Folk Horror Revival – Winter Ghosts 2019 – First Announcement!

This December, Folk Horror Revival, will be returning to Whitby for our second Winter Ghosts event. The all day happening takes place at the Metropole ballroom, on December 14th 2019. The event will run from 1pm until after midnight and features some truly outstanding talks, stories, music, films and much, much more besides. The lineup itself has been handpicked by our team, and features some truly incredible talent that we simply can’t wait for you to see.

It is with much excitement that we would like to announce Al Ridenour as our first guest.

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Explore the authentic folklore, history and contemporary practices associated with the Krampus with Al Ridenour, author of The Krampus and the Old, Dark Christmas and
preeminent English-language expert on the subject. Ridenour’s lively presentation,
illustrated with slides, archival video (and a drop-in by a LIVE KRAMPUS) reveals how
this often-misunderstood figure is connected to centuries-old witchcraft beliefs and an
older darker understanding of the Christmas season as a time offering access to the spirit
world. Now in its second printing, The Krampus was described by LA Times’ books critic
Elizabeth as “gleefully erudite,” and a book that “deserves to become a classic.”
Ridenour is also a producer of Krampus events in Los Angeles, an artist and mask-maker,
and host of the folk-horror podcast, Bone and Sickle.

Home

https://www.boneandsickle.com/

Joining Al for more Krampus related fun and frolics will be Whitby’s very own Elaine Edmunds and Laurence Mitchell of Decadent Drawing, organisers of the annual Whitby Krampus run that takes place each December, and raises much needed funds for The Whitby Wildlife Sanctuary.

https://www.decadentdrawing.com/

 

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We don’t want to say too much at this stage, but we can promise Al, Elaine and Laurence have something a little special planned for Winter Ghosts, and we can’t wait for you all to see it.

Our first musical addition to the lineup is the sensational Burd Ellen, the new solo project from Debbie Armour (Alasdair Roberts, Green Ribbons, Alex Rex) featuring Gayle Brogan (Pefkin, Barrett’s Dottled Beauty) and Lucy Duncan (Luki). The group uses traditional song to explore and evoke dark landscapes and deep stories. Innovative instrumentation, drone and sound-wash support detailed vocal work to create a unique sonic atmosphere.
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Burd Ellen self-released their debut album SILVER CAME in Feb 2019, on limited edition CD. A record exploring women’s narratives in British folk song, SILVER CAME investigates ideas of persistence, defiance, devotion and transformation. The album was recorded by Jer Reid (Painted X-Ray, Claquer, Glasgow Improvisers Orchestra) over two days in the rehearsal space of Glasgow Theatre Arts Collective.

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“sonically adventurous … with an emotional range and a raw inventiveness which is all too rare in contemporary folk circles.” – Alex Neilson
“A masterclass in shimmering, ethereal folk music… Cannot recommend highly enough” – Kyle Lonsdale, Earth Recordings

burdellen.com – burdellen.bandcamp.com
Sweet Lemany music video – https://www.youtube.com/watch?v=PSRB5Vsvx2A

Our final guest for this first announcement is George Cromack, a writer, sessional tutor and lecturer whose core subject areas are creative fiction, specifically Scriptwriting for film & T.V, and Film Studies. For almost ten years George taught on a number of programmes at the University of Hull’s Scarborough Campus – including modules on their Creative Writing Degree. It was during this time he developed his interest in what has become widely known as the Folk Horror genre, the subject of his film based PhD thesis, delivering a paper on some of its narrative conventions at the Fiend in the Furrows Conference in Belfast.  A keen advocate of adult and community education, George also teaches evening classes in Film Studies & Creative Writing for the local Scarborough branch of the WEA and introduces the occasional film screening at the Stephen Joseph Theatre. Recently one of his fictional short stories was included in Terrors Tales for a Winter’s Eve, a small collection of ghostly tales from local writers.

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George’s talk ‘Home for the Holidays’ will take inspiration from adaptations of popular children’s stories in film and television such as The Children of Green Knowe, Moondial and the Amazing Mr Blunden examining their use of the ‘time slip’ narrative, notions of ‘ancestral mystery’ and speculating on their appeal.

Right that’s it for now, we’ve much more still to come, so please keep checking back for further announcements. Tickets are available from the link below priced at £13 for the full day and £7 for the evening. So what are you waiting for, grab your tickets now while stocks last.

https://www.eventbrite.co.uk/e/folk-horror-revival-presents-winter-ghosts-tickets-55468722442.ant

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The Whitby Krampus Run – An Interview with Elaine Edmunds and Laurence Mitchell

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The Whitby Krampus Run is rapidly becoming one of the annual must see events in the Whitby calendar. Organised by a couple of ne’er do wells and mischief makers Elaine Edmunds and Laurence Mitchell of Decadent Drawing, this fabulous event grows year on year, raising much needed funds for the amazing work done by the team at the Whitby Wildlife Sanctuary. We were lucky enough to drag Elaine and Laurence away from their preparation for this year’s event to discuss the event’s history, legacy and what the future holds.

 

FHR: The Whitby Krampus Run seems to be growing in popularity year on year. How did it all come about? I believe it has something to do with one of your Decadent Drawing art sessions?

We used to put on monthly themed life drawing/performances at La Rosa. The story of Naughty Little Hans was our festive special in 2013 featuring our very first Krampus. The mask was made by Neal Harvey of Rubber Gorilla. The following evening was actually the Eve of the Feast of St Nicholas,  it seemed a waste not to use the costume again  so we took him for a stroll through Whitby. We started Whitby Krampus Run proper in 2015 with a few friends and it’s developed from here. Once we started getting attention it was time to put it on as a public event with approval of the authorities

 

FHR: The event raises much needed funds for the The Whitby Wildlife Sanctuary, can you tell us how the connection between you and the sanctuary came about, and could you possibly tell us a little about the amazing work they do?

A local charity dear to our hearts because of the sheer dedication and expertise. It’s not just a rescue but a valued educational resource. Every year the work grows and the need for funding increases. They provide an excellent service not just for Whitby but across the NorthEast. I’m honoured to be one of the Trustees.

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FHR: Krampus was a little known folkloric figure hailing from Austria and Germany until the last few years when we have seen a rise in interest in him.  I am sure your event along with Al Ridenour’s wonderful book The Krampus and the Old Dark Christmas are among the myriad of reasons for that growth of interest. For those that know little of Krampus, can you give us a brief introduction to his story?

Certainly little known outside the Austrian and German towns and villages that held the events. Which looking back is quite incredible really. A brief history of Krampus? But considering only slight variations in the Alpine folklore there does not appear to be one definitive answer to his origins but it would be reasonable to say he’s pre Christian pagan and a protector. Krampus mythology had persisted enough throughout the Christianising of Germany to become incorporated into the 16th/17th century Christian narrative. St Nicholas was a popular Saint in Germany with his feast day in early December and Krampus became the good saints side kick, the one that dished out the punishment. Krampus’ appearance is generally anthropomorphic goat a horned hairy beast. Chains on one hand to possibly signify the devil bound by Christianity. Sometimes with a long pointy tongue sometimes without. A modern addition of basket on his back to place naughty children and a bundle of birch twigs to smack them with. No Krampus is complete without bells. Loud bells which would alert you to his coming among the alpine villages and towns. The story is now quite set but Krampus’ image develops with the times…but not for traditionalists.

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FHR:  I believe you make the costumes you use for the run yourselves. Creating such elaborate costumes must involve an enormous amount of work on your part? Can you tell us a little bit about the process, and how the costumes have changed since the event was introduced?

We’ve now got a wooden Austrian mask as well as the latex originals from Neal Harvey. The costumes and props do take a lot of time and effort. The participants put in so much work and enthusiasm into their own costumes and there’s some stunning creations. We are all quite skilled at recycling materials and problem solving. I made a mask last year based on the Star Carr Mesiolithic antler headdress which turned out very well especially as I didn’t know what I was doing. Lisa Eagleton has been very inventive using a horse hoof from a pet shop to put on her prosthetic leg. Interestingly more than half the participants in our group are women. The less ‘traditionalist’ Austrian and German costumes have evolved to become more realistic and orc like…I like them to have more of an older homemade feel…I think it makes for a much odder appearance…much more folk art. We are still to solve the problem of being able to see.

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FHR: I have heard that Whitby Krampus Run 2018 promises to be the biggest and best yet. Can you tell us about anything new and exciting you have planned to take place on the day, or any ideas you may be working on?

It’s an interesting year for us in building on the success. We’re clear that we are an interpretation and not a direct copy. This allows us to incorporate ideas specific to the local and ideas that just seem like mad fun. If they work they can stay if not plenty more where they came from. Really happy to have more Krampus involved this year and see them creating their costume/character. Those involved are all enthusiasts, we all have skill sets but this is new to us all. This year we are really delighted to have a troupe of experienced drummers lead the way bringing a small bit of order. We also have the market place throughout the day where you can bag some merch and we can carry out our parade finale as intended. The market place is a great backdrop and would be perfect to use it for a play or film at night in the future….then one day there’ll be Viking ships, submarines, giant snowballs/toboggan down the donkey path, meat raffles…ideas are no problem just the usual limits of finance and or health and safety.

 

Thank you to Elaine and Laurence for taking time out of their busy schedule to chat to us about The Whitby Krampus Run 2018. The amazing work they do in making people happy and raising money for a cause like the Whitby Wildlife Sanctuary is something that deserves to be applauded.

The Krampus Run takes place on Saturday December 1st around the streets of the beautiful town of Whitby. Several members of the FHR team will be in attendance at this event, and we hope to bring you photographs and reviews of the day for those who are too far away to make it to what will be one of the North of England’s must-see events in the Wyrd calendar for 2018. Hope to see some of you there.

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If you would like to find out more about the Krampus Run check out Elaine and Laurence’s Kramus blog here:

https://spark.adobe.com/page/SabqDn8I1AN4L/?fbclid=IwAR0x4QWgEg12aShz1seqaTmRZeBIvhQcIq7ygZ3F_QB7ArsC5g-xhx0_znY

Their Decadent Drawing blog is at the link below:

https://www.decadentdrawing.com/

 

For more information and for details on how to donate to the Whitby Wildlife Sanctuary:

https://www.whitbywildlife.co.uk/

 

If you’re still craving more information about Krampus Al Ridenour’s excellent book is available from the following Amazon link: