The first Folk Horror Revival event will be taking place at the British Museum, London on October 16th 2016, featuring talks, lectures, short films, poetry readings, museum tours and other wyrd and intriguing happenings.
Cult television programmes and films of the 1960s and 70s are inspiring a new generation of poets, writers, artists and musicians with their atmospheric themes of contemporary individuals interacting with a uniquely British world of ancient mythology and magic, often uncanny and unsettling.
This special event will feature lectures, film screenings, performances and gallery tours of featured objects in the Museum’s collection to explore themes of cultural rituals, earth mysteries, psychogeography and folklore. Come along and prepare to be scared!
Ticket details to be announced very shortly.
We are proud to reveal other additions to the line up – see also
Folk Horror Revival: British Museum Otherworldly (First Reveal)
Eamon Byers completed his PhD at Queen’s University Belfast in 2014. His thesis explored the interaction between medievalism and folk music in English culture from the eighteenth century to the present day. Also in 2014, he co-organised ‘A Fiend in the Furrows: Perspectives on ‘Folk Horror’ in Literature, Film & Music’, the first conference dedicated to the academic study of folk horror.
He currently teaches English at Marymount International School London and continues to research and publish on the interactions between folk culture and medievalism in music, literature and politics.
The title of Eamon’s talk is: ‘The Ghost of Song: Folkmusic in the 21st Century’ where he will be looking at the influence of folk horror on contemporary folk, breaking down some hauntological examples and discussing sampling and the theoretical aspects of tradition and ancestry that goes along with modern folk.
Follow him on Twitter at – https://twitter.com/folkoff
In addition to speakers and other live performers we will also be screening some short films by talnted film makers. The first of the filmmakers to be revealed is Adam Scovell.
Adam is a writer and filmmaker currently based between Liverpool and London He has produced film and art criticism for over twenty publications including The Times and The Guardian, runs the Celluloid Wicker Man website and has had work screened at FACT, The Everyman Playhouse, Hackney Picturehouse and Manchester Art Gallery.
Adam is the creator of the intriguing and impressive blog Celluloid Wicker Man
The title of Adam’s talk is Analogue Hauntings – The Ghost In The Grain
Why do ghosts manifest so effectively through analogue technology? Whether through tapes made of stone, through signal mechanisms on old Dickensian railway stations or through alchemically enhanced binoculars, ghosts have a tendency to achieve corporeality most powerfully in fictional media through pre-digital technologies. In this mixture of presentation and screenings, this phenomena will be examined within the contexts of hauntology, Nigel Kneale, M.R. James and filmic practice on super-8 celluloid.
• Salthouse Marshes (2015) (7:16) – Super-8 ghost stories inspired by Algernon Blackwood’s The Willows.
• No Diggin’ Here (2016) (3:07) – Super-8 essay film looking at Aldeburgh in the context of M.R. James’ A Warning To The Curious with a specially composed score by Laura Cannell. (Preview screening)
More speakers and ticket details to be revealed soon. Follow us on Facebook