Whisht! Lads, haad yor gobs,An' Aa'll tell ye  'boot the wyrms  ... 

On the weekend of 27th & 28th November 2021 Folk Horror Revival are proud to present Winter Ghosts 2021 ~ a veritable feast of Cryptid inspired wonders at Whitby North Yorkshire.
On Saturday 27th 2021 the Metropolitan Ballroom (The Met) will present a fantastic mixture of Talks and Live Music.
Whilst on Sunday 28th 2021, there will be session of story-telling in the Flowergate Hall which will also be hosting a phenomenal Folk Horror Revival otherworldly cryptid Art Exhibition at the time …

In the first of several posts let us introduce you to the wealth of talent that will delight your senses …

A T T R I T I O N

“Inside a cage of sound,  Cold waves of electronics are juxtaposed against voices that seep through cracks in the walls of machinery and wires. Lyrics dart out in bullets from soundscapes peppered in sharp vocals and sound bites. A viola plays in the distance, giving life to this inorganic mass… Such is the imagery that spawns Attrition, who, with its marriage of the classic and modern, has brought to music the equivalent of a surrealist painting. From its earlier sparse and stark soundscapes, to a more expansive palette of orchestral work, Attrition has successfully melded several genres into one. The music flows – from gothic to industrial to experimental to classical – so smoothly, they might as well be making their own category. With more than twenty albums of constant variety, and an ever-expanding sound, they remain one of music’s darker and fascinating lights.”  Akane

ATTRITION are pioneers in a darker electronica. Formed in 1980 in Coventry, England, influenced by a mix of punk ideology and experimental art aesthetics, they emerged as part of the early ’80’s UK Industrial scene alongside contemporaries Coil, Test Department, Legendary Pink Dots, In The Nursery, Portion Control et al.
Founder Martin Bowes has steered the band through a 40 year career, fuelled by a succession of critically acclaimed albums…

The band has regularly toured Europe, North America and South America, Russia and Asia, appeared at major festivals and had their music included on a number of TV and film soundtracks….

Through their career Attrition have worked with musicians as diverse as Wolfgang Flur,  psychedelic veterans The Legendary Pink Dot’s , punk legend TV Smith to Franck Dematteis of the Paris Opera.

Attrition’s music has featured on countless releases – from 1984’s “Bullshit detector 3” on Crass records to the hugely successful “Animal liberation” album alongside Siouxsie & the Banshees, The Smiths, Nina Hagen & Lene Lovich etc…

Their  song “Acid Tongue” featured on KTEL’s Industrial story CD – a who’s who of  industrial music with Cabaret Voltaire, Throbbing Gristle, Ministry, Nitzer Ebb, Neubauten et al…

In Germany Orkus magazine’s Best of the 90’s collection featured their darkwave classic “A girl called harmony”…
Martin’s increasing studio production work at his studio, The Cage, has included mixes for The Damage Manual (Martin Atkins, Jah Wobble, Geordie Walker, Chris Connelly et al…), Die Form, In the Nursery, Black tape for a Blue girl, Mona Mur/En Esch and mastering for countless bands and labels…
He contributes synths and vocals on a song on the last Pigface album, is the narrators voice on US horror series, “C for Chaos”, has written the score to US horror film G.H.O.S.T from Mutantville productions …
Their most recent album, Millions of the Mouthless Dead (inspired by Martin’s grandfathers experiences on the Western Front in 1917) includes collaborations  with Anni Hogan (known for her work  with Marc Almond through the 80’s) and the legendary  Wolfgang Flur (ex-Kraftwerk)…

ATTRITION toured in the UK, Italy, New Zealand, Transylvania, Canada and Japan in 2018/19, and are currently working on an all new album for release later in 2021: The Black Maria.
Meanwhile setting up shows around the world in support of it…
 

“Attrition have always been a nexus of industrial fury, gothic drama, ambient structural finesse and classical chamber orchestrations. Stunning in scope, character and intellect, Martin Bowes has been a paragon of true creative prowess, holding in two hands the past and future of music, and smashing them together with a calculated and charismatic menace. Bowes builds his dark industrial music with all the compassion and attention to detail of a classical musician…”

Official website
www.attrition.co.uk
Facebook
www.facebook.com/ATTRITIONMUSIC

Dr ‘Doc’ Rowe has been documenting British Cultural tradition for nearly sixty years using video, film and photography as well as audio. His unique collection of contemporary and historical material on the traditional culture of the British Isles and Ireland is now housed in Whitby. The strength of the collection lies in its ongoing ‘serial’ fieldwork and regular contact with communities where individual events flourish – hence the material is at once wide-ranging, first hand and constantly updated. A long-term council member of the Folklore Society and Oral History Society, he regularly broadcasts on aspects of folklore and tradition he has also written a number of books and his photographs are regularly published. A teacher, photographer, broadcaster and performer, one major inspiration stems from working with Charles Parker in Radio documentary from the early sixties and in later theatre productions. . As well as a number of one-man exhibitions, he joined artists Alan Kane and Turner Prize winner Jeremy Deller in a British Council travelling exhibition ‘Folk Archive: Contemporary Popular Art from the UK’ [2005 and still touring internationally]; he contributed to ‘British Folk Art’ [Tate Britain, 2014] and, more recently, ‘Lore – the Living Archive’ is an Arts Council funded travelling exhibition that curated material from the archive alongside contemporary artists who drew creative inspiration from the archive itself. www.docrowe.org.uk

‘Wyrms and Dragons of the Northlands’

By Andy Bates and Linda Richardson of Hazelsong Theatre

Tales of wyrms and dragons have woven their through the folklore of the North of England and of the Borders for generations. Drawing upon a multitude of sources, Andy Bates and Linda Richardson will explore these stories and their origins and will track them to their roots in Norse, Anglo Saxon and Celtic literature and iconography.

Andy and Linda will be accompanied in their presentation by an imposing and unpredictable wyrm of significant sinuousness.

Andy Bates is an archaeologist, a craftsman, a puppet maker and a performer. Linda Richardson is an artist, a costume maker, a performer and a writer. Together they are half of Hazelsong Theatre, whose work is rooted in the songs, stories, myth and folklore of the North and the Borderlands. The troupe creates performances which bring together storytelling, music, puppetry, theatre and ritual and all borne of the knowledge that these stories and songs are vital and very much alive. Hazelsong is working at the edge of the village, where the human world meets the wild and the imaginal, and where there is so much at stake.

Hazelsong

Chris Lambert of The Soulless Party presents:

March of the Meadow Hags

“I bit into a pear once and tasted nothing but blood and gristle.” (from a conversation with an old man by Stanley Coulton.)

An audio visual and musical experience in which one of the strangest and darkest chapters in the history of the Black Meadow is explored.

Stay out of the mist…

Chris Lambert has been writing since 1991, creating plays for Tilt, Voice, Workswell Productions and his own company Exiled Theatre. He won the 2012 Reading playwright competition, Off the Block. Since then he has turned his hand to short stories and is completely stuck on his novel. Chris is part of The Soulless Party and has been working with Yorkshire musician Kev Oyston on the Black Meadow project inspired by the strange folk tales surrounding the North York Moors. He is founder member of experimental Mummer troupe The Mummers and the Pappers who have made appearances at two Delaware Road festivals. He has curated two albums “Songs from the Black Meadow” and “Wyrd Kalendar” for Mega Dodo that include tracks by The Hare and the Moon, Tir Na Nog, The Rowan Amber Mill, Alison O’Donnell, Concretism and Keith Seatman. He has had the pleasure of being Master of Ceremonies for Folk Horror Revival at the British Museum, Edinburgh and Whitby Winter Ghosts and for Mega Dodo and Fruits de La Mer at Séance at Syds. Chris is also a secondary school Drama and Film Teacher and occasionally dabbles in sound art.

Published works by Chris Lambert include: “Tales from the Black Meadow”, “The Black Meadow Archive – Volume 1”, “Christmas on the Black Meadow”, Songs from the Black Meadow” and “The Comic Mystery Plays” published by Exiled. His selection of short stories “Wyrd Kalendar” (illustrated by Andy Paciorek) is published by Wyrd Harvest Press. The plays “Ship of Fools”, “The Simple Process of Alchemy”, “Ugga (A play about a boy with a paper bag on his head)” and “Loving Chopin” are all published by Stagescripts. His short stories “First Step” and “Treehouse” have been published in “The Dead Files” anthologies volumes IV and V; “The Catalogue” and “Pilot” in “Tales of the Damned”; “The Eight Words” in “Dark Spirits”; “The Patient” and “The Most Precious Possession” in The Ghastling.

More to come …
Book Tickets – Here £13
https://www.eventbrite.co.uk/e/winter-ghosts-2021-folk-horror-revival-has-wyrms-tickets-162971928425

For Further Information contact Kt Mehers at folkhorrorrevival@gmail.com