Coming Soon … Corpse Roads: Revised Edition

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Wyrd Harvest Press are pleased to announce … A Revised Edition of our seminal poetry and photography anthology Folk Horror Revival: Corpse Roads will be available soon.

Featuring extra poetry, additional photography, new cover artwork and a much-improved design, this fantastic collection just got even better …

Keep watching the spirit paths and our Folk Horror Revival / Wyrd Harvest Press media for more details.

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10% Discount – Wyrd Harvest Press

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Save 10% on all Wyrd Harvest Press books

Code: LULU10

Only one code can be used at a time but is additionally compatible to any discounts currently set on certain WHP books

Not valid for eBooks or services

Ends August 1 at 11:59 PM

Coupon codes are case-sensitive

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Sales profits from FHR / Wyrd Harvest Press books sold in this store will be charitably donated at intervals to different environmental, wildlife and community projects undertaken by the Wildlife Trusts.

Charity Donation: Summer 2019

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Not the Bees!! … Yes! The Bees …

Wyrd Harvest Press and Folk Horror Revival are very pleased to announce that we have charitably donated £600 to Derbyshire Wildlife Trust’s Feel The Buzz Bee appeal from the profits of our books.

Thank you to everyone who voted in our poll and especially to those who bought our books. Not only are you buying great books by a wealth of talent, you are also helping out extremely good causes.

We will continue to support The Wildlife Trusts‘ environmental conservation projects with our book sales so please keep buying our tomes –

http://www.lulu.com/spotlight/andypaciorek
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Urban Wyrd : Spirits of Time and Place

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Now available from Wyrd Harvest Press
Folk Horror Revival – Urban Wyrd: 1. Spirits of Time

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Discover Hauntology, Weird Technology & Transport, Hauntings and much much more in the realms of TV, Film, Literature, Art, Culture , Lore and Life. Travel in time and spaces with Adam Scovell, Stephen Volk, Scarfolk, Julianne Regan, Sebastian Backziewicz, Sara Hannant, The Black Meadow and many other contributors.

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Folk Horror Revival – UrbanWyrd: 2. Spirits of Place

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Urban Wyrd – Spirits of Place. Discover within its winding streets Psychogeography, Genii Loci, Edgelands, Urban Exploration, Weird Places and many other strange matters within film, TV, music, literature, life and culture. Perambulate in the company of such contributors as Will Self, K.A. Laity, Bob Fischer, Iain Sinclair, Diane A. Rodgers, John Coulthart, Karl Bell and many many more.

Available now from –

https://www.lulu.com/shop/search.ep?keyWords=urban+wyrd&type=

100% of profits from FHR / Wyrd Harvest Press books sold in our Lulu store is charitably donated at intervals to different environmental, wildlife and community projects undertaken by the Wildlife Trusts.

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NEW BOOKS: Folk Horror Revival: Urban Wyrd Spirits of Time + Place

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…This is not a test … we interrupt this transmission to alert …

Folk Horror Revival: Urban Wyrd –

1. Spirits of Time

+

2: Spirits of Place

are available to purchase now …

Launch offer 35% Discount on each book

(20% added automatically – to gain a further 15% Discount enter code  ONEFIVE  at checkout – Code valid until end of 27th June 2019)

Purchase both volumes together to save on shipping costs

Buy now from

Spirits of Time

+

Spirits of Place

All sales profits from purchases made at our book shop

http://www.lulu.com/spotlight/andypaciorek

are charitably donated to The Wildlife Trusts

This is not a test …repeat this is not a test …

Contents – (to enlarge when viewing on computer – right click – view image)

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Folk Horror Revival – Winter Ghosts 2019 – First Announcement!

This December, Folk Horror Revival, will be returning to Whitby for our second Winter Ghosts event. The all day happening takes place at the Metropole ballroom, on December 14th 2019. The event will run from 1pm until after midnight and features some truly outstanding talks, stories, music, films and much, much more besides. The lineup itself has been handpicked by our team, and features some truly incredible talent that we simply can’t wait for you to see.

It is with much excitement that we would like to announce Al Ridenour as our first guest.

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Explore the authentic folklore, history and contemporary practices associated with the Krampus with Al Ridenour, author of The Krampus and the Old, Dark Christmas and
preeminent English-language expert on the subject. Ridenour’s lively presentation,
illustrated with slides, archival video (and a drop-in by a LIVE KRAMPUS) reveals how
this often-misunderstood figure is connected to centuries-old witchcraft beliefs and an
older darker understanding of the Christmas season as a time offering access to the spirit
world. Now in its second printing, The Krampus was described by LA Times’ books critic
Elizabeth as “gleefully erudite,” and a book that “deserves to become a classic.”
Ridenour is also a producer of Krampus events in Los Angeles, an artist and mask-maker,
and host of the folk-horror podcast, Bone and Sickle.

Home

https://www.boneandsickle.com/

Joining Al for more Krampus related fun and frolics will be Whitby’s very own Elaine Edmunds and Laurence Mitchell of Decadent Drawing, organisers of the annual Whitby Krampus run that takes place each December, and raises much needed funds for The Whitby Wildlife Sanctuary.

https://www.decadentdrawing.com/

 

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We don’t want to say too much at this stage, but we can promise Al, Elaine and Laurence have something a little special planned for Winter Ghosts, and we can’t wait for you all to see it.

Our first musical addition to the lineup is the sensational Burd Ellen, the new solo project from Debbie Armour (Alasdair Roberts, Green Ribbons, Alex Rex) featuring Gayle Brogan (Pefkin, Barrett’s Dottled Beauty) and Lucy Duncan (Luki). The group uses traditional song to explore and evoke dark landscapes and deep stories. Innovative instrumentation, drone and sound-wash support detailed vocal work to create a unique sonic atmosphere.
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Burd Ellen self-released their debut album SILVER CAME in Feb 2019, on limited edition CD. A record exploring women’s narratives in British folk song, SILVER CAME investigates ideas of persistence, defiance, devotion and transformation. The album was recorded by Jer Reid (Painted X-Ray, Claquer, Glasgow Improvisers Orchestra) over two days in the rehearsal space of Glasgow Theatre Arts Collective.

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“sonically adventurous … with an emotional range and a raw inventiveness which is all too rare in contemporary folk circles.” – Alex Neilson
“A masterclass in shimmering, ethereal folk music… Cannot recommend highly enough” – Kyle Lonsdale, Earth Recordings

burdellen.com – burdellen.bandcamp.com
Sweet Lemany music video – https://www.youtube.com/watch?v=PSRB5Vsvx2A

Our final guest for this first announcement is George Cromack, a writer, sessional tutor and lecturer whose core subject areas are creative fiction, specifically Scriptwriting for film & T.V, and Film Studies. For almost ten years George taught on a number of programmes at the University of Hull’s Scarborough Campus – including modules on their Creative Writing Degree. It was during this time he developed his interest in what has become widely known as the Folk Horror genre, the subject of his film based PhD thesis, delivering a paper on some of its narrative conventions at the Fiend in the Furrows Conference in Belfast.  A keen advocate of adult and community education, George also teaches evening classes in Film Studies & Creative Writing for the local Scarborough branch of the WEA and introduces the occasional film screening at the Stephen Joseph Theatre. Recently one of his fictional short stories was included in Terrors Tales for a Winter’s Eve, a small collection of ghostly tales from local writers.

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George’s talk ‘Home for the Holidays’ will take inspiration from adaptations of popular children’s stories in film and television such as The Children of Green Knowe, Moondial and the Amazing Mr Blunden examining their use of the ‘time slip’ narrative, notions of ‘ancestral mystery’ and speculating on their appeal.

Right that’s it for now, we’ve much more still to come, so please keep checking back for further announcements. Tickets are available from the link below priced at £13 for the full day and £7 for the evening. So what are you waiting for, grab your tickets now while stocks last.

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442.ant

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An Interview With Sara Hannant

Folk Horror Revival is pleased to have put a few questions to accomplished photographer Sara Hannant …

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Folk Horror Revival: Hi Sara, thank you for agreeing to be interviewed. Firstly, could you tell our readers a little about yourself, your inspirations and how you came to become a photographer?

Sara Hannant: Photographs can transport you to other times and places.  That capacity for reverie and storytelling has always fascinated me.  When I first started making pictures, I wanted to tell stories about people or experiences that I felt had previously been misrepresented.  I initiated collaborative portraiture projects so that the people I photographed actively contributed to making the image.  While I was an art student at Dartington College of Arts, I worked with Gypsies and Travellers to portray their daily life, which was very different from how they were shown in the local press.  The exhibition Pictures of Ourselves was shown at Plymouth Arts Centre alongside Gypsies by the Magnum photographer Joseph Koudelka.  Seeing the emotional power of Koudelka’s work prompted me to study documentary photography at Newport College of Art.  After completing the course, I worked as a professional photographer for national papers and magazines, and charities in the UK and abroad, mainly on commissions about social issues.  Through experimental approaches, I continue to investigate how the photographic image can alter the perception and reception of subjects that are misunderstood or overlooked.

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Abbots Bromley Horn Dancers, Staffordshire

FHR: Your book Mummers, Maypoles and Milkmaids: A Journey Through the Ritual Year is a thorough and intriguing photo essay of traditional / contemporary English festivals and ceremonies. How did this book arise and were there any rites and rituals that particularly struck a personal chord with you?

SH: Mummers, Maypoles and Milkmaids: A Journey Through the Ritual Year started with a chance encounter in 2006 with Deptford Jack in the Green.  This discovery instigated my country-wide search for similar seasonal rites occurring through the wheel of the year.  I became interested in rituals which claim an ancient origin as well as those which are re-imagined or re-invented.  I am particularly fond of the fire festivals which light up the dark midwinter nights such as those at Ottery St Mary, Allendale and Lewes.  I also love the way the summer is welcomed in with performances of the Hal-an-tow in Helston Cornwall.  I aimed to capture the excitement and mystery of seasonal rites while celebrating the enduring social relevance of these popular customs for rural and urban communities.  I am delighted that Merrell published the book and the Horniman Museum showed the exhibition for nearly a year and subsequently toured the show.  It is the first British ethnographic exhibition that the museum has shown and the first to normalise representations of Paganism as part of English society.

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Burning effigies of David Cameron and Nick Clegg, Cliffe Bonfire Society, Lewes, Sussex

FHR: Are there any other festivals or rituals from anywhere around the world you would especially like to capture and perhaps produce a book upon?

SH: Before Mummers, Maypoles and Milkmaids: A Journey Through the Ritual Year, I had documented community festivals in Mexico, India and Prague and felt it was time to explore the rich folklore closer to home.  There are many more contemporary British folkloric practices I would like to photograph.  I had thought of extending Mummers, Maypoles and Milkmaids: A Journey Through the Ritual Year to produce subsequent books that explore seasonal rites in the rest of the UK and I have made a start on this.

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Baphomet, Museum of Witchcraft and Magic

FHR: Another of your books Of Shadows captures One Hundred Objects from the Museum of Witchcraft and Magic contains some very beguiling objects and artefacts; which are your personal favourite pieces from the collection and were there any objects that gave you the creeps or otherwise gave you a particular feeling whilst in their presence?

SH: Yes, the museum is full of enchanted objects some of which appear to have an intense presence, especially at night.  However, all of the artefacts in the museum have a resonance whether it’s because of their original magical use, the intentions bound into their making or the undeniable materiality of magical belief.  There were times when this potency felt palpable, particularly with objects once used in rituals or to represent ritual practice such as Baphomet/Old Horny.  The objects made to harness natural or spirit forces were captivating and often embodied ancient knowledge.  One of my favourite pieces is an example of the knot magic used by local witches when ‘Selling the wind’ to sailors.  The implements of torture used during the Witch Trials gave me the creeps!

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Skull used for Ritual Magic, Museum of Witchcraft and Magic

FHR: The format and style taken in Of Shadows is very effective. It gives the items a presence as if their portraits and biographies are granted rather than simply catalogued. Are there any other museum or gallery collections you would like to similarly present?

SH: Thank you, I felt privileged to engage with the magical objects and their hidden histories.  Several collections fascinate me including those at the Horniman, Petrie and Cuming Museums.  Once objects are removed from their original context, it is a challenge to rekindle some of their original properties.  I enjoy responding to those traces of energy which remain in the material.

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Rapunzel

FHR:  On your website you have some other beautiful and bewitching albums. Numinous is very well named as the images have a certain unearthly, spiritual allure whilst Ladybird, ladybird and Cinderella: Your House is on Fire combine nostalgia with the somewhat sinister and visually seductive encroachment of flames. Could you tell us more about the inspiration behind these images?

SH: Both of these projects reveal the process by which one thing, through intention, becomes another.  Numinous is inspired by healing rituals at sacred wells in Cornwall.  The images are deliberately ambiguous and explore magical belief and transformation.  In folklore, a strip of cloth or ‘cloutie’ is torn from a person’s garment, dipped into the well then hung on a nearby tree.  As it falls to the earth and rots, it is believed the illness will disappear. The cloths are said to connect to the divine power or spirits thought to inhabit the sacred place. Unfortunately, some people leave fabrics that will not biodegrade, and the Cornish Ancient Sites Protection Network consequently removes the offerings.  I have re-animated these discarded cloths using natural forces in keeping with the folk magic, symbolised by the classical elements.

Cinderella: Your House is on Fire and Ladybird, ladybird question the agency of the persecuted heroine in fairy tales.  On rediscovering my childhood copy of Cinderella, I felt compelled to revise the stereotyped images of the female protagonist to tell a different story.  Fire—a symbol of hearth and home, destruction, trial, purging, and purification seemed like the ideal agent for change.  As the pages burn, images and text are revealed or juxtaposed, re-visioning old stereotypes to enable new ideas and narratives.

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Remembering

FHR: Finally, could you tell us any other photographers and artists whose work inspires or speaks to you? Also, what are you currently working on and what projects do you have planned or are considering for the future?

SH: I admire many photographers and artists from a variety of genres.  Research into other disciplines such as history, folklore and magic also inform and inspire my practice.  I am currently working on a book Touching Witchcraft and Sorcery with the folklorist Jeremy Harte.  We have gone into the archives, into the forgotten places, to catch stories of witchcraft in tale and image.  My work is included in two upcoming exhibitions at Gallery Valid Foto in Madrid from May 8-25th Women Photographer’s Now: 12th Julia Margaret Cameron Award and the 12th Pollux Award.  In July, I will be showing a Moon inspired exhibition at Charlton House in London as part of the Moon Festival which coincides with the 50th anniversary of the Moon Landing.

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The Fool, Abbots Bromley Horn Dance, Staffordshire

All Photography © Sara Hannant
https://www.sarahannant.com/

https://www.sarahannant.com/book/

Wyrd Harvest Press: Charity Donation – Winter 2018

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The winter 2018 charity handover from the profits of Wyrd Harvest Press / Folk Horror Revival books has now been made. Congratulations to Nottinghamshire Wildlife Trust who receive £500.00 for their Save the Meadows Appeal

In thanks to our donation, we have been given the chance to name a newborn lamb in April (yes I have requested a black one) so we will be asking then (Not Now) for name suggestions and we will put a short-list to a poll on the group

Thank you for voting and Thank You especially for buying our books. We will continue to charitably donate the sales profits we receive for our books quarterly to the Wildlife Trusts, and we have more great books coming in 2019, so please continue to stock your bookshelves with our quality books with the extra bonus of helping biodiversity and natural habitats

A New Title from Wyrd Harvest Press – Fleet by Jane Burn

New from Wyrd Harvest Press ~

Fleet by Jane Burn

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“Fleet is a ‘weltersong’ of desire and otherness. An epic saga of shapeshifting enchantment and an all too familiar drama of longing, banishment, abuse, survival and love. Jane Burn brings her unique vision, wild wordplay and stunning image-making to the evocation of the folklore of the Witch-Hare, and the voices of Motherdoe, Fleet and Daughterhare with the full force of mythic tragedy and Ovidian metamorphosis.” – Bob Beagrie, poet

http://www.lulu.com/shop/jane-burn/fleet/paperback/product-23888091.html