Reviews: Devil’s Advocates, Blood on Satan’s Claw and The Witch.

by Darren Charles

Having previously reviewed John Towlson’s wonderful Candyman monograph from the Devil’s Advocates series from Auteur books, I was delighted to receive another two books from the collection with some serious folk horror credentials. The books in question are David Evans-Powell’s monograph of The Blood on Satan’s Claw and Brandon Grafius’ treatment on The Witch.

The Devil’s Advocates range is aimed at exploring the classics of horror cinema, and the contributors are generally firmly entrenched in that world via careers in academia, journalism or through their own contributions to the literature of horror. What is evident from the very beginning is that those who have been asked to write these books are passionate and knowledgeable about their subject matter and whilst the books have a certain academic quality to the writing they are never overly wordy or impenetrable.

The Blood on Satan’s Claw by David Evans-Powell

Liverpool University Press: Books: The Blood on Satan's Claw

One of the unholy triumvirate of films that are deemed the very cornerstones of the Folk Horror movement, Blood on Satan’s Claw (1971) is a supernatural horror movie set in a small rural English village in the 18th century. After the discovery of a sinister looking skull in a freshly ploughed field, a series of bizarre occurrences take place among the village’s young people culminating in a ritual rape and human sacrifice. In recent years the film has become a classic of the Folk Horror genre and David Evans-Powell’s monograph is a thorough and interesting delve into the film’s history, looking at its position within the Folk Horror oeuvre, its relationship to the landscape and nature, and its socio-political message, particularly its relationship to the late 60s and early 70s counterculture.

The book is divided up into series of different sections, the first provides a brief synopsis of the film and an introduction that places the film within the context of the time it was made, and in relation to other films of the time. The next section looks at the film’s production and reception, this introduces the reader to some of the key figures involved in making Blood on Satan’s Claw such a runaway success. There are sub-sections on cinematographer Dick Bush, director Piers Haggard, composer/musician Marc Wilkinson and screenwriter Robert Wynne-Simmons, as well as the film’s production that provide a lot of valuable information about the film’s genesis and how it all came together. The next couple of sections deal with the importance of the landscape and how it is used in the film, as well as looking at nature and the way the setting juxtaposes the simple superstition of the rural setting with that of the rational, enlightened city (London).

Beyond that Evans-Powell delves into ideas about a past the refuses to be forgotten, the concept of “reviving forgotten horrors” to paraphrase the great Patrick Wymark in his role as the judge. This section is interesting and provides some fascinating and detailed discussion of our pagan past. The final section is called Anarchy in the UK and features a fairly in-depth discussion of the film’s relationship to the counter-culture movement of the 60s and 70s, particularly the darker side of that movement with a focus on the Manson murders and English child murderer Mary Bell.

Evans-Powell has written a powerful and fascinating monograph that is very readable. He manages to cram a lot of intriguing detail into such a short book yet it never feels as though the reader is overloaded with information, and it always feels relevant and interesting.

The Witch by Brandon Grafius

The Witch (Devil's Advocates): Amazon.co.uk: Brandon Grafius:  9781800348059: Books

The second of our two books is a monograph based around the Robert Eggars film The Witch. Much like Blood on Satan’s Claw the film has become synonymous with the Folk Horror movement and has achieved a similar status as a classic of the genre. If Blood on Satan’s Claw, The Wicker Man and Witchfinder General are the classic unholy triumvirate, The Witch is one of the titles that fits the bill as their modern equivalent, alongside films like Kill List, November, In the Earth and Midsommar it sits at the forefront of the Folk Horror revival.

Brandon Grafius is a Professor of Biblical studies at the Ecumenical Theological Seminary in Detroit, and is well noted for his writing on the subject of religion and horror. The book is heavy on facts and Grafius provides some tremendous background information about the time in which the film is set. Eggars himself spent an inordinate amount of time and energy on researching the period in order to bring the film a realness. Grafius does much the same for the study of the film, and after delving into New England’s puritan past and considering the context of the witch trials that took place in the late 17th century, he takes the reader on a whistle stop journey through the realms of literature, cinema and folklore in order to place The Witch within the context of what we call folk horror. The sections on The Witch as folk horror and the folklore associated with the film and witchcraft in general are excellent, well researched and kept me hooked in. These are followed by a section discussing the film’s main characters, that features some interesting analysis of not only the family and their flawed existence but even Black Philip himself.

Much like Evans-Powell’s Blood on Satan’s Claw, The Witch is a well-researched and beautifully written monograph that provides a fascinating and in-depth study of a classic film in around a hundred pages. As with the previously reviewed Candyman it has be said that Auteur have really come up trumps with this wonderful series of short monographs looking at the classics of horror cinema. I have already started to build a list of the other titles in the series that I need to check out.

You can see the full range of Auteur’s Devils Advocates series at the following link: https://www.liverpooluniversitypress.co.uk/series/series-15364/

Blood on Satan’s Claw by David Evans-Powell is available to buy from Amazon at: https://www.amazon.co.uk/Blood-Satans-Claw-Devils-Advocates/dp/1800348061

The Witch by Brandon Grafius is available to buy from Amazon at: https://www.amazon.co.uk/Witch-Devils-Advocates-Brandon-Grafius/dp/1800348053/ref=sr_1_1?dchild=1&keywords=the+witch+brandon+grafius&qid=1621965775&s=books&sr=1-1

The Psychic Audio Group

The Psychic Audio Group are a collective of paranormal investigators and music technologists based in Leeds who generate audio based around hauntings, drawing inspiration from Nigel Kneale’s ‘The Stone Tape’ they reconfigured their equipment to generate noise, producing some remarkable psychic feedback when installed at certain haunted locations. Here we review their three recordings thus far released.

Collected Recordings of the Psychic Audio Group, Volume 1

The first release of the Psychic Audio Group, features 11 tracks of suitably wyrd phonics, mixing ambient drones with glitchy off kilter electronics, field recordings and found sounds. I really enjoyed this one, there’s a level of dread filled intensity about the recording that verges on audial assault, and the whole thing has a sinister blackened noise vibe to it. Links to Nigel Kneale’s ‘The Stone Tape’ and EVP just add to the creepiness of the project. I guarantee this will go down a storm with Revivalists everywhere. This is highly recommended for fans of John Carpenter, Haxan Cloak, Burial Hex, Demdike Stare and the Nate Young (Wolf Eyes) and Steven Kenney (Werewolves) project Demons.

https://psychicaudiogroup.bandcamp.com/album/the-collected-recordings-of-the-psychic-audio-group-volume-2-eycheil

Also worth mentioning is the accompanying video, featuring the same sequences of audio as used in the album, but coupled with visuals from the recording sessions.

Sea of Ink

Sea of Ink is a stand alone track recorded during the sessions for their second album. What we get is more of the same glitchy electronic drones and sinister sounding atmospherics as the debut album. A work of creepy excellence.

https://psychicaudiogroup.bandcamp.com/track/sea-of-ink

The Collected Recordings of the Psychic Audio Group, Volume 2: Eycheil

The third release and second full length album from the Psychic Audio Group is an absolute doozy from start to finish. Recorded entirely on location at the Theatre Eycheil in the foothills of the French Pyrenees, with each track concieved in relation to the atmosphere of the site, and boy what an atmosphere it must have as this is off the scale for creepiness.

The album features 7 tracks of more of the same, but once again it excels at what it does. Darkly atmospheric electronic noise that recalls some of the most sinister music ever placed on vinyl. Nighmarish and disquieting, the whole thing has a deeply malefic aura about it. If someone were to ever remake John Hough’s 1973 supernatual tour de force ‘The Legend of Hell House’ these guys should record the soundtrack.

https://psychicaudiogroup.bandcamp.com/album/the-collected-recordings-of-the-psychic-audio-group-volume-2-eycheil

Vanishing Faces

Duo Joanne and Andrew Walker have been busy over the last twelve months with three separate releases to tempt Revivalists.

Foretold E.P.

First up was the Foretold E.P. which was released in April . I was lucky enough to receive a physical copy of the limited edition CD, one of only 78 copies released. The album is beautifully packaged, featuring some lovely artwork from Joanna herself. As you can see from the photograph below it is obviously designed to fit perfectly with the stories of the songs, which is something I really love about it. Alongside the fantastic cover art we are treated to some really nice little extras, stickers, a badge and a tarot card, the Ace of Wands in my case. This is a great card to receive in this instance as it represents creativity, passion and enthusiasm, all things that are abundant in this release.

This, their debut release is also sonically very good, and features 5 tracks of glitchy electronic folk infused with their love of traditional British folklore and the esoteric. The mix of traditional and modern instrumentation works really well and one can’t help but hear the influence of the likes of Current 93 rising to the fore every now and again, however it must be noted that they do possess enough of their own sound to keep it from turning into a pastiche. Overall, Foretold is an excellent debut release and one the duo can be very proud of.

Two Songs for the Summer Solstice

This was a two track single released to coincide with the Summer Solstice, on 20th June. Both tracks were heavily inspired by previous solstice celebrations that took place at Stonehenge and Avebury, and were a reaction to the current situation with regards to the Covid-19 lockdown, and the fact those sites were not accessible during the 2020 solstice.

‘To the Day’ represents the duo’s fond remembrance of past solstices, whilst Midsummer’s Dream entwines their own song with the fairy’s poem from the beginning of ‘A Midsummer Night’s Dream’. Both tracks take the listener down a tangled acid folk drenched pathway that winds its way through the British countryside. This is a perfect midsummer release.

Wolf Moon E.P.

Released at the death of 2020, Wolf Man is a three track E.P. that the duo began composing under the wolf moon, the first full moon of 2020.

Opener, ‘Wolf Moon’ is a spoken word track that again mixes traditional instrumentation and modern technology, perfectly capturing the mood of the piece. This is followed up by ‘Cold Moon’ an instrumental with its feets firmly planted in ambient electronics. Beautiful and atmospheric, the track is perfect for laid back listening sessions. The final track is a remix of ‘Wolf Moon’ by Grey, it’s a fascinating amalagamation of drum and bass and ambient electronica that works really well. The band themselves have labelled the track ‘dub folk horror’ and who am I to argue?

All of their work can be heard and bought from their bandcamp page at:

https://vanishingfaces.bandcamp.com/