Daniel Pietersen – Archivist of the Constant University

university-lending-slipDaniel Pietersen is an author of weird fiction and horror philosophy who has spent the past few years poring over the vast and only-recently unearthed archival material from the so-called Constant University. This vast selection of prose fragments, poetry, anthropological material and photographic media of various types and qualities outlines the lives and customs of the inhabitants of the city of Benedictine, a curiously formless conurbation consisting of five Quarters and surrounded on all sides by the dangerous wildlands of The Fen.

As these scraps are analysed and put into some kind of order, a world as rich and complex as our own comes into being.

Further information on the archive can be found at its aetherycal repository. Daniel Pietersen has an online presence here.


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The foundations of the city are riddled with holes. Basements, sewers, sub-basements, forgotten wells and more upon more. Even the eerily still worlds of natural cave systems stretch down for untold fathoms beneath the daylight world. Very few people venture down into these dark, fungus-haunted spaces. Fewer still return.

 

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And, in the centre, the great campanile rises high above the clouds of salesman’s patter as if unconcerned by the price of silken gloves or sesame. An ersatz gnomon – although built long after the square was named for a now-forgotten bureaucrat, giving it a perhaps not entirely subconscious homophone – whose even-paced shadow strolls from dawn to dusk, a dark-suited overseer marking out ungraded time against lamp-post and flagpole.

 

Fen

There lies, far East, a nameless fen/didst Man last tread I know not when/but beasts there are/and worse by far/things that yearn for foreign stars/things as shy from mortal ken/but dance and howl on the nameless fen…

H. Devlin Weard (attrib.)

Tim Turnbull ~ Ghosts of the Corpse Roads

By a strange twist of fate, the words of a poet who tread the Corpse Roads, vanished upon the breeze. An echo of his testimonial remained carved upon milestones.

Here now though through the scrying of technology once undreamed of, we have captured the whispers from the aether and bring you now the poetry of Tim Turnbull

Scarecrow

They have brought him indoors again, Scarecrow,cC5Ah9nJAPuMjYrVODu1a2uhv8JxrloC1ynIrLPR8tPhDfQCnTmt3G1IZBxijVXC3-RAAlF3YYrggvgyVekh99T9F1Js9EEoscxNsfvMdeUQCRrJiOPIGYQZKnL8Htv5aWJFz8-f9CX64RQhqb-wHL6Km8U=s0-d-e1-ft
propped him in the armchair, poured him a nip
of Laphroaig (doubles for themselves) and toast
and laud him, fine splendid fellow that he is:

for did he not bring them glories unbekent
in their lifetimes, class and outright victory
at Scarecrow Festival; did not the beer tent
glow all night, song swell through the district

over misted fields and greening woodland.
Hail to thee, O Flay-crake! O Hodmedod!
O Bogle! they cry, glasses in raised hands,
in honour of their straw-stuffed half-a-god,

and Scarecrow tilts his head as if perplexed:
their panegyric’s tinctured with derision,
and rough-handling, not kindness or respect,
distinguishes their weekly depositions.

Tonight a boot was left among the furrows;
tomorrow they’ll drag him out and nail him
back up again, nursing filthy hangovers,
and leave him to the mercy of the wind.

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An Old Acquaintance

Death comes chapping the door at 2 a.m.,
jiggling an own-brand single malt as bait.
So long and anxiously anticipated,
he – half coy maiden, half best bosom friend –
slurs mitigations, invites himself in,
and from the sofa, roiling bletherskate,
holds forth; confides, inveigles and berates;
oscillates between rapture and maudlin.

Through hours of inebriate remembrance,
discourse descends to fractured anecdote,
to he said/they said/something happened once,
and thence to warm and grainy oblivion
until the morning takes you by the throat
and searing, sickening light reveals him gone.

Cymag

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Surprising how it has seeped into one’s
being, all that land; that boggy patch
behind the Dutch barn, not discernible
from the field edge – perhaps with geophyz
or satellite it might show up – which caught
the ploughshares and pulled the Fordson
back on its heels, so that, with differential
lock and independent brakes, we churned
and worked in tacky clay until the plough
came free; and across the field, the wood,
frightening and dark, which had been just that –
a wood – but now’s Picea abies, Norway spruce,
un-thinned, neglected, spindly, a poor crop,
overlain since with accretions of schooling,
fact, and even – whisper it – the odd opinion;
and beyond the wood the hedgerow where,
one autumn afternoon, we went with tin
and a tarnished dessert spoon lashed
to a bamboo cane, and I filled the bowl
with pink powder, thrust it down the last
unblocked rabbit hole, tipped the poison,
withdrew and sealed it in the earth.

Poetry © Tim Turnbull

Tim grew up in a farming family in North Yorkshire and resides currently in Highland Perthshire. His collection of eerie tales, ‘Silence and Other Stories‘ is published by Postbox Press. His poetry is available from Donut Press.

Wyrd Harvest Press are planning to publish more of Tim’s poetry in the near future. Keep watching these lonely paths …

http://www.timturnbull.co.uk/

Photos © Andy Paciorek

Corpse Roads: A Call Out to Poets

The Poet, Egon Schiele (1911)

 

We are seeking poetry submissions for a forthcoming book, Folk Horror Revival: Corpse Roads.

Please read the whole post here if wishing to submit – Thank You.

– Please submit only your own work.
– Inclusion in the book is not guaranteed. Only successful contributors will be notified. Do not be offended by an unsuccessful attempt to contribute. We have limited space and will pick the most appropriate poems. This is not a reflection on anybody’s work or ability.
– 100% of all sales profits of the book will be charitably donated to The Wildlife Trusts therefore the work is unpaid (same for us admins too)
– As each book will be made specifically to order, unfortunately free paper copies are not possible (admins need to buy their copies too) but contributors included in the book will receive a complimentary PDF edition.
– Contributors selected for inclusion in the book will also be asked for a paragraph long biography of themselves, any web-links they may wish to share will be included.
– Contributors retain full copyright over their work
– Long submissions may be used in excerpt or edited form, but this would be done with prior knowledge and consent of contributor.

– Poetry must be relevant to any of the group themes listed in the Folk Horror Revival description as listed beneath our Welcome here https://folkhorrorrevival.com/
– Poetry must NOT be pornographic, gratuitously gory, libelous, racist, sexist or otherwise bigoted, an infringement on anyone else’s copyright, politically motivated. Such poems will not be accepted.
– Poetry must be submitted either as a Word document, Open Office file or within the body of a message. Please do not format beyond use of italics, bold text or underlining. Fonts used in the book are the sole decision of the FHR admin.

– Submissions are to be sent to folkhorrorrevival@gmail.com, with the subject Corpse Roads.
– Only genuine submissions or queries please. If anyone sends another message without just cause, they will be blocked from the group.
– The deadline for submissions is 30th March 2016. Any submissions sent after that date will not qualify.
Thank you and Happy composing
🙂

The Constant University

The Constant University is an erratically updated repository for the meta-narratice weird fiction, poetry and photography of FHR admin Dan Hunt.

The Constant University is an erratically updated repository for the weird fiction, poetry and photography of FHR admin Dan Hunt. The stories held within are less about telling a narrative than building a world and, in the same way that the inhabitants of our own world dream their dreams independently of one another, these fragments are of a whole yet separate.

I remember how it started, lined up tightly in the alleys and closes across the road. It was early morning. I was cold. Water trickled down from a leaking gutter, splashing onto my jerkin. The Ballivo made some kind of speech. I didn’t understand much of it apart from ‘charge’ and we pushed forward to storm the gates. The old locks splintered easily under the hammers of the leading men and we tumbled through, onto the boulevard.

And that’s when it all went so horribly, horribly wrong…

This is a place of bustling markets and haunted libraries, of sewers that teem with rustling things, of distant lights in fog, of murder, of sorrow and of half-human howls echoing over endless moors.

https://constantuniversity.wordpress.com/