text. My personal preference for art monographs, exhibition catalogues and visual anthologies is large quality illustrations with a minimum of textual content.
On this score I would’ve preferred the dimensions of The Art of the Occult to have been a slightly larger format. Again I question some of the choices of contemporary artists included. I will mention no names but leave it for readers to make up their own minds, as they may very well disagree with me but it just seems that some totally sit comfortably with the representations by old masters featured and belong to that tradition whereas others have featured occult or devilish themes apparently on a passing whim without any deeper association or interest in the subject matter.
Regarding past masters of occult art, sadly due to usage rights not being made available to the author and publishers the book alas does not feature Austin Osman Spare or Rosaleen Norton – two of the most important and powerfully impressive artists in the field. Also missing is Norman Lindsay, whose work is sublime and exquisitely crafted, but whose own contentious and unappealing opinions and ethics in life may very well have tarred him with his own brush, making it unsurprising why publishers may choose to give him a wide berth.
Aside from certain unavoidable omissions and some perhaps questionable inclusions (which as in much of art is personal taste), for the most part both books do include some glorious and grotesque powerful and intriguing works and are worthy additions to any library of the strange and wondrous.
The Art of the Devil: An Illustrated History
Hardcover, 384 pages
Published October 1st 2019 by Cernunnos
ISBN 2374951170 (ISBN13: 9782374951171)
Art of The Occult: A Visual Sourcebook for the Modern Mystic
Hardcover, 240 pages
Published October 13th 2020 by White Lion Publishing
ISBN 0711248834 (ISBN13: 9780711248830)
Reviewed by Andy Paciorek