Vernal Equinox Charity Donation 2017

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Happy Springtide to all revivalists 🙂

We are pleased to donate £201.69 from the sales profits of our books on this Vernal Equinox to the Osprey Nesting Appeal by Cumbria Wildlife Trust.
Thank You for voting and Thank You for buying our books. 100% of our book sales profits will continue to be donated quarterly to Wildlife Trusts projects. Please continue to buy our books, several magical new tomes will be released soon and more still in the pipeline.

Books available from – http://www.lulu.com/spotlight/andypaciorek

To donate directly to Wildlife Trusts ‘projects – http://www.wildlifetrusts.org/appeals

image: 19th Century print. Artist unidentified.

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Story: A Poem by Carmit Kordov

Story

Yearning for the old language of my blood, bone, skin.

Searching for my stone, my soil

stained with grief

splintered with joy.

Echoes, wistful, reverberate a desire in me.

Layers of my past, senses, corrupt my present

force me toward a hard and piercing future.

But mollify too with soft promises.

I mourn the tanned, weathered experiences, pieces of myself.

I strain to hold them tight around me like protection against wind.

I seek out rivers, streams and ponds

forge through elemental forests

rejoice in the leaves’ breath harsh and tender

brush against walls, stone, foundations dense with histories

push along through familiar unfamiliar streets.

Forced to make choices, take paths one way only.

The present infiltrates, shoves and urges me forward

cuts into viscous layers of the past.

Here I am: child, girl, woman.

I am the storyteller.

I demand the past bind itself to me and keep with me in the present.

I am the story

I will not disappear.

Words and Picture (C) Carmit Kordov

Please visit Carmit Kordov Words and Pictures (https://www.facebook.com/carmitkordovwordsandpictures/ ) for more poetry, photography, writing and cultural content that veers towards Magic Realism.

This poem appeared in Corpse Roads (https://folkhorrorrevival.com/folk-horror-revival-corpse-roads/), a Wyrd Harvest Press book (https://folkhorrorrevival.com/wyrd-harvest-press/).

FHR Charity Donation – January 2017

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To mark the turn of the year, we have again charitably donated the sales profits from our books to different Wildlife Trusts projects as voted for by members of the Folk Horror Revival facebook group.

winter-2016

This time we have donated £530.46 to Devon Wildlife Trust’s Keep Beavers in the Wild Project.

Thank You to all those who voted and especially to those who have purchased our books. Wyrd Harvest Press will be releasing several exciting new tomes in 2017.

Folk Horror Revival: Field StudiesFolk Horror Revival: Corpse RoadsThe Carnival Of Dark Dreams

 

Captive

Captive, by Doris Masters

Screen Shot 2016-09-03 at 01.26.56

It smiles at me with frothy lips
Inviting me to stay;
To watch it as it leaps and drips with sand and stones at play.
The gulls fly screaming overhead
As if their prey to wake;
They dive into the watery mass,
At liberty to take.

Its icy waves they touch my skin
And play around my feet.
Seaweed stops and lingers there, the hazard it will meet.
Who knows what secrets it contains,
On its dark and secret bottom;
With rusting wreckage, and silver bones
Of heroes long forgotten.

What mythical beings are dwelling there?
Mermaids, Monsters, Lorelei;
The tales we heard so long ago, in us will never die.
It’s enticing me to join it
In its never ending quest;
To swallow up the living earth
And leave mortal souls at rest.

The sea goes on forever
As it has since time began;
Guided by a silver moon, never touched by wars or man.
I shiver in its coldness
Wanting not to go,
And leave this green and pleasant land
I have come to know.

I can no longer stay here
A captive on the beach
Two steps back, and they will take me
Forever out of reach.

(August 2016)

Image by Dan Hunt, Seafield Beach MMXVI

Tim Turnbull ~ Ghosts of the Corpse Roads

By a strange twist of fate, the words of a poet who tread the Corpse Roads, vanished upon the breeze. An echo of his testimonial remained carved upon milestones.

Here now though through the scrying of technology once undreamed of, we have captured the whispers from the aether and bring you now the poetry of Tim Turnbull

Scarecrow

They have brought him indoors again, Scarecrow,cC5Ah9nJAPuMjYrVODu1a2uhv8JxrloC1ynIrLPR8tPhDfQCnTmt3G1IZBxijVXC3-RAAlF3YYrggvgyVekh99T9F1Js9EEoscxNsfvMdeUQCRrJiOPIGYQZKnL8Htv5aWJFz8-f9CX64RQhqb-wHL6Km8U=s0-d-e1-ft
propped him in the armchair, poured him a nip
of Laphroaig (doubles for themselves) and toast
and laud him, fine splendid fellow that he is:

for did he not bring them glories unbekent
in their lifetimes, class and outright victory
at Scarecrow Festival; did not the beer tent
glow all night, song swell through the district

over misted fields and greening woodland.
Hail to thee, O Flay-crake! O Hodmedod!
O Bogle! they cry, glasses in raised hands,
in honour of their straw-stuffed half-a-god,

and Scarecrow tilts his head as if perplexed:
their panegyric’s tinctured with derision,
and rough-handling, not kindness or respect,
distinguishes their weekly depositions.

Tonight a boot was left among the furrows;
tomorrow they’ll drag him out and nail him
back up again, nursing filthy hangovers,
and leave him to the mercy of the wind.

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An Old Acquaintance

Death comes chapping the door at 2 a.m.,
jiggling an own-brand single malt as bait.
So long and anxiously anticipated,
he – half coy maiden, half best bosom friend –
slurs mitigations, invites himself in,
and from the sofa, roiling bletherskate,
holds forth; confides, inveigles and berates;
oscillates between rapture and maudlin.

Through hours of inebriate remembrance,
discourse descends to fractured anecdote,
to he said/they said/something happened once,
and thence to warm and grainy oblivion
until the morning takes you by the throat
and searing, sickening light reveals him gone.

Cymag

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Surprising how it has seeped into one’s
being, all that land; that boggy patch
behind the Dutch barn, not discernible
from the field edge – perhaps with geophyz
or satellite it might show up – which caught
the ploughshares and pulled the Fordson
back on its heels, so that, with differential
lock and independent brakes, we churned
and worked in tacky clay until the plough
came free; and across the field, the wood,
frightening and dark, which had been just that –
a wood – but now’s Picea abies, Norway spruce,
un-thinned, neglected, spindly, a poor crop,
overlain since with accretions of schooling,
fact, and even – whisper it – the odd opinion;
and beyond the wood the hedgerow where,
one autumn afternoon, we went with tin
and a tarnished dessert spoon lashed
to a bamboo cane, and I filled the bowl
with pink powder, thrust it down the last
unblocked rabbit hole, tipped the poison,
withdrew and sealed it in the earth.

Poetry © Tim Turnbull

Tim grew up in a farming family in North Yorkshire and resides currently in Highland Perthshire. His collection of eerie tales, ‘Silence and Other Stories‘ is published by Postbox Press. His poetry is available from Donut Press.

Wyrd Harvest Press are planning to publish more of Tim’s poetry in the near future. Keep watching these lonely paths …

http://www.timturnbull.co.uk/

Photos © Andy Paciorek

Corpse Roads Final Reminder

The Corpse Roads draw closer …
Could the poets / photographers whom have had work accepted in the book and wish to have their biography and web-links included but have not already sent, please email the details to folkhorrorrevival@gmail.com no later than 5th April 2016 pleas. After this date it will no longer be possible to include in the book Thanks smile emoticon

Image © Carole Tyrrell

edited by Andy Paciorek

Corpse Roads: A Call Out to Poets

The Poet, Egon Schiele (1911)

 

We are seeking poetry submissions for a forthcoming book, Folk Horror Revival: Corpse Roads.

Please read the whole post here if wishing to submit – Thank You.

– Please submit only your own work.
– Inclusion in the book is not guaranteed. Only successful contributors will be notified. Do not be offended by an unsuccessful attempt to contribute. We have limited space and will pick the most appropriate poems. This is not a reflection on anybody’s work or ability.
– 100% of all sales profits of the book will be charitably donated to The Wildlife Trusts therefore the work is unpaid (same for us admins too)
– As each book will be made specifically to order, unfortunately free paper copies are not possible (admins need to buy their copies too) but contributors included in the book will receive a complimentary PDF edition.
– Contributors selected for inclusion in the book will also be asked for a paragraph long biography of themselves, any web-links they may wish to share will be included.
– Contributors retain full copyright over their work
– Long submissions may be used in excerpt or edited form, but this would be done with prior knowledge and consent of contributor.

– Poetry must be relevant to any of the group themes listed in the Folk Horror Revival description as listed beneath our Welcome here https://folkhorrorrevival.com/
– Poetry must NOT be pornographic, gratuitously gory, libelous, racist, sexist or otherwise bigoted, an infringement on anyone else’s copyright, politically motivated. Such poems will not be accepted.
– Poetry must be submitted either as a Word document, Open Office file or within the body of a message. Please do not format beyond use of italics, bold text or underlining. Fonts used in the book are the sole decision of the FHR admin.

– Submissions are to be sent to folkhorrorrevival@gmail.com, with the subject Corpse Roads.
– Only genuine submissions or queries please. If anyone sends another message without just cause, they will be blocked from the group.
– The deadline for submissions is 30th March 2016. Any submissions sent after that date will not qualify.
Thank you and Happy composing
🙂